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By examining Slovene immigrant to the United States and world-renowned author Louis Adamic's effort to mediate between his Yugoslav and American identities, this article helps us to think what having a transnational identity means. By focusing on Adamic's writings about Trieste and Italy in general, the article shows how he transitioned from being a disaporic leader during World War II to an anti-colonialist from 1946–1951. Examining Adamic's activist stances regarding Trieste helps us to think about transnationalism beyond a single cross-border movement or an individual's identity claim at a specific moment. Adamic's effort to convince the U.S. government that Yugoslavia should control Trieste allows us to see how transnationalism operated as an identity in flux.

Članek s pomočjo prizadevanj slovenskega priseljenca v Združene države in svetovno znanega pisatelja Louisa Adamiča, da bi krmaril med svojima dvema identitetama, jugoslovansko in ameriško, kaže, kaj v praksi pomeni transnacionalna identiteta. Na podlagi Adamičevih splošnih zapisov o Trstu in Italiji osvetljuje njegov prehod od vodje diaspore med drugo svetovno vojno do antikolonialista v letih 1946–1951. Analiza Adamičeve aktivistične drže do Trsta omogoča lažje razumevanje transnacionalizma onkraj posameznikovega čezmejnega premika oziroma posameznikove trenutne identitetne opredelitve. Adamičeva prizadevanja, da bi vlado ZDA prepričal o nujnosti jugoslovanskega nadzora Trsta, omogočajo vpogled v delovanje transnacionalizma kot identitete v gibanju. ; By examining Slovene immigrant to the United States and world-renowned author Louis Adamic's effort to mediate between his Yugoslav and American identities, this article helps us to think what having a transnational identity means. By focusing on Adamic's writings about Trieste and Italy in general, the article shows how he transitioned from being a disaporic leader during World War II to an anti-colonialist from 1946–1951. Examining Adamic's activist stances regarding Trieste helps us to think about transnationalism beyond a single cross-border movement or an individual's identity claim at a specific moment. Adamic's effort to convince the U.S. government that Yugoslavia should control Trieste allows us to see how transnationalism operated as an identity in flux.

Czechoslovakia and Yugoslavia were two successor states of the Austro-Hungarian empire at great pains in the interwar period to portray themselves, both domestically and internationally, as 'victor states' of the First World War, even though both states inherited societies that were deeply fractured by the experience of war. The symbol of the pro-Entente war volunteer was an important part of both states' interwar cultures of victory. Such volunteers represented just a fraction of war veterans in both countries, but they were given great prominence in their respective state-forming cultures. This article is a study of the origins and the nature of this important entanglement. It begins by defining the problematic nature of the 'culture of victory' in the region, before going on to explore the common origins of the volunteer movements in the wartime pro-Entente émigré groups. It then moves on to a discussion of consequences of the privileging of volunteer veterans in the institutional, political, and commemorative cultures of the two states.

This essay examines the legacy of gay playwright and activist Robert Chesley through an in-depth look at his most controversial play, Jerker, or The Helping Hand (1986), uncovering a unique strand of safe-sex advocacy that emphasized sound—and the voice specifically—to manifest queer desire. Phone sex, or dial-a-porn, as it was first called, rose to popularity in the 1980s amid the AIDS crisis. Chesley's depiction of it onstage reimagined the pornographic address, unleashing it from the visual primacy of video porn of the time to foreground elegiac, pedagogic, and ethical dimensions. The broadcast of Jerker on radio station KPFK-FM, however, spurred a legal redefinition of indecency in 1987 and further imperiled safe-sex advocacy that refused to skirt eroticism. In an era when "Silence = Death," Chesley's Jerker revealed the complexities of the mediated voice as a tool for survival, remembrance, and unbounded pleasure.

Autonomous Vehicle (AV) technology promises to dramatically reduce deaths and economic losses from crashes caused by human error, increase mobility for those with disabilities, and revolutionize the auto industry. Yet legislation to facilitate oversight of the development and deployment of AVs is stalling in Congress. Professor John Paul MacDuffie offers a primer on AV technology policy, and discusses strategies for addressing safety and other public concerns while still facilitating AV innovation in the private sector. ; https://repository.upenn.edu/pennwhartonppi/1056/thumbnail.jpg