Suchergebnisse

Рассматриваются проблемы, связанные с применением оценочных категорий гл. 22 УК РФ, анализируются существующие в науке уголовного права подходы к указанным проблемам, вносятся предложения о совершенствовании уголовного законодательства в указанной сфереWithin the framework of given article by author is named problems, connected with using merit category chapters 22 criminal code of Russian Federation, is organized analysis established in science of the criminal right approach to specifi ed problem, is analysed defect and dignity of each approach, are made fi ndings, is contributed offers about improvement legislation

In the archives and in the memories of the Bulgarian intelligentsia about the personality and work of Ivan D. Shishmanov, evidence is sought for the qualities and abilities that elevate him as a "model of a Europeanized Bulgarian". The assumption that his cultural ideas and diverse scientific and managerial activities are nationally significant, humane and democratic was confirmed, and they are a call for peace and cooperation in our country and in the Balkans. He is a true intellectual, Spirit of the Bulgarian time, who trie to create, on the model of Europe, the nation and the Third Bulgarian State – with based in consciousness and law, with morality and ethics, with education and culture; with legality, tolerance and integrity.

Abstract
From a narratological perspective, this essay reinterprets the development of Chinese realist art under Western influence in the second half of the twentieth century and explores the narrative issue of the possible author that is transformed from the integral reader. As a crucial response to Western influence, realist art in China developed from imitating to appropriating Western art and continued from taking inspiration from Western art to participating in the international arena of conceptual art with certain renovations. In this essay, the narratological notion of "possible author" is proposed to discuss the issue of narrative identity. While some scholars declared the death of the reader, this essay introduces a new reader to art historical narrative. This is a tertiary reader that transforms into a possible author who re-narrates the story of art history in the possible space between the secondary narration and tertiary narrativization. In this space, the three layers of the first-hand fabula, secondary narration, and tertiary narrativization work together in defining the possible author's narrative identity as re-interpretive and critical.