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"What is creativity and how can we best nurture creativity in different contexts? Drawing on a wide range of cases from the arts, business, design, media and sports, Creativities encourages readers to discover, mix and adapt their own version of creativity, rather than attempting to imitate or follow 'best practice'. International in scope, examples and cases extend beyond the typical Western 'creative genius' model, illuminating the great extent and diversity of global creativities. The book is designed around five key questions that address the what, how, where, who and why of the creative process, employing frameworks, questions and illustrative 'recipes' designed to inspire out-of-the-box creative thinking. The authors argue that to develop their own creativities, readers should experiment with different ingredients and find their own bisociative balance. With its rich array of cases, frameworks and visual material, Creativities will help educators design and lead classes on creativity, innovation and creative entrepreneurship. Its accessible content will also appeal to and inspire students and practitioners in business leadership, organisational innovation and critical management studies"--

Multilateral investment treaties (MITs) are international legal instruments whose purpose is to facilitate social and economic cooperation on a global scale. While there is abundant literature and precedent on MITs generally, authors Kabir Duggal and Mohamed Wahab provide some of the first analysis focusing on the execution of MITs in the Arab and Muslim-majority worlds in this volume of Brill Research Perspectives in Investment Arbitration . This book focuses on two MITs: the Unified Agreement for the Investment of Arab Capital in the Arab States (UAA) and the Organisation of Islamic Cooperation Agreement for Promotion, Protection and Guarantee of Investments Among Member States (OIC). The UAA and OIC are among the oldest MITs in the world, enacted in 1980 and 1988, respectively. But only recently have these two long-dormant treaties acquired special significance. This book provides a comprehensive, critical review of these two treaties

"This book uncovers the history of The Volunteers, a Spanish loyalist militia who were committed to upholding Spanish imperial interests and influence in Cuba, Puerto Rico, Santa Domingo and The Philippines as the age of empire came to a close. Unpicking the relationship between local and imperial administrations and highlighting the contribution of voluntary units to colonial warfare, Padilla Angulo shows how Spanish loyalism persevered in the colonies even as the last bastions of empire were dismantled. Revealing the complexity and diversity of The Volunteers themselves in various colonies, Volunteers of the Empire shows how thousands of young men of Spanish, African and Asian descent were united in the defence of Spanish sovereignty in times of anti-colonial struggle that were civil wars in all but name. It uncovers a fascinating history of a militia that became an essential element of Spanish imperialism and the armed wing of Spanish loyalism during the second half of the 19th century. Through their fluctuating relationship with the authorities in Spain, The Volunteers provide a fresh perspective into the global and local complexities of nation building, nationalism and citizenship."--

B. G. Niebuhr, the founder of 'modern history', exerts an enduring influence; even in death, Goethe once claimed, '[Niebuhr] still walks around and works'. Today, Niebuhr is a humbler phantom, rarely invoked and largely forgotten. Similar fates await the shades of Theodor Mommsen, Friedrich Münzer, and Matthias Gelzer. Yet, each demands reconsideration and revitalization. Their texts remain foundational, constituting the conceptual and methodological core of Republican political studies. Politics in the Roman Republic (re)presents the first critical, comprehensive, Anglophone survey of these scholars' influence. Its innovative reassessments dispel deep-seated misconceptions and emphasize relevance. The work's unique (re)interpretations render it essential reading for any student of Rome: specialist and non-specialist alike

From this set of critical stories emerges a timely confession from marginalized imagined communities at the physical and metaphorical Mexican-American border. These hybrid storytellers create a multivalence of experiences and genres. Composers of this ground-breaking collection draw readers into an affective connection with the borderlands, offering critical examinations of legal status, gender, race, ethnicity, sexuality, social class, family, and health. Additionally, creative representations across genres explore notions of geography, vulnerability, suffering, trauma, pain as well as joy, healing, and love. By posing questions about loss of innocence, they incite new literary and visual spaces for fusing together fragments of the remains of land, body, and/or being, all the while creating a site of fresh confessions where critical stories are illuminated collages assembled together from within la línea. Contributors are: Kiri Avelar, Irving Ayala, Carmella J. Braniger, Roxana Fragoso Carrillo, Marisa V. Cervantes, Guadalupe Chavez, Julio Enríquez-Ornelas, Liliana Conlisk Gallegos, Verónica Gaona, Andrea Gómez, Filiberto Mares Hernández, Víctor M. Macías-González, Carol Mariano, Ana Silvia Monzón Monterroso, Juana Moriel-Payne, Rachel Neff, Jumko Ogata-Aguilar, José Olivarez, Isabela Ortega, Paul Pedroza, Jorge Omar Ramírez Pimienta, Raphaella Prange, Felipe Quetzalcoatl Quintanilla, Erica Reyes, Fidel García Reyes, Lizbeth De La Cruz Santana and Santiago Vaquera-Vasquez

At the center of this book stands a text-critical edition of three chapters of the Gāthās, exemplifying the editorial methodology developed by the "Multimedia Yasna" (MUYA) project and its application to the Old Avestan parts of the Yasna liturgy. Proceeding from this edition, the book explores aspects of the transmission and ritual embedding of the text, and of its late antique exegetical reception in the Middle Persian (Pahlavi) tradition. Drawing also on a contemporary performance of the Yasna that was filmed by MUYA in Mumbai in 2017, the book aims to convey a sense of the Avestan language in its role as a central element of continuity around which the Zoroastrian tradition has evolved from its prehistoric roots up to the modern era