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Editor's Introduction The Guantánamo Artwork of Moath al-Alwi: Art as Expression, Witness, Evidence Alexandra S. Moore and Elizabeth Swanson -- Chapter 1: Artmaking at Guantánamo: A Ship Expresses Rescue Moath al-Alwi -- Chapter 2: My Brother, the Artist Mansoor Adayfi -- Chapter 3: APPROVED BY U.S. FORCES: Showing Art from Guantánamo Erin L. Thompson -- Chapter 4: From Wasting Away to a Way with Waste: The Visibility of Moath al-Alwi's Hunger and Sculpture Joshua O. Reno -- Chapter 5: Ships of Scraps: Moath al-Alwi's Model Ships in Islamic Art and Prison Histories Mira Rai Waits -- Chapter 6: Guantánamo Bay Ensigns: Material Rhetorics and Moath al-Alwi's Ships Belinda Walzer -- Chapter 7: A Sea without a Shore: Building an Alternative Visual Archive of Guantánamo Bay Safiyah Rochelle -- Chapter 8: Assemblage by Necessity: The Maritime Sculpture of Moath al-Alwi Gail Rothschild. .

Chapter 1: Dreaming the Myth Onwards -- Chapter 2: A Survey of Child-Characters in Contemporary Videogames -- Chapter 3: The Child as a Social Construct -- Chapter 4: Child Killers and Killer Children -- Chapter 5: Child Heroes -- Chapter 6: Plushies, Dollies, and Action Figurines -- Chapter 7: The Kid in the Fridge.

"A whole host of fears may motivate calls to restrict First Amendment rights, prioritizing one fear over another. Fear and the First Amendment unveils these negotiations of various fears and related protections as they appear in the contemporary Supreme Court, showing that fear is significant and rhetorical in First Amendment conflicts"--

Ursprünglich als progressive Identitätspolitik an Universitäten entstanden, hat Wokeness sich mehr und mehr als Bewegung in staatlichen Institutionen und in Denkmustern von Menschen ausgebreitet wie festgesetzt. Die Psychologin Esther Bockwyt betrachtet den Ursprung und die Folgen der Woke-Bewegung erstmals aus psychologischer Perspektive. Sie sieht Wokeness als den exzessiven wie vergeblichen Versuch, Menschen vor der Übernahme von reifer Verantwortung und unerwünschten Empfindungen zu schützen. Die positive Idee des Schutzes von Minderheiten und des Ausgleichs von Ungerechtigkeiten ist in ein starres, einengendes Schubladendenken mit pessimistischem Welt- und Menschenbild gedreht, sodass eine schwer überwindbare Wand zwischen Benachteiligten und Privilegierten entstehen kann. So kritisch wie ausgewogen und fernab von schrillen Tonlagen fragt die Autorin: Was bedeutet Wokeness für unsere psychische Gesundheit und das gesellschaftliche Miteinander? Was passiert, wenn Narzissmus, Gewissenhaftigkeit oder Aggression im Namen der Wokeness ein gesundes Maß überschreiten? Und wie entsteht eine gesunde Balance zwischen entgegengesetzten Kräften? (Verlagstext)

1. Introduction to collective and shared responsibility for climate change -- 2. Calling all collective agents -- 3. Responsibility as members -- 4. Shared social orientation and responsibility as constituents -- 5. Carbon inequality and direct responsibility -- 6.Why we need ethical arguments to set good climate policies.

Chapter One: Chinese visual culture: Interpretations of Chinese Art and Design visual metaphors that shape social, political and historical narratives -- Chapter Two: Modernity and Contemporaneity: Methodological and Theoretical Framework: Plausible Transcultural Readings -- Chapter Three: Multimodal visual forms -- Chapter Four: Visual Culture in a Diasporic World Online Visual Forms, New Symbolism and Analysis -- Chapter 5: Digital visuality is the mirror of cultural milieu.

1: Introduction to Death, Dying and the Dead in Media and Culture -- 2: "To Show the Problem Inside and Out": Representations of Mental Illness and Suicide in Eric Steel's The Bridge -- 3: Twenty-First Century Digital Snuff: The Circulation of Images and Videos of Real Death Online -- 4: Streaming death: terrorist violence and the digital afterlife of difficult death -- 5: 'Death. Carnage. Chaos': mortality and mountaineering on-screen, and on the roof of the world -- 6: Bodies on the Battlefield: Death and Combat in Band of Brothers -- 7: Melissa Merchant and Simon Order - Representing Fatal Violence in AMC's The Walking Dead: The Role of Legitimation, Graphicness and Explicitness -- 8: Are Normative Death Narratives Celebrated, Reinforced, or Disrupted in Popular Media? A Critical Discourse Analysis of Coco and Soul -- 9: Hashtag feminism: challenging rape and femicide in South Africa -- 10: A Weaponized Landscape: Hart Island's Geography of Denial -- 11: Shakespeare: Difficult Dead Celebrity Child -- 12: There is nothing like a dead man to demand existence' (Antonin Artaud) -- 13: Difficult Deaths and Awkward Agendas: How Mainstream News Media Negotiate Coverage of Politically Dissonant Victims -- 14: Dissected, torn, and exposed: the death and remains of the Jack the Ripper victims in the Illustrated Police News -- 15: Photographing Death to Save Photojournalism Mafia Homicides in Letizia Battaglia's "Archive of Blood" -- 16: Economies of Mortalities: Ageism and Disposability During the Covid-19 Pandemic -- 17: Reflecting grief during a pandemic: online UK newspapers' reportage and researchers' experiences -- 18: Conclusion to Difficult Death, Dying and the Dead in Media and Culture. .

Chapter 1: Chapter 1: Introduction -- Part 1: Categorizing Colors -- Chapter 2: Categorizing the Rainbow. Chapter 3: Categorizing Colors by Name -- Chapter 4: Categorizing Colors by Criteria -- Chapter 5: Categorizing Colors by Environment and Senses -- Part II: Categorizing Colors by Environment and Senses -- Chapter 5: Categorizing Food by Color -- Chapter 7: Categorizing Identities by Color -- Chapter 8: Categorizing People by Color -- Chapter 9: Conclusion—A Past that Ranks Colors and Refuses to Mix and a Colorful Future.

Humor and Politics: A Conceptual Introduction -- Founding Contradictions, Contemporary Expressions: Political Humor in American Culture -- Humorous Genres and Modes in Greek Political Discourse -- British Phlegm and Individualism in Humorous Political Advertising -- 'Kapwa' and Filipinos' Fixation with Presidential Jokes. .

Introduction -- Part I: Framing algorithmic democracy -- Chapter 1. The democratic drift -- Part II: Ethical and political challenges of Algorithmic Democracy -- Chapter 2. The Second Age of Artificial Intelligence -- Chapter 3. The virtual politician: on algorithm-based political decision-making -- Chapter 4. Digital twins: on algorithm-based political participation -- Chapter 5. Platformization: the dangers of the artificial public sphere -- Chapter 6. Moral learning by algorithms: the possibility of developing morally intelligent technology -- Chapter 7. The metaverse: building a digital hyper-economy -- Part III: Against algorithmic democracy: scope and ethical-discursive perspectives for an expansion of deliberative democracy -- Chapter 8. Artificial ethics: on the automation of morality -- Chapter 9. Critique of algorithmic reason -- Chapter 10: Dialogic digital ethics: from explicability to participation -- Chapter 11: Civil society: an ethical framework for algorithmic democracy -- Chapter 12. Institutional design for an embedded algorithmic democracy -- Index.

"Die Journalistin Ruth Hoffmann hat sich nicht weniger vorgenommen, als einen deutschen Mythos zu dekonstruieren. Das Attentat vom 20.07.1944 gegen Hitler wurde immer wieder aus verschiedenen Richtungen instrumentalisiert und ist damit, so Hoffmann, zum "deutschen Alibi" geworden. Sie schafft es überzeugend, die unterschiedlichen Kontexte zu erläutern und die oftmals perfiden Nutzbarmachungen aufzudecken. Besonders wertvoll ist dabei, dass sie nicht am gewählten Beispiel hängen bleibt. Sie verdeutlicht die historische Tiefe von Ereignissen und ihre Wirkung bis heute. Gerade vor dem Hintergrund aktueller Debatten zeigt die Autorin, wie wichtig eine holistische Betrachtung ist, die außerdem überraschende Einsichten bietet. Dass sie es darüber hinaus schafft, dies fesselnd zu schreiben, hat die Jury für das Buch eingenommen" (Nominiert für den Deutschen Sachbuchpreis 2024)

1. Introduction -- Section 1: Aesthetic Labour -- 2. "The person inside has experienced the most change…": The labour of fitness, positivity and narratives of suffering -- 3. Selling Sunset… and my postfeminist sexual capital -- 4. 'Millennial dumplings' at work: Aesthetic and emotional labour in US sitcoms Shrill (2019- 21) and Mythic Quest (2020-) -- 5 Making Nüzhubo: Commodified Intimacy and Gendered Labour in Chinese Live/Life Streaming -- Section 2: Politics and Policies -- 6. Representation of women peacebuilders in the Nigerian TV news media -- 7. Recuperating Women's Care Work in 2010s Television Fictions of Nurses and Nursing in the Neoliberal NHS -- 8. "I took a dump on the glass ceiling": Veep, (the Absence of) Competence and Populist Political Culture -- Section 3: Relationships and Power -- 9. "I am the highest paid showrunner in Television!" Shonda Rhimes' work and influence in the media industry -- 10 Control and the fallacy of agency: negotiating neoliberal workplaces and toxic work environments -- 11. "You Deserve to Be Satisfied": Women in Tech and the Affective Reconfiguration of the Workplace through Song in Zoey's Extraordinary Playlist -- 12. Work it, robot! Exploring I'm Your Man [Ich bin dein Mensch] (2021) and The Trouble With Being Born (2020) -- Section 4: Sex and Sexuality -- 13. Queering Mothering, Labour, and Illness in Tully -- 14. A quest for self? Work as an identity in the Japanese movie 37 seconds -- 15. Representing Sex Workers: The Experiences of Shae, Ros and Daisy in Game of Thrones (2011-2019).

1. Xiaojun Chen -- 2. Xiaojun Chen -- 3. Peng Guo Shu Zhang Chaolin Zhang -- 4. Peng Guo Shu Zhang Chaolin Zhang -- 5. Peng Guo Shu Zhang Chaolin Zhang -- 6.Peng Guo Shu Zhang Chaolin Zhang -- 7.Peng Guo Shu Zhang Chaolin Zhang -- 8. Wenjing An -- 9. Wenjing An -- 10. Wenjing An -- 11. Wenjing An -- 12. Luo Jie -- 13. Luo Jie -- 14.Luo Jie -- 15. Haicong Zuo -- 16. Haicong Zuo -- 17. Peng Guo Shu Zhang Chaolin Zhang -- 18. Peng Guo Shu Zhang Chaolin Zhang -- 19. Shu Zhang, Geng Wang -- 20. Shu Zhang, Geng Wang -- 21. Shao Long -- 22. Shao Long -- 23. Shao Long -- 24. Siying Wu Dentons -- 25. Siying Wu Dentons -- 26. Shao Long -- 27. Shao Long -- 28. Shao Long -- 29 -- Shao Long -- 30. Junmin Zhang -- 31. Junmin Zhang -- 32. Junmin Zhang -- 33. Shaotang Wang -- 34. Bruno Zeller -- 35. Bruno Zeller -- 36. Caishun Guo -- 37. Caishun Guo -- 38. Caishun Guo -- 39. Caishun Guo -- 40. Xiaojun Chen -- 41. Xiaojun Chen -- 42. Xiaojun Chen -- 43. Xiaojun Chen -- 44. Yueshan Liu -- 45. Yueshan Liu -- 46. Yueshan Liu -- 47. Kaiwei Cui -- 48. Kaiwei Cui -- 49. Jia Li -- 50. Jia Li -- 51. Yueyi Yang -- 52. Yueyi Yang -- 53. Hongzhi Hu -- 54. Hongzhi Hu.