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Klappentext: Oceania has a rich and growing literary tradition. The imaginative literature that emerged in the 1960s often reflected the forms and structures of European literature, though the ideas expressed were typically anticolonial. After three decades, the literature of Oceania has become much more complex, in terms of style as well as content; and authors write in a multiplicity of styles and voices. While the written literature of Oceania is continuously gaining more critical attention, questions about the imposition of European literary standards and values as a further extension of colonialism in the Pacific have become a central issue. This book is a detailed survey of the expanding amount of critical and interpretive material written about the imaginative literature of authors from Oceania. It focuses on commentary and scholarship concerned with the poetry, fiction, and drama written in English by indigenous peoples of the Pacific Islands, New Zealand, and Australia. The criticisms have appeared in academic books and journals since the mid-1960s. They have developed to the point at which critical issues, related to decolonization and the expression of ideas without having to first satisfy foreign expectations, often determine the direction of such discussions. Entries are grouped in topical chapters, and each entry includes an extensive annotation. An introductory essay summarizes the evolution of Pacific literature.

" Criticism and self-criticism," or inner-Party struggle as it is sometimes called, has always been a major mechanism of inner-Party decision making and discipline among Chinese political elites, but during the Great Proletarian Cultural Revolution it emerged as a form of mass mobilization and education as well. I shall argue here that this came about as a result of political decisions made in the context of a series of non-reversible structural changes in the Chinese system of communications

"The daughter of one of Britain's longest-serving prime ministers, Mary Gladstone was a notable musician, hostess of one of the most influential political salons in late Victorian London, and probably the first female prime ministerial private secretary in Britain. Pivoting around Mary's initiatives, this intellectual history draws on a trove of unpublished archival material that reveals for the first time the role of music in Victorian liberalism, explores its intersections with literature, recovers what the high Victorian salon was within a wider cultural history, and shows Mary's influence on her father's work. Paying close attention to literary and biographical details, the book also sheds new light on Tennyson's poetry, George Eliot's fiction, the founding of the Royal College of Music, the Gladstone family, and a broad plane of wider British culture, including political liberalism and women, sociability, social theology and aesthetic democracy"--

Thearticle is a response to the criticism of the author's work in the article by Yu.A.Shkuratok and contains both an analysis of her specific comments on the hydronyms Chesnokovka, Serebryanka and toponymic series in ukht-, and an analysis of fundamental methodological differences in the work with toponyms of linguists, geographers and historians. It is emphasized that for historians, the etiology (origin of the phenomenon) is much more important than the etymology (origin of the word)