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This article examines dub poetry as an artistic form located along several borderlines, both spatial and cultural. Formulated by poets of African descent, the creative language of dub poets was often conceptualized through the framework of identity politics and an anti-colonial approach. Yet from the 1980s, dub poetry became institutionalized simultaneously within the pop culture industry and in "respectable" venues such as academic research, a process that calls its initial political orientation into question. In light of its differentiated formations, audiences, mediating devices, and forms of reception, however, we might view and evaluate dub poetry not exclusively through the prism of political speech, but also as a cultural form. Based on texts, recordings and performance analysis this article is a call to acknowledge dub poetry, and artistic expression in general, as the result of aesthetic decisions rather than exclusively moral ones. Ieškant kūrybinės išraiškos: rasės, politikos ir literatūros dialektika Karibų dub žanro poezijoje Santrauka.Straipsnyje tyrinėjama dub žanro poezija kaip meninė forma, vyraujanti ties kai kuriais paribiais – tiek erdviniais, tiek kultūriniais. Formuluota Afrikos nuosmukio laikotarpio poetų, kūrybinė dub žanro poetų kalba politikos ir antikolonijiniu požiūriais dažnai buvo konceptualizuojama ieškant tapatumo. Nuo XX a. 9-ojo dešimtmečio dub poezija tapo institucionalizuota tiek popkultūros industrijoje, tiek "gerbiamose" srityse, tokiose kaip akademiniai tyrimai – tai procesas, kvestionuojantis savąją vidinę politinę orientaciją. Šio proceso diferencijuotų formacijų, auditorijų, medijuojančių priemonių ir priėmimo formų fone vis dėlto galima į dub poeziją žvelgti ir ją vertinti ne išimtinai per politinės kalbos prizmę, bet ir kaip kultūrinę formą. Pagrįstas tekstų, įrašų ir performansų analize, šis straipsnis – tai kvietimas pripažinti dub poeziją ir meninę išraišką apskritai ne tiek kaip išskirtinai moralinių, kiek estetinių sprendimų rezultatą. Reikšminiai žodžiai: ...

Published as a rival continuation of the Annual register, or, A view of the history, politics, and literature for the year . (London, England : 1758) from 1791-1812 and from 1820-1824 when the two united to form one publication. ; Issue for 1805 called: New ser., v. 5. ; Vols. for 1801- called new ser. ; Publication suspended 1813-1819. ; Mode of access: Internet.

Index vols. also called: Dodsley's annual register. ; Originated with Robert Dodsley, at the suggestion of Edmund Burke, who was for some years editor and principal contributor. Some time after 1791, the copyright and stock were purchased by Otridge and other booksellers. Messrs. Rivington published a rival continuation, which lasted from 1791 to 1812, and again from 1820 to 1824, when the two united to form one publication. Cf. Lowndes. Bibliographer's manual, v. 1. ; Some vols. in rev. editions. ; Vols. for 1784-1785 issued in combined form; 1820, in 2 parts. ; Mode of access: Internet. ; 1758-1819. 1 v.

Founded by Andrew Kippis. cf. National Union Catalog. ; Includes: "The history of knowledge, learning, and taste in Great Britain ." (varies) ; Vol. for 1780 also called: The third edition, corrected. ; Mode of access: Internet. ; Imprint varies.

Founded by Andrew Kippis. Cf. National union catalog. ; Includes: "A short review of the principal transactions of the present reign." ; Vol. for 1780 also called: The third edition, corrected. ; Mode of access: Internet. ; Imprint varies.

Includes: "A short review of the principal transactions of the present reign." ; Vol. for 1780 also called: The third edition, corrected. ; Mode of access: Internet. ; Founded by Andrew Kippis.

Mode of access: Internet. ; La publicación fue dirigida en sus comienzos por Edmund Burke.

Los estudiosos de la obra de Mario Vargas Llosa se han ocupado, normalmente, de analizar su obra de creación, ya sea sus novelas, cuentos y obras de teatro, atendiendo, obviamente, a su novelística. Sin embargo, no suelen abordar su producción de no ficción, es decir, sus ensayos, discursos, memorias, artículos y reportajes. La lectura de estos textos es de mucha utilidad para conocer su pensamiento, sus ideas sobre la literatura, la política, el arte, la cultura y su posición como intelectual frente a la sociedad contemporánea, entre otros temas.

Description based on: [Vol. 2] 1781. ; Includes: history, biography, political activity during the year, Parliamentary papers, new books published, poetry, news of North America, East India, Great Britain, Ireland, and Western Europe. ; Topical divisions have continuous pagination and register, with caption titles on first page of text. ; Sections with half-titles have added caption titles, separate pagination and register. ; Imprint varies; from title pages for 1785-1799 volumes: Printed for G. G. J. and J. Robinson; from 1800- : Printed by S. Hamilton, for G. and J. Robinson. ; Imprint includes year of publication. ; Below title of v. 2 (1781): "To which is prefixed, a short view of the state of knowledge, literature, and taste, in this country, from the death of Queen Anne, to the death of King George II." These notes vary with each volume. ; William Godwin wrote the British foreign history section of the New Annual Register from 1784-1791 (cf. DNB). ; Planned and founded by Andrew Kippis as a competitor to Dodsley's Annual Register (cf. DNB). ; ESTC ; Mode of access: Internet. ; The Pforzheimer Collection holds vols. for 1780, 1782-87, 1791-92 and 1794.

This article explores the political thought of C. F. G. Masterman (1873–1927), a leading figure in the movement of New Liberalism in Britain at the beginning of the twentieth century. The article emphasizes the distinctive color his Christian beliefs and Anglican loyalties lent to his progressive Liberal ideals; this adds a new dimension to the existing historiography of the New Liberalism, which, until recently, has neglected the religious influences on its development. The article further underlines Masterman's concern to harness the cause of religious freedom and the disestablishment of the Church of England to social reform; he did so through reviving the older Gladstonian alliance between Liberalism and Nonconformity. It argues that his religiosity—focused on the Church of England—was central to his thought, and was frequently expressed in the language of prophecy he imbibed from Thomas Carlyle and other nineteenth-century seers.

This article explores the political thought of C. F. G. Masterman (1873–1927), a leading figure in the movement of New Liberalism in Britain at the beginning of the twentieth century. The article emphasizes the distinctive color his Christian beliefs and Anglican loyalties lent to his progressive Liberal ideals; this adds a new dimension to the existing historiography of the New Liberalism, which, until recently, has neglected the religious influences on its development. The article further underlines Masterman's concern to harness the cause of religious freedom and the disestablishment of the Church of England to social reform; he did so through reviving the older Gladstonian alliance between Liberalism and Nonconformity. It argues that his religiosity—focused on the Church of England—was central to his thought, and was frequently expressed in the language of prophecy he imbibed from Thomas Carlyle and other nineteenth-century seers.

No more published. ; Editor's name in ms. on t.-p. ; Editor: George Julian Harney. ; Mode of access: Internet.