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L'objectif de ce travail de thèse propose une analyse de la relation qu'entretient Charles Maurras au fait poétique ainsi que l'étude exhaustive de son œuvre poétique, selon ses grandes lignes thématiques et esthétiques. Il tente de souligner l'importance du fait poétique au sein d'une discursivité maurrassienne multiple et hétéroclite, au sein de laquelle la poésie, si elle semble tenir, quantitativement, un rôle mineur au vu d'une immense production littéraire et intellectuelle, n'en demeure pas moins l'une des armes privilégiées de la lutte politique. Définie par Maurras comme la « plus haute expression du politique » , la poésie apparaît comme un constituant fondamental de la compréhension de sa pensée, de sa formation à son aboutissement. Or, malgré l'abondance des travaux concernant Maurras en France et à l'étranger, sa poésie n'avait, à ce jour, été étudiée que de façon fragmentaire, et assez peu objectivement pour peu qu'elle l'ait été. L'importance du discours poétique au sein de l'œuvre de Charles Maurras a ainsi été bien souvent écartée par la littérature savante qui, par tradition, se concentre plus fréquemment sur des problématiques politiques, journalistiques et historiques. A mi-chemin entre l'étude historique et littéraire, ce travail se propose de resituer le discours poétique au sein de la vaste discursivité polémique et politique de l'expression maurrassienne, selon un axe chronologique permettant d'insérer l'étude poétique dans la contingence de son écriture, de la fin du dix-neuvième siècle à l'incarcération finale de Riom. Ainsi nous ne prétendons pas donner un essai de critique littéraire, qui se conclurait par la validation ou l'invalidation de Maurras en tant que poète, mais une mise à plat exhaustive de cette œuvre poétique, qui tentera d'examiner les relations qu'entretiennent politique et esthétique dans la partie sinon la plus aboutie du moins la plus littéraire de l'œuvre de Maurras, la plus constitutive également, en tant que matière littéraire, sur le plan doctrinal, aux divers ...

En el presente trabajo se realiza un análisis de la poética de Antonio Méndez Rubio focalizado en cuatro de sus obras: El fin del mundo (1995), Un lugar que no existe (1998), Trasluz (2002) y Por más señas (2005). Tras un estudio del marco literario y socio-político en el que se ubican, planteamos: primero, una descripción del lenguaje poético que proviene de la aplicación de una metodología, de carácter pragmático, que nos permite analizar la modalización lírica y, con ello, los espacios de indeterminación que presenta; posteriormente, caracterizamos al sujeto lírico marcado por la falta partiendo de la vinculación que se da entre este y el mundo, y finalizando con la aplicación de las teorías de Jean Baudrillard sobre la hiperrealidad y los simulacros. ; In this piece of work, an analisis of Antonio Méndez Rubio's poetics is done, focusing on four of his works: El fin del mundo (1995), Un lugar que no existe (1998), Trasluz (2002) and Por más señas (2005). After a research of the literary and sociopolitical backrounds in which these works are placed, we propose the following things: In the first place, a description of the poetical language that comes from de use of a methodology of pragmatical nature, which allows us to analize the lyrical modalisation, and due to this, the spaces of indeterminacy that it has. Afterwards, we characterize the lyrical subject who is marked by the miss, starting with the link between this subject and the world, and ending with the implementation of Jean Baudrillard's theories about hiperreality and simulacra.

Continuously paged. ; 5. Abschnitt: Sprachgeschichte. Anhang: Die Behandlung de labenden Mundarten. 3. Deutsche und niederländische Mundarten / von Friedrich Kauffmann. ; Photocopy. ; Mode of access: Internet.

1 sheet ([1] p.) ; Place of publication suggested by Wing. ; Date of publication from colophon. ; Reproduction of original in: Newberry Library, Chicago, Illinois.

1 sheet ([2] p.) : ill. ; Place and date of publication from Wing. ; "Licensed according to order"

1 sheet ([1] p.). ; Verse: "Under 500 kings three kingdoms grone ." ; Imprint suggested by Wing. ; Reproduction of original in the British Library.

1 sheet ([1] p.) ; Verse - "In march, in motion, troop or stand,". ; A "memoria technica" in verse. ; Imprint from Wing. ; Reproduction of the original in the British Library.

Cover -- Front matter -- Title page -- Copyright page -- Contents -- Dimitris Stamatopoulos: Introduction -- PART I. THE OTTOMAN EMPIRES -- Dimitris Stamatopoulos: Prelates Weeping on Demand, Prelates Nationalists, Prelates Janissaries: Instrumentalist Discourses and Power Entanglements of the Christian Orthodox Clerical Elites in the Late Ottoman Empire -- Fujinami Nobuyoshi: Hellenizing the Empire Through Historiography: Pavlos Karolidis and Greek Historical Writing in the Late Ottoman Empire -- Ariadni Moutafidou: International Crisis and Empire: Muslim and Jewish Solidarity with the Ottoman Imperial Ideal in the Greek-Ottoman War of 1897 -- PART II. THE BALKAN EMPIRES -- Bogdan Trifunović: Dreaming of an Empire: Discourse Analysis of Serbian Poetry at the Beginning of the 20th Century -- Nikolay Aretov: An Attractive Enemy: The Conquest of Constantinople in Bulgarian Imagery -- Naoum Kaytchev: "Turkish Illyrians" or Bulgarians/Serbs? Ottoman South Slavs Within the Croatian and Bulgarian National Models (1830s-1840s) -- PART III. EASTERN SLAVIC EMPIRES -- Magdalena Zakowska: Russia in Serbian and Bulgarian National Mythologies Until the First World War -- Lora Gerd: Russian View on Balkan Nationalism (1878-1914) -- Liliya Berezhnaya: Imagining the Third Rome and the New Jerusalem in the 16th-18th Century Polish-Lithuanian Commonwealth -- PART IV. OTTOMAN UTOPIAS AND DYSTOPIAS -- Maro Kalantzopoulou: Balkan Nationalisms Against the Oriental Empire: Balkan National Poetry and the Disavowal of a Literary System -- Eleonora Naxidou: Differing Perceptions of Ottoman Rule in the Bulgarian Ethnic Narrative of the Revival -- Konstantinos Giakoumis: Against the Imperial Past: The Perception of the Turk and the Greek "Enemy" in the Albanian National Identity-Building Process -- List of Contributors -- Index -- Back cover.

"In 1591, Giovanni Paolo Gallucci published his Della simmetria dei corpi humani, an Italian translation of Albrecht Dürer's Four Books on Human Proportion. While Dürer's treatise had been translated earlier in the sixteenth-century into French and Latin, it was Gallucci's Italian translation that endured in popularity as the most cited version of the text in later Baroque treatises, covering topics that were seen as central to arts education, connoisseurship, patronage, and the wider appreciation of the studia humanitatis in general.

The text centres on the relationships between beauty and proportion, macrocosm and microcosm: relationships that were not only essential to the visual arts in the early modern era, but that cut across a range of disciplines – music, physiognomics and humoral readings, astronomy, astrology and cosmology, theology and philosophy, even mnemonics and poetry. In his version of the text, Gallucci expanded the educational potential of the treatise by adding a Preface, a Life of Dürer, and a Fifth Book providing a philosophical framework within which to interpret Dürer's previous sections.

This translation is the first to make these original contributions by Gallucci accessible to an English-speaking audience. Gallucci's contributions illuminate the significance of symmetry and proportion in the contemporary education of the early modern era, informing our understanding of the intellectual history of this period, and the development of art theory and criticism. This is a valuable resource to early modern scholars and students alike, especially those specialising in history of art, philosophy, history of science, and poetry."

Cover -- Title page -- copyright page -- Contents -- Introduction Cecilia Palmeiro -- Prologue: Prosaic Perlongher Christian Ferrer and Osvaldo Baigorria -- Sixty-nine Questions for Néstor Perlongher -- Desire and Politics -- Cover Up, Girl -- Loca Sex -- Don't Lift the Lid, We're on Shaky Ground -- Brazil: The Transvestite Invasion -- The clients -- A Marica Is Murdered -- Lust and Violence in the World of the Night -- Corporal Order -- Avatars of the Boys of the Night -- Adrift -- Escape and capture -- Plotting bodies -- Passions and codes -- Postscript -- The Force of Carnivalism -- Living-Room Deficiency Syndrome -- Minoritary Becoming -- Conditions for a cartography of desire -- A cartography of 'minor' Brazil -- Becoming and identity -- The marginal personality -- Mute passion -- Subjectification in crisis -- History of the Argentine Gay Liberation Front -- The context -- The formation of groups -- The tasks at hand -- Peronism and disenchantment -- Somos journal -- Feminism and sexual politics -- Repression and dissolution -- Epilogue -- The Disappearance of Homosexuality -- Muddy Baroque -- Sandy Beaches to Muddy Delta -- An introduction to Cuban and Argentine neo-baroque poetry -- Neobarroco/neobarroso -- Carving/tattooing -- Foot Fetish -- Baroquification -- Anti-western -- Demented language -- Newly muddied -- Corporality -- Kitsch, camp, gay -- Cuba, Sex, and a Bridge to Buenos Aires -- Dress Straps for Puig -- Flows in the Fjord. Baroque and the Body in Osvaldo Lamborghini -- 'We will never be Vandorists' -- Climax -- On Alambres -- Anthropology of Ecstasy -- Urban Poetics -- Poetry and Ecstasy -- The Religion of Ayahuasca -- Force and form -- The Argentine Falklands -- All Power to Lady Di -- Island Illusions -- Island Desires -- Eva Perón -- Evita Lives -- 1 -- 2 -- 3 -- The Corpse -- Macabre Gems -- The Corpse of the Nation.

Introduction: The migration turn in African cultural productions / Cajetan Iheka and Jack Taylor -- African migration on the screen : films of migration -- Harragas, global subjects, and failed deterritorializations : the tragedies of illegal Mediterranean crossings in Maghrebi cinema / Valérie K. Orlando -- Nollywood comedies and visa lotteries : welfare states, borders, and migration as random invitation / Matthew H. Brown -- Accented cinema : the context of Nollywood / Tunde Onikoyi -- Migrations and representations : the cinema of Griot Dani Kouyat? / Daniela Ricci -- Forgotten diasporas : Lusophone and Indian diasporas -- Mami Wata, migrations, and miscegenation : transculturalism in José Eduardo Agualusa, Mia Couto, and Germano Almeida / Niyi Afolabi -- Poor migrant : poverty and striving in Nadine Gordimer's July's people and The pickup / S. Shankar -- Reimaging Blackness in a hybridized and racialized space : the visual landscapes of the Peruvian district of El Carmen, Chincha / Gilbert Ndi Shang -- Migration against the grain : narratives of return -- Reading space, subjectivity, and form in the twenty-first-century narrative of return / Madhu Krishnan -- Looking for Transwonderland : Noo Saro-Wiwa's Migration of the heart / Toni Pressley-Sanon -- The literary circulation of Teju Cole's Every day is for the thief / Connor Ryan -- Speculative migration and the project of futurity in Sylvestre Amoussou's Africa paradis / MaryEllen (Ellie) Higgins -- Migration and difference : indigeneity, race, religion, and poetry at the margins -- Monkeys from hell, Toubabs in Africa / Kenneth W. Harrow -- Mapping "sacred" space in Leila Aboulela's The translator and Minaret / Andrew H. Armstrong -- Waris Dirie, FGM, and the authentic voice / John C. Hawley -- Esiaba Irobi : poetry at the margins / Isidore Diala

Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Contents -- Introduction -- PART I: Art and Activism in Cyberspace -- 1 A Theater of Displacement: Staging Activism, Poetry, and Migration through a Transborder Immigrant Tool -- 2 Decolonizing Youth Culture: Guatemalan Hip Hop Dissidents in Cyberspace -- 3 Narcocorridos and Internet: Demonopolizing Mexico's Narco History in Cyberspace -- 4 Belén Gache's Aleatory Politics: Radikal Karaoke and (Robo)Poetics Hacking Politics -- PART II: Blogging as Online Activism -- 5 On Pirates and Tourists: Ambivalent Approaches to El Blog del Narco -- 6 Blogging and Disability Activism in Mexico: Katia D'Artigues's "Mundo D" -- 7 Revolución.com?: Resemanticizing the Discourse of Revolution in Yoani Sánchez's Generación Y Blog -- 8 The Uses and Limits of Ethnic Humor and New Media in ¡Ask A Mexican! -- PART III: Enduring Struggles, Now Online -- 9 Five Hundred Years of Struggle Enter Cyberspace. Neo-Zapatism and the (Old) New Insurgency -- 10 Voces Cubanas: Cyberactivism, Civic Engagement, and the making of Cubanía in Contemporary Cuba -- 11 From Wounds to Healing: Transborder Testimonios through Cyberspace Post-September 11, 2001 -- 12 Cyberspace as a Tool for Political and Social Awareness: The Killings of Juárez -- PART IV: Cyberspace and New Citizenry Representations -- 13 Digital Favelas: New Visibilities and Self-Representation -- 14 "Online Activist Eco-Poetry": Techno-Cannibalism, Digital Indigeneity, and Ecological Resistance in Brazil -- 15 "Yo soy": Public Protest, Private Expression: Contestatory Uses of Social Media by Contemporary Mexican Youth -- 16 Interactive Projects from Colombia: Rethinking the Geopolitics of Territory -- List of Contributors -- Index

"Preface" -- "Acknowledgements" -- "Contents" -- "Editors and Contributors" -- "List of Figures" -- "List of Tables" -- "Chapter 1 Introduction: On Doing Field Analysis " -- "First Move: Relations to the Broader Field of Power" -- "Second Move: Relations, Capitals, Distributions, Position Taking and Strategies" -- "Third Move: Identifying Class Habitus and Social Trajectories" -- "References" -- "Part I Field as Both a Conceptual and Empirical Object of Analysis" -- "Chapter 2 Drought and Water Policy in the Western USA: Genesis and Structure of a Multi-level Field " -- "Introduction" -- "Conflicts and Common Issue" -- "Water Policy and the Field of Power" -- "Mapping the Field: A Provisional Definition of the Institutions Involved in Sharing Water from the Colorado River" -- "The Pre-Construction of Relevant Variables" -- "The Role of Institutional Capital in the Field of Water Policy: Outline of an Initial Interpretative Model" -- "Conclusion—Genesis and Structures of a Multi-Level Field" -- "References" -- "Chapter 3 Masculine Learner Identities in the Field of Student-Directed Musical Learning " -- "Introduction" -- "Working-Class Boys and Schooling" -- "Working with Field Theory" -- "The Field of Learning" -- "The Case Study: A Learning Culture of Young DJs and MC-Ers" -- "Putting Field Theory to Work" -- "The Field as Competitive" -- "Enculturation and the Capacity of the Habitus to Rebuff" -- "Dispositions in Reference to the Logics of the Field" -- "References" -- "Chapter 4 Poetry and the Conditions of Practice: A Field Study " -- "Introduction" -- "Bad Bedfellows?" -- "Mapping the Field" -- "Poetry and Capital" -- "The Poetic Habitus" -- "Conclusion" -- "References" -- "Chapter 5 Academic Literacy Support: Challenging the Logic of Practice " -- "Introduction" -- "The Field of Power/Field of Practice" -- "Tensions in the HE Field

Issues of displacement and dispossession have become defining characteristics of a globalised 21st century. People are moving within and across national borders, whether displaced, relocated or moving in search of better livelihoods. This book brings theoretical understandings of migration and displacement together with empirical illustrations of the creative, cultural ways in which communities reflect upon their experiences of change, and how they respond, including through poetry and story-telling, photography and other art forms, exploring the scope for building communities of solidarity and social justice. The concluding chapters identify potential implications for policy and professional practice to promote communities of solidarity, addressing the structural causes of widening inequalities, taking account of different interests, including those related to social class, gender, ethnicity, age, ability and faith. Issues of displacement and dispossession have become defining characteristics of a globalised 21st century. People are moving within and across national borders, whether displaced, relocated or moving in search of better livelihoods. This book brings theoretical understandings of migration and displacement together with empirical illustrations of the creative, cultural ways in which communities reflect upon their experiences of change, and how they respond, including through poetry and story-telling, photography and other art forms, exploring the scope for building communities of solidarity and social justice. The concluding chapters identify potential implications for policy and professional practice to promote communities of solidarity, addressing the structural causes of widening inequalities, taking account of different interests, including those related to social class, gender, ethnicity, age, ability and faith.