Suchergebnisse

In the past two decades, colonial studies, the postcolonial turn, the new imperial history, as well as world and global history have made serious strides toward revising key elements of German history. Instead of insisting that German modernity was a fundamentally unique, insular affair that incubated authoritarian social tendencies, scholars working in these fields have done much to reinsert Germany into the broader logic of nineteenth-century global history, in which the thalassocratic empires of Europe pursued the project of globalizing their economies, populations, and politics. During this period, settler colonies, including German South West Africa, were established and consolidated by European states at the expense of displaced, helotized, or murdered indigenous populations. Complementing these settler colonies were mercantile entrepôts and plantation colonies, which sprouted up as part of a systematic, global attempt to reorient non-European economies, work patterns, and epistemological frameworks along European lines. Although more modestly than some of its European collaborators and competitors, Germany joined Britain, France, the Netherlands, and the United States in a largely liberal project of global maritime imperialism.

Postcolonialism and migration are major themes in contemporary French comics and have roots in the Algerian War (1954?62), anti-racist struggle, and mass migration to France. This volume studies comics from the formal dismantling of the French colonial empire in 1962 up to the present. French cartoonists of ethnic minority and immigrant heritage are a major focus, including Zeina Abirached (Lebanon), Yvan Alagbé (Benin), Baru (Italy), Enki Bilal (former Yugoslavia), Farid Boudjellal (Algeria and Armenia), José Jover (Spain), Larbi Mechkour (Algeria), and Roland Monpierre (Guadeloupe). The author analyses comics representing a gamut of perspectives on immigration and postcolonial ethnic minorities, ranging from staunch defense to violent rejection. Individual chapters are dedicated to specific artists, artistic collectives, comics, or themes, including an anti-racist comic strip serialised in Charlie Hebdo, undocumented migrants in comics, and racism in far-right comics.

Postcolonialism and migration are major themes in contemporary French comics and have roots in the Algerian War (1954?62), anti-racist struggle, and mass migration to France. This volume studies comics from the formal dismantling of the French colonial empire in 1962 up to the present. French cartoonists of ethnic minority and immigrant heritage are a major focus, including Zeina Abirached (Lebanon), Yvan Alagbé (Benin), Baru (Italy), Enki Bilal (former Yugoslavia), Farid Boudjellal (Algeria and Armenia), José Jover (Spain), Larbi Mechkour (Algeria), and Roland Monpierre (Guadeloupe). The author analyses comics representing a gamut of perspectives on immigration and postcolonial ethnic minorities, ranging from staunch defense to violent rejection. Individual chapters are dedicated to specific artists, artistic collectives, comics, or themes, including an anti-racist comic strip serialised in Charlie Hebdo, undocumented migrants in comics, and racism in far-right comics

While Western Europe has a long history of facing and studying the issues of immigration, this phenomenon is still recent for the ex-socialist states and has not been studied sufficiently yet. At the same time, the 'closed' nature of the socialist societies and the difficulties of the 'transitional period' of the 1990s predetermine the problems in communication between the migrants and the population majority, the specific features of the forming diasporas and of their probable position in the receiving societies. The study of African migrants in Russia (particularly in Moscow) recently launched by the present authors consists of two interrelated parts: the sociocultural adaptation of migrants from Africa in Russia on the one hand, and the way they are perceived in Russia on the other. One of the key points of the study is the formation or non-formation of diasporas as network communities, as a means of both more successful adaptation and identity support.

Le courant des études postcoloniales s'est développé de manière fulgurante dans les sciences sociales ces dernières années. Sans être très présent de façon explicite en France, il témoigne de tendances profondes qui y sont partagées. Ce texte en forme de propositions ramasse quelques critiques à cette critique de la critique. En somme, que le postcolonialisme est en retard sur les hégémonies actuelles et la mutation néolibérale et utilitariste, qu'il finit par légitimer. Qu'il procède, au nom de la lutte contre les essentialismes, à une foule d'essentialisations. Qu'il est profondément nostalgique en voyant de l'impérialisme là où il y a surtout le sentiment de la perte de l'empire, etc. Cela pour dire qu'au fond le postcolonialisme est tout sauf « post » colonial.