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This paper adopts the theoretical framework of hegemonic masculinity to elucidate and make sense of male sexual victimisation. Critically evaluating the empirical data, which comprises of police officers and practitioners in voluntary agencies (N = 70), that this paper offers, I argue that gender expectations, hegemonic masculinities and sexism prevail in societies, state and voluntary agencies. It has been found that, because male rape victims embody subordinate masculinities, they are marginalised as 'abnormal' and 'deviant'. They are, in other words, classified as the 'other' for challenging and contradicting hegemonic masculinity, disrupting the gender order of men. Consequently, male sexual victimisation is not taken seriously in services, policy and practice, whilst the victims of this crime type are relegated in the gender hierarchy. As a result, male rape victims suffer a 'masculinity crisis' in the context of male rape. This paper attempts to open up a dialogue regarding male rape and male sexual assault, to challenge hegemonic masculinity, and to bring male rape 'out of the closet'.

This work rests on responses from 219 male sexual assault and rape victims who self-reported their victimization in the 1994-1996 Violence and Threats of Violence Against Women and Men in the United States survey . The authors expected that men who reported being severely assaulted would be more likely than others to seek counseling. They defined severely assaulted as having been penetrated, assaulted with a weapon, threatened, self-reported sustaining physical injuries, sought medical care, and/or reported the assault to the police. However, in their logistic model that explores who sought counseling, only one variable was significant. The odds of seeking counseling for men who reported being penetrated had significantly lower odds of seeking counseling all else equal.

Introduction -- Conflict-related sexual violence against men : a global perspective -- Tek-gungu : wartime sexual violence in Northern Uganda -- 'I used to be a strong man, but now I am not' : gendered vulnerabilities and harms -- Exercising agency : survivors' support groups -- Justice, recognition, and reparations -- Towards a survivor-centric approach.

Focusing on discourse generated between 1969 and 2006 in the legal arena and in the print news media, the author takes an historical-interpretive approach to illuminate the role of cultural forces and attendant ideologies in shaping the contours of the phenomenon commonly known as ?prison rape.? Locating this work within the sociology of punishment, the author employs frame analysis and draws on two previously unrelated literatures ? Garland?s cultural analytic model and constitutive legal scholarship ? to produce a genealogy of discourse about sexual assault in carceral settings as manifest i

Rape fantasy and the "lawless" eighteenth century: Poldark and Banished -- Rape, responses, romance and rape-revenge -- "Dismissed, ignored, and woefully underreported": male rape in Bridgerton and Outlander -- Rape as a weapon of war: Das Boot and A place to call home -- Procurement and period drama: rape for money in Harlots -- "If you can't rape your wife, who can you rape?": marital rape in The Forsythe saga and Poldark -- Rape and the older woman.

This article sets out to broaden our understanding of the significance of authenticity, locality and language for the development of a do-it-yourself (DIY) rap music career by taking male rap artists in Austria as an example. Drawing on interviews carried out in 2014–2015 with two groups of rap artists from different social and cultural backgrounds who embarked on their rap music careers in the early 1990s and the early 2000s, we analyse their rap lyrics and the social and economic contexts in which these individuals became rappers. We examine how the artists articulate claims to authenticity by appropriating African-American rap styles, meanings and idioms and blending them with local languages and references to local cultures and national politics. We also examine the rappers' relationship to the music industry and the use of informal channels for the production, performance and consumption of rap and hip hop in general. The article suggests that the DIY careers of these rap artists depend on both the rappers' use of music to articulate claims to authenticity and their ability to form (trans-)local networks for sharing skills, knowledge and other resources, as well as on Austria's cultural policy and the changes in the music industry that have taken place in recent years.

This article examines how male survivors of wartime sexual violence in Northern Uganda conceptualize justice. Whereas recent years have witnessed increasing consideration for redressing conflict-related sexual and gender-based violence against women, specific attention to justice for male-directed sexual violence remains absent. Drawing on the empirically-grounded perspectives of 46 male survivors, this article incorporates the seldom-heard voices and perspectives of male wartime rape survivors into debates about justice in the context of sexual violence, thereby contributing towards a gender-inclusive and holistic understanding of gender justice debates. The findings underpinning this article demonstrate that male survivors' justice priorities primarily centre around three interrelated themes: (a) justice as recognition, (b) government acknowledgement and (c) reparative justice. According to male survivors, these three aspects of justice imply the potential to respond to the misrecognition of male survivors' experiences and to remedy their sexual and gendered harms in a reparative and gender-sensitive capacity.