Suchergebnisse

The purpose of the article is to identify the influence of modern digital technologies on the creation of works of fine art. The research methodology is the application of general scientific and special research methods determined by the artistic paradigm. The scientific novelty of the study lies in understanding the specifics of creating works of fine art with the help of modern digital technologies, taking into account their interactivity, network communication, and virtuality. The conducted analysis shows the rapid spread of digital technologies and the expansion of the artistic orientation in the creative activity of artists, which has led to the formation of a new generation of digital art consumers and is one of the important areas of research into the current transformations taking place in the field of culture and art. Conclusions. Digital technologies and fine arts are undoubtedly in constant dynamic development and interaction today, and are actively used by artists in their work. Digital technologies are a means of modelling and demonstrating laws and the basis of artistic, scientific, and technical creativity, which significantly affect the formation of form, ensuring the composition and perception of the work and are one of the means of creating the latest works of fine art. With the help of digital technologies, artists manage to convey more accurately the idea of the work, make it understandable to the maximum number of viewers. Moreover, it is important to note that it is not entirely correct to determine the value of works of fine art created by traditional or digital means. A contemporary artist determines the means of creating the work itself (using the traditional means of pencil and brush, or using a sequence of sticks and zeros), and there is also the possibility of combining traditional art with technological innovations. The author emphasises that artificial intelligence in terms of independent creation of works of fine art today looks too bold and very controversial.
Key words: fine art, digital technologies, modern art, artificial intelligence.

The triad of decline-metamorphosis-rebirth constantly reappears in the history of civilisation, it is current in all historical periods and cultural environments, in different areas and the most diverse contexts. Its manifestations are countless and the same is true of its interpretations. They are especially frequent in the area of art, because the evolutionary model, grounded in the idea of cyclic development comes very handy for explanations and illustrations which seek to present complicated things in a simple and clear way. The history of art, mainly in the 19th century, advocated a tripartite development of art which seeks greater perfection and maturity and reaches its peak just to be then inevitably followed by a decline in artistic originality and power. Already for some time now the evolutionary model has been shown too ineffective in addressing scholarly questions, especially due to oversimplification and a priori classification of subject matter which cannot possibly be classified. The perception that the art of the Early Renaissance was a preliminary period for more mature and accomplished achievements of High Renaissance which at some point began to lose its drive and went into decline either by repeating outmoded forms or their decomposition, is not only naive, but simply wrong and represents a misunderstanding of the essence of art. In much the same way it would be equally wrong to label in advance the early works of a certain artist as not-mature-yet or possessing less artistic authenticity.

"Diversifying the current art historical scholarship, this edited volume presents the untold story of modern art by exposing global voices and perspectives excluded from the privileged and uncontested narrative of "isms." This volume tells a worldwide story of art with expanded historical narratives of modernism. The chapters reflect on a wide range of issues, topics and themes that have been marginalized or outright excluded from the canon of modern art. The goal of this book is to be a starting point for understanding modern art as a broad and inclusive field of study. The topics examine diverse formal expressions, innovative conceptual approaches and various media used by artists around the world and forcefully acknowledge the connections between art, historical circumstances, political environments and social issues such as gender, race and social justice. The book will be of interest to scholars working in art history, imperial and colonial history, modernism, and globalization"--

"The Carpathian-Danubian-Pontic area, in which the territory of today's Romania is also found, has been, since Antiquity, a centre of interference and clash of the interests of the great powers, an object of the tendencies of their annexation, because it was located in a key position, at the crossroads of the strategic roads that connect the Balkan Peninsula, not only with areas of Europe, but also of Asia. Together with the entire population of Romania, the representatives of the spiritual life engaged in a common front to support the war of 1877-1878. The direct participants in the war, the artists, some reknown, others less known, drew inspiration from this new experience, creating and leaving to posterity a valuable documentary and artistic work, reminiscent of the deeds of the soldiers and contributing to the completion of the artistic forms of the end of the century. In an eloquent manner, the fine arts have fully contributed to the memorization of the "war of liberation", the inspiration of the moment managing to bring professional satisfactions for the artists and admiration of the whole country, whereas, to the contemporaries and descendants, they offered the artistic image of the dream fulfilled."