Jüdischer Fundamentalismus: Religion, Politik und die Transformation des Zionismus
In: KAS-Auslandsinformationen, Band 12, Heft 9, S. 35-50
ISSN: 0177-7521
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In: KAS-Auslandsinformationen, Band 12, Heft 9, S. 35-50
ISSN: 0177-7521
World Affairs Online
In: Kölner Zeitschrift für Soziologie und Sozialpsychologie: KZfSS, Band 48, Heft 1, S. 205-207
ISSN: 0023-2653
In: Socialist review: SR, Band 26, Heft 3-4, S. 223
ISSN: 0161-1801
In: Shofar: a quarterly interdisciplinary journal of Jewish studies ; official journal of the Midwest and Western Jewish Studies Associations, Band 14, Heft 1, S. 168-173
ISSN: 1534-5165
In: International affairs, Band 71, Heft 3, S. 606-607
ISSN: 1468-2346
In: Economy and society, Band 24, Heft 2, S. 225-244
ISSN: 1469-5766
In: History of European ideas, Band 20, Heft 4-6, S. 837-843
ISSN: 0191-6599
In: Deutschland Archiv, Band 28, Heft 7, S. 675-677
ISSN: 0012-1428
In: History of European ideas, Band 20, Heft 4-6, S. 837-844
ISSN: 0191-6599
In: ... und über Barmen hinaus, S. 11-39
In: Revue française de science politique, Band 44, Heft 1, S. 49-74
ISSN: 0035-2950
World Affairs Online
In: https://doi.org/10.7916/D8NK3CVP
To explore the question "How can someone create art now?," the essay first sketches a broad historical framework, and continues by peering through a lens made of two concepts: the center, and dissent. It explores the Greek influence (Plato the centrist, Socrates the dissenter; dissent as apartness, the center as control molded by dissent) and Christianity (dissent in Job, the Fall, and St. Francis). Whereas the dissent of Socrates was the mold filled by Plato's Center, in Christianity the omnipotent, omnipresent God is the mold, Sin and the Fall its negative, dissent molded by the Center: a double obverse. The essay talks about contemporary music and violence: the beat and the originary scene (Boulez), other strategies (Xenakis, Cage); commodification; rock promoting the ecstasy of identity and submission; Disneyfication. It explores feminism on violence; critical theory on the subject; the Deleuzian Body Without Organs and Kristeva's chora; and Judith Butler on subjectless agency, signification as a regulated process of repetition. Finally, the essay touches on the relations among dissent, autonomy, agency; superfaciality; insignification; theory as praxis as art as life; and intimate apartness built into the Sichselbstgleichheit of the work of art.
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In: Swiss review of world affairs, Band 44, Heft 5, S. 14-17
In: Jeune Afrique, Heft 1738-1739, S. 118-125
In: Wissenschaft und Frieden: W & F, Band 12, Heft 1, S. 20-23
ISSN: 0947-3971
World Affairs Online