Suchergebnisse

Often referred to as the "American Agatha Christie," Mary Roberts Rinehart did much to popularize and refine the mystery genre in the United States. The Street of Seven Stars follows an American musician, Harmony Wells, to Austria, where she has gone to hone her violin skills. Though the dashing doctor she meets there appears to want to protect her, there may be more to his motives than meets the eye

In the Islamic hadith corpus and Quran, the way to atone for sins is called tawba (or tawbah), which requires one to complete a series of steps to receive forgiveness from Allah (God). Jihadist terrorist organizations use primarily Quranic scripture to recruit and employ suicide bombers who may have a guilty conscience for their past sins. It is said that martyrdom, or istishadi, will automatically save Muslims from hell and grant access to paradise no matter the sin committed. One of the understudied reasons for istishadi suicide bombings in jihadist groups is the concept of atonement. This article answers the following research questions: What role does guilt in Islam play in the motivations for male and female Sunni jihadist suicide bombers, and why is tawba not utilized?

We experience judgment in everyday life: the process and the outcome, making and receiving. In this piece, I turn to John Dewey's notions on how judgments are situational, interpretive, (con)temporary, active, and relational. Contrary to everyday connotations of the word judgment, Dewey reminds us that judgment is more contingent than propositional. The aim of this piece is to re-consider our understanding of judgment in everyday educational work. Crafted from a range of sources, anecdotes are alternated with statements about judgment in the work of school principals and teachers, one to illustrate the other. The form chosen for this project echoes that of Ron Pelias's 1994 piece on performance in everyday discourse.

In this piece, I explore two related issues of new critical Indigenous research. First, building on previous work, I recap the similarities and differences—in terms of social justice issues—of several historical cases regarding Indigenous peoples. I then examine the role of respect—especially "reciprocal respect"—in Pan-Pacific Indigenous research and give exemplars from New Zealand, Filipino, Aboriginal, and Samoan contexts as discussion points that ground a larger examination of mutual respect, mutuality, and cooperative behaviour. Finally, I suggest that the historical treatments of various Indigenous peoples to this day impact upon the form and tenor of critical Indigenous research.

This paper explores the dissemination of French dance, dance notation, and dance music throughout Europe, and it explains the reasons why French culture had such an influence on other European societies from 1600-1750. First, the paper seeks to prove that King Louis XIV played a significant role in the outpour of French dance and the arts. Next, the paper discusses prominent French writers of dance notation who influenced the spread of French dance literature and training throughout Europe. Finally, the paper delineates European composers and their involvement in the development and production of French dance music. Using academic, peer-reviewed journal articles, books, and other scholarly sources, this paper seeks to accurately present the information in an orderly fashion. The paper contains visual evidence of dance and music notation to assist the reader in understanding the subject matter. Additionally, theories of contemporary authors as well as authors from the time period are discussed to present concrete evidence. The two main types of dance discussed in the paper are ballroom and court dances, which were prominent within the French royal court. One major finding of the research is the fact that French court and ballroom dances were specifically designed to communicate the power and prestige of King Louis XIV; consequently, other European countries were influenced to strive for similar prestige. Another finding is that many forms of French dance notation were translated and published in other countries, which increased the use of French dance throughout Europe. Musically, European composers such as Handel and Mozart included elements of French dance music in their compositions, and thus played a significant role in prevalence of French dance music throughout Europe. Overall, this paper proves that French dance received wide recognition due to political influence, availability of dance notation, and the involvement of prominent composers.

This paper explores the dissemination of French dance, dance notation, and dance music throughout Europe, and it explains the reasons why French culture had such an influence on other European societies from 1600-1750. First, the paper seeks to prove that King Louis XIV played a significant role in the outpour of French dance and the arts. Next, the paper discusses prominent French writers of dance notation who influenced the spread of French dance literature and training throughout Europe. Finally, the paper delineates European composers and their involvement in the development and production of French dance music. Using academic, peer-reviewed journal articles, books, and other scholarly sources, this paper seeks to accurately present the information in an orderly fashion. The paper contains visual evidence of dance and music notation to assist the reader in understanding the subject matter. Additionally, theories of contemporary authors as well as authors from the time period are discussed to present concrete evidence. The two main types of dance discussed in the paper are ballroom and court dances, which were prominent within the French royal court. One major finding of the research is the fact that French court and ballroom dances were specifically designed to communicate the power and prestige of King Louis XIV; consequently, other European countries were influenced to strive for similar prestige. Another finding is that many forms of French dance notation were translated and published in other countries, which increased the use of French dance throughout Europe. Musically, European composers such as Handel and Mozart included elements of French dance music in their compositions, and thus played a significant role in prevalence of French dance music throughout Europe. Overall, this paper proves that French dance received wide recognition due to political influence, availability of dance notation, and the involvement of prominent composers.

Media shifts in the past 50 years based on a late capitalist economics have profoundly affected how a film is produced, delivered, and received. In this article, I aim to examine two exemplar surf films— The Endless Summer (1964) and Slow Dance (2013)—as well as the surf film genre to note some of the ways these cultural artifacts have changed over time. I link these shifts to larger cultural shifts, and draw attention to several key strategies that these surf films utilize to remain topical to their audiences.