Suchergebnisse

Queer Archaeology: Winckelmann and his passionate followers - queer archaeology, Egyptology and the history of arts since 1750

From Buddhist Icons to National Antiquities: Cultural Nationalism and Colonial Knowledge in the Making of Thailand's History of Art

In: Modern Asian studies, Band 47, Heft 5, S. 1520-1548

ISSN: 0026-749X

To the Question of the Origin of Handicraft Centers (on the Example of the Balakhninsk lacemaking)

In: Izvestiya of Saratov University. New Series. Series: History. International Relations, Band 20, Heft 2, S. 245-251

The Fortlets on the Frontier of Dacia Porolissensis: Structures, Landscape, Functionality

In: Studia Universitatis Babeş-Bolyai. Historia, Band 63, Heft 1, S. 34-78

ISSN: 2065-9598

Edilizia pubblica e potere politico nella Roma repubblicana: [XXV Conferenza dell'Unione, 28 novembre 2007, Villa Lante, Roma]

In: Conferenze 25

In: Di fronte e attraverso 1041

In: Storia dell'arte 51

Living our cultures, sharing our heritage: the first peoples of Alaska ; [companion volume to the exhibition of the same name opening at the Anchorage Museum at Rasmuson Center, May 2010]

Biuletyn historii sztuki: Bulletin of art history

Biuletyn historii sztuki: Bulletin of art history

Inscriptiones Creticae: opera et consilio Friderici Halbherr collectae, 2, Tituli Cretae occidentalis

Inscriptiones Creticae: opera et consilio Friderici Halbherr collectae, 1, Tituli Cretae mediae praeter Gortynios

Dena'inaq' huch'ulyeshi: the Dena'ina way of living

Nationalism in the visual arts: [proceedings of the Symposium, "Nationalism in the Visual Arts", sponsored by the Center for Advanced Study in the Visual Arts, National Gallery of Art, and the Department of the History of Art, Johns Hopkins University, 16 - 17 October 1987]

In: Studies in the history of art 29

In: Symposium papers 13

The History of Art in Hungary. By Antal Kampis. Translated by Lili Halápy. Budapest: Corvina Press, 1966. 399 pp. 80 Ft

In: Slavic review: interdisciplinary quarterly of Russian, Eurasian and East European studies, Band 28, Heft 2, S. 349-350

ISSN: 2325-7784

The Central Collecting Point in Munich: a new beginning for the restitution and protection of art

The role of the Institute named after I.E. Repin in the history of art exchange between China and the Soviet Union (1920–1966)

In: Voprosy istorii: VI = Studies in history, Band 2023, Heft 6-1, S. 188-199