Suchergebnisse

The article and its argument are based on a hitherto unexplored Ethiopian chronicle, which offers a uniquely detailed description of a series of enthronement rites. The article explores and deciphers symbolism displayed in these acts, which was drawn from the past and remodelled to form ideological underpinning for the monarchy of Yoḥannǝs IV (1872–89) and to legitimise his imperial project. The article argues that despite the fact that the record of these events is likely to have been 'adjusted' by Ethiopian chroniclers, their writings still points to what they thought should happen during a ritual in order for it to be effective. Consequently, the authors of the chronicle revealed to us the role of ritual in the legitimising project of late 19th-century Ethiopia.

ABSTRACT
This paper considers the political mobilisation of the mining industry in response to increasing levels of popular concern regarding environmental issues. The focus is upon the rhetoric used by mining companies in their endeavour to gain government permission to mine Coronation Hill in Australia's Northern Territory. In order to ensure profitability mining companies will individually and collectively undertake political activities. In recent years a growing awareness of environmental degradation and a wave of popular concern for protecting the environment has left Australian mining companies worrying that their perceived right to exploit the environment is threatened. This is especially so for an industry so reliant on extracting resources from the natural environment. The mining industry has responded to this political challenge by developing various forms of rhetoric to justify its continued exploitation, and indeed degradation, of the natural environment.

This article examines the ways in which popular culture stages and supplies resources for agency in everyday life, with particular attention to migration and borders. Drawing upon cultural studies, and specific insights originating from the Birmingham Centre for Contemporary Cultural Studies, we explore how intersectional identities such as race, ethnicity, class, and gender are experienced in relation to the globalisation of culture and identity in a 2007 Coronation Street storyline. The soap opera genre offers particular insights into how agency emerges in everyday life as migrants and locals navigate the forces of globalisation. We argue that a focus on popular culture can mitigate the problem of isolating migrant experiences from local experiences in migrant-receiving areas.

The interaction among the expanding British, the regional rulers of the Gangetic plain, and Mughal Emperors stands central to Indian history during the first half of the nineteenth century. Each of these three groups determined to advance its own political and cultural values in the face of the conflicting expectations and assumptions of the other two. The English East India Company regarded itself as under the authority of the British Parliament and the sovereignty of the British crown. At the same time, the Company continued nominally to acknowledge the sovereignty of the Mughal Emperor, at least in India. The various regional rulers of north India, most prominently the rulers of the province of Awadh, acted and apparently perceived themselves as de facto independent of the Mughals while also symbolically submitted to Mughal sovereignty. The Mughal Emperors, whose power to command armies had faded to nothingness during the last half of the eighteenth century, continued to pretend to absolute sovereignty over virtually all of India until 1858. Each of these three groups wished to see the 1819 imperial coronation by the Awadh ruler as an overt proof of their own cultural values and of their understanding of their relationships to the others.