Historians and time : published historical production in France, from thirties to fifties ; Les historiens à l'épreuve du temps : la production historique éditée en France des années trente au début des années cinquante
The subject questions the historians' relationship with time in France, from the 1930s to the 1950s, by means of published historical production. By combining historiographic questions with issues of cultural history, the will is to adopt a social definition of history and historians. Based on the private holdings of historians, publishers, and books held in legal deposit, this study aims to understand how historians write, conceive, and debate history. The aim is to take a step back from the mere professional definition of history and to consider the writing of history as a cultural process involving historians with different legitimacies, in contact with cultural intermediaries, in particular, publishers, addressing an audience or several audiences. The production context of the period was over-determined by an intellectual crisis, which began in 1931, concerning the legitimacy of history, and its place in society, coming from philosophers and critics. The question of historiographic construction is central: historians, in their diversity – academic or polygraph – write historical works, more or less permeable to the issues of the present, for scientific purposes, symbolic but also political, of which we can make a historiographic and epistemological typology. The representations of history vary appreciably from the pole of production of historians to the pole of mediation. Considered as an editorial genre, history then becomes more malleable and responds to social and economic issues, which aim the widest possible dissemination to the public. In this context, the main novelty of the period is the historical collection, which is an opportunity as well as a constraint for historians. The study questions the receptions of this published history, not only by the political authorities, in a censorial framework from 1940 to 1944, but also, in the longer term, by the cultural mediators, who are booksellers, journalists and critics, specialist and generalist ones. Finally, the study of receptions by the public shows ...