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E-waste is looming as a gigantic global problem that is an increasing threat to ecology, biology and sustainability. Most of e-waste management solutions, legislations and enforcements thus far are post-factum (after the e-waste stream or damage has occurred) band aids or quick-fixes that become mutated problems of tomorrow. In exploring ethics of e-waste management, we offer an integrated before– during–after approach of inputs, processes and outputs. We first characterize the e-waste enterprise in its antecedent inputs of design and production, in its process of distribution and marketing, and in its consequent outputs of e-consumption, e-disposal and e-waste. Several ethical theories are invoked and applied and their potential for resolving the e-waste problem explored.

Introduction : men in the middle -- Crisis and the history of masculinity -- Lonely men : David Riesman and character -- A feeling of crisis : the 1950s -- Sex is sex : Alfred Kinsey and the report that shook the world -- My answer : Billy Graham and male conversions -- The Ozzie show : learning companionate fatherhood -- Mendacity : men, lies, and cat on a hot tin roof -- The gender of high culture -- Getting used to women : perspectives on masculinity crisis

Discusses using the land grant university model on an international level, in this case program development in Senegal.

The 1950s religious boom was organized around the male-breadwinner lifestyle in the burgeoning postwar suburbs. But since the 1950s, family life has been fundamentally reconfigured in the United States. How do religion and family fit together today? This book examines how religious congregations in America have responded to changes in family structure, and how families participate in local religious life. Based on a study of congregations and community residents in upstate New York, sociologist Penny Edgell argues that while some religious groups may be nostalgic for the Ozzie and Harriet d

Exuberant and ambitious, The Fifties delves into a decade that remains a monumental and lasting turning point in American historyJoe McCarthy. Marilyn Monroe. The H-bomb. Ozzie and Harriet. Elvis. Civil rights. It's undeniable: The fifties were a defining decade for America, complete with sweeping cultural change and political upheaval. This decade is also the focus of David Halberstam's triumphant The Fifties, which stands as an enduring classic and was an instant New York Times bestseller upon its publication. More than a survey of the decade, it is a masterfully woven examination of far-rea

The typical American family has changed dramatically since the days of ""Ozzie and Harriet"" and ""Father Knows Best."" Double-income families are now the rule, and fathers are much more involved in raising the children and cleaning house. Reactions to these changes have been diverse, ranging from grave misgivings to a sense of liberation and new possibility. Groups as diverse as Promise Keepers, the Million Man March, and Robert Bly's mythopoetic men's movement tell us that fathers are important. From the fundamentalist right to the feminist left, opinions about the changing nature of the fam

Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- About the Authors -- Preface -- 1 Changing Intergenerational Family Dependence: A Difficult Family Decision -- 2 The Ties that Bind? Changing Family Options: A Long Way from Ozzie and Harriet -- 3 Socializing the Financial Support of the Elderly: Who Pays for Care at the End of Life? -- 4 Manufactured Risk and Reproductive Technology: There are Many Ways to Have a Baby -- 5 Where Will We Put Mimi? When Family Members Do Not Agree -- 6 Mandatory Support of Aging Parents: A Moral Obligation -- 7 Respect for Autonomy: Difficult Decisions Concerning Medical Care: Who Decides When Treatment is Useless? -- 8 Family Decisions at the End of Life: Une mort très douce -- 9 Physician-Assisted Death: I Am the Master of My Fate -- 10 Civil Society and the Family: If You Can't Be with the One You Love… -- 11 The Future of Intergenerational Solidarity: Families Caring for an Aging America -- Index

Introduction to the language of bribery -- Bribery : a brief history and background -- The linguistic tools for dealing with bribery -- The crystal-clear bribery events of U.S. Congressmen Ozzie Myers and Richard Kelly -- The aborted bribery event of U.S. Senator Larry Pressler -- The camouflaged bribery events of Businessmen Kenneth McDonald and Milton McGregor -- The bribery event that continued after the target said "no" : the case of U.S. Senator Harrison A. Williams -- The entrapment bribery event of taxpayer Vaughn Sligh -- The business transaction event that morphed into a bribery event : the case of Texas State Legislator Billy Clayton -- The bungled rejection of a bribery event by Nevada Brothel Commissioners John Poli and John McNown -- The coded bribery event of Federal Judge Alcee Hastings -- The manipulated bribery event of Businessman Paul Manziel -- The bribery event that never happened : the case of Businessman Vernon Drabek -- The role of linguistic analysis in bribery cases -- The legal context of bribery language and law.

"Television Brandcasting examines U.S. television's utility as a medium for branded storytelling. It investigates the current and historical role that television content, promotion, and hybrids of the two have played in disseminating brand messaging and influencing consumer decision-making. Juxtaposing the current period of transition with that of the 1950s-1960s, this bookJennifer Gillan outlines how in each era new technologies unsettled entrenched business models, ; an emergent viewing platform threatened to undermine an established one, ; and content providers worried over the behavior of once-dependable audiences. The anxieties led to storytelling, promotion, and advertising experiments, including the Disneyland series, embedded rock music videos in Ozzie & Harriet, credit sequence brand integration, Modern Family's parent company promotion episodes, second screen initiatives, and social TV experiments. Offering contemporary and classic examples from the American Broadcasting Company, Disney Channel, ABC Family, and Showtime, individual chapters focus on brandcasting at the level of the television series, network schedule, the "Blu-ray/ DVD/Digital" combo pack, the promotional short, the cause marketing campaign, and across social media space. In this follow-up to her successful previous book, Television and New Media: Must-Click TV, Gillan's new book provides vital insights into television's role in the expansion of a brand-centric U.S. culture"--

This article is about the family (domestic) comedy, one of the most popular and enduring genre on television. The first section concentrates on the background and rationale for studying family life as portrayed in television's domestic comedies; the second follows the evolution of the TV family from Molly Goldberg in the 1940s when television came into American homes to the Nelsons (The Adventures of Ozzie and Harriet) and the Stones (The Donna Reed Show) in the 1950s to the Huxtables (The Cosby Show) and Keatons of Family Ties in the 1980s. The focus is on how gender, race, and class have been portrayed over time, and whether the messages, issues, and themes about love and sex have changed and in what ways. After analyzing approximately 40 years of television, the article concludes by noting that the family is not always presented as conflict-free. Family members often make fun of each other; sometimes they deceive each other to get their way; and often interact by putting each other down. However, the family is basically the place where one goes for support, to solve problems that are generated from the outside, and to find solace when needed.

"Television Brandcasting examines U. S. television's utility as a medium for branded storytelling. It investigates the current and historical role that television content, promotion, and hybrids of the two have played in disseminating brand messaging and influencing consumer decision-making. Juxtaposing the current period of transition with that of the 1950s-1960s, this bookJennifer Gillan outlines how in each era new technologies unsettled entrenched business models,; an emergent viewing platform threatened to undermine an established one,; and content providers worried over the behavior of once-dependable audiences. The anxieties led to storytelling, promotion, and advertising experiments, including the Disneyland series, embedded rock music videos in Ozzie & Harriet, credit sequence brand integration, Modern Family's parent company promotion episodes, second screen initiatives, and social TV experiments. Offering contemporary and classic examples from the American Broadcasting Company, Disney Channel, ABC Family, and Showtime, individual chapters focus on brandcasting at the level of the television series, network schedule, the "Blu-ray/ DVD/Digital" combo pack, the promotional short, the cause marketing campaign, and across social media space. In this follow-up to her successful previous book, Television and New Media: Must-Click TV, Gillan's new book provides vital insights into television's role in the expansion of a brand-centric U.S. culture"--