Suchergebnisse

Risk is a move to implement the western liberal system in countrieswhich have liberal tradition. Establishing liberal democratic principles andvalues by using military means proved unsuccessful and often turn into anideology of domination over countries opponents of the West. Manipulations withinformation from the U.S. side connected to the Iraq war left suspicions which fora long time points are reflected on their foreign and security policy. The attemptby forced to opening Iraq toward the world in order to establish new forms ofcooperation, leading to fragmentation of the country on various grounds, for itscontribution to the marginalization of various world happenings and triggeredfierce competitions among participants for exploration of natural resources.Keywords: Iraq, reasons, manipulation, war, oil, consequences.

History and the Data Archive

Which milieu did the earliest rural Jesus movement emerge from? Sarah E. Rollens provides a sociological study of the earliest Christians in rural Palestine based on evidence in the Sayings Gospels Q. She compares this Jesus movement to other movements of social reform in similar socio-cultural contexts

Retreat and persistence of elephants -- Elephants and Indian kingship -- War elephants -- Structures of use: caturaga, vihana, vyha -- Elephant knowledge -- The spread of the war elephant -- North India, South India, Sri Lanka -- The Near East, North Africa, Europe -- Southeast Asia -- After the war elephant -- Drawing the balance, looking ahead

"The book explores how theatre, with its performative capacity, has the power to engage with and affect the politics of its day. It sets the stage for the reader to discover the revolutionary traditions of Egyptian and Irish theatre, very distinct in their histories and cultures, and understand their enduring relevance in today's world. The volume takes Ireland as a case study of the interplay between cultural nationalism and politically engaged theatre and compares it to the role of the theatre in Egypt during its Golden era in the 1960s. Through a selection of Egyptian plays by Tawfiq al-Hakim, Mikhail Roman, Yusuf Idris, and Salah Abdul-Saboor, alongside Irish plays by Brian Friel, Frank McGuinness, Christina Reid, and Samuel Beckett, it maps the political aesthetics of unsteady times and seemingly disparate places to reflect on the dynamics of revolt as a staged act in and of itself. Further, the book examines how playwrights from both nations have engaged with theatre as a medium, focusing on how their contemplations, hesitations, frustrations, and protest have been translated onto the stage in their various plays, and comprehends the transformative role the theatre has always played in politics in shaping history across time and space. Bridging together discussions on transnational modernisms with nuanced cultural histories of protest, this critical work will be of great interest to scholars and researchers of literary studies, identity politics, cultural studies, theatre and performance studies, and political studies"--