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Protestors across the world use aesthetics in order to communicate their ideas and ensure their voices are heard. This book looks at protest aesthetics, which we consider to be the visual and performative elements of protest, such as images, symbols, graffiti, art, as well as the choreography of protest actions in public spaces. Through the use of social media, protestors have been able to create an alternative space for people to engage with politics that is more inclusive and participatory than traditional politics. This volume focuses on the role of visual culture in a highly mediated environment and draws on case studies from Europe, Thailand, South Africa, USA, Argentina, and the Middle East in order to demonstrate how protestors use aesthetics to communicate their demands and ideas. It examines how digital media is harnessed by protestors and argues that all protest aesthetics are performative and communicative.

What makes humour an honest and a direct communication tool for people? How do social networking and digital media transmit user-generated political and humorous content? Our research argues that the way in which humour is deployed through digital media during protest action allows protestors to assert humanity and sincerity against dehumanising political manipulation frameworks. Humorous content, to this extent, enables and is indicative of independent thinking and creativity. It causes contemplation, confronts the hegemonic power of the oppressor, and challenges fear and apathy. In order to conduct this research, we collected and analysed tweets shared during the Gezi Park protests. Gezi Parkı was chosen as the keyword since it was an unstructured and neutral term. Among millions of visual images shared during the protests, we concentrate on those that depict humour both in photography and video formats.

What makes humour an honest and a direct communication tool for people? How do social networking and digital media transmit user-generated political and humorous content? Our research argues that the way in which humour is deployed through digital media during protest action allows protestors to assert humanity and sincerity against dehumanising political manipulation frameworks. Humorous content, to this extent, enables and is indicative of independent thinking and creativity. It causes contemplation, confronts the hegemonic power of the oppressor, and challenges fear and apathy. In order to conduct this research, we collected and analysed tweets shared during the Gezi Park protests. Gezi Parkı was chosen as the keyword since it was an unstructured and neutral term. Among millions of visual images shared during the protests, we concentrate on those that depict humour both in photography and video formats.

What makes humor an honest and a direct communication tool for people? How do social networking and digital media transmit user- generated political and humorous content (Pearce and Hajizada, 2014: 70)? Our research argues that the way that humor is deployed through digital media during protest action allows protestors to assert humanity and sincerity against dehumanising political manipulation frameworks. Humorous content, to this extent, enables and is indicative of independent thinking and creativity. It causes contemplation, confronts the hegemonic power of the oppressor, and challenges fear and apathy (Lynch, 2002 in Pearce and Hajizada, 2014: 73). In order to conduct this research, we collected and analysed tweets shared during the Gezi Park protests. Gezi Parkı was chosen as the keyword since it was an unstructured and neutral term. Amongst millions of visual images shared during the protests, we concentrate on those that depict humor both in photography and video formats. ; publishedVersion

This paper is closed access until 9 July 2020. ; Using the Gezi Park protests as a case study this article considers the performative component of protest movements including how and why protestors actively produce protest activity 'on the ground' and how this is expressed through visual images. It looks beyond iconic images which appear as emblematic of the protest and instead shifts our focus to consider the more 'everyday' or mundane activities which occur during a protest occupation, and explores how social media allows these images to have expressive and communicative dimensions. In this respect, protests can be performed through humdrum activities and this signifies a political voice which is communicated visually. The research is based on visual analysis of Twitter data and reveals methodological innovation in understanding how protestors communicate.

Using the Gezi Park protests as a case study this article considers the performative component of protest movements including how and why protestors actively produce protest activity 'on the ground' and how this is expressed through visual images. It looks beyond iconic images which appear as emblematic of the protest and instead shifts our focus to consider the more 'everyday' or mundane activities which occur during a protest occupation, and explores how social media allows these images to have expressive and communicative dimensions. In this respect, protests can be performed through humdrum activities and this signifies a political voice which is communicated visually. The research is based on visual analysis of Twitter data and reveals methodological innovation in understanding how protestors communicate.

Protestors across the world use aesthetics in order to communicate their ideas and ensure their voices are heard. This book looks at protest aesthetics, which we consider to be the visual and performative elements of protest, such as images, symbols, graffiti, art, as well as the choreography of protest actions in public spaces. Through the use of social media, protestors have been able to create an alternative space for people to engage with politics that is more inclusive and participatory than traditional politics. This volume focuses on the role of visual culture in a highly mediated environment and draws on case studies from Europe, Thailand, South Africa, USA, Argentina, and the Middle East in order to demonstrate how protestors use aesthetics to communicate their demands and ideas. It examines how digital media is harnessed by protestors and argues that all protest aesthetics are performative and communicative.

The project of European integration has undergone a succession of shocks, beginning with the Eurozone crisis, followed by reactions to the sudden growth of irregular migration, and, most recently, the Coronavirus pandemic. These shocks have politicised questions related to the governance of borders and markets that for decades had been beyond the realm of contestation. For some time, these questions have been spilling over into domestic and European electoral politics, with the rise of "populist" and Eurosceptic parties. Increasingly, however, the crises have begun to reshape the liberal narrative that have been central to the European project. This book charts the rise of contestation over the meaning of "Europe", particularly in light of the Coronavirus crisis and Brexit. Drawing together cutting edge, interdisciplinary scholarship from across the continent, it questions not merely the traditional conflict between European and nationalist politics, but the impact of contestation on the assumed "cosmopolitan" values of Europe

In this working paper, we explore the reactions of target groups to populist discourse through focus groups in five European countries and perform a quantitative analysis of Facebook data in eight European countries. We demonstrate the ways in which populist discourse and policies affect target groups including migrants, ethnic or religious minorities, academics, and LGBTIQ+ groups. Focus groups revealed that organized religion is an agent of populist movements. The Catholic Church in Poland and the Greek Orthodox Church legitimize and disseminate populist discourses. We also find that vulnerable groups complain about mainstreaming of hate language in their countries. The rise of populist movements and these movements' eagerness to express controversial opinion on issues including immigration, homosexuality and political liberalism caused certain groups examined in this paper to appropriate these opinions and voice them in everyday life. Vulnerable groups, in an attempt to counterpoise the populist challenge in their countries, have developed four main strategies: i) creating echo chambers, ii) self-censorship, iii) migration, and iv) active resistance. Echo chambers enable members of vulnerable groups to avoid what they deem unnecessary and potentially unpleasant encounters with supporters of populist movements. It provides them with a comfort zone where they can express opinion more freely. Self-censorship, similar to echo chambers, helps target groups to stay under the radar of populist movements and their supporters. Those defending migration state that the process in their countries is irreversible and migrating to another country is the only way out. Finally, some participants argued that rather than conceding defeat, they actively resist through civil society organizations, street protests, and openly display their identity to fight off populism. Analysis of Facebook data revealed information about the ways in which populist parties and leaders communicate on social media and how the public perceives their communication. Populists use an anti-elitist language more frequently than mainstream political actors. Turkey and Hungary are exception to the rule, because in both countries populist governments have been in office for a long time. Second, populist actors in all countries but Poland and Turkey talk about immigration more. In Germany, France and the UK, populist actors frequently discuss EU-related issues. We also found that populists in Germany, France, Italy and the UK talk more about 'democracy and legitimacy' than mainstream parties do whilst populists talk about these issues less than mainstream parties do in Greece, Hungary and Turkey. Analysis also suggests that populist actors' Facebook posts obtain more reactions, shares, and comments than mainstream political actors'. Anti-elitist language in social media posts produces more reactions, shares, and comments. Posts with references to religious minorities trigger fewer reactions from the users while posts making references to ethnic minorities, including immigrants or asylum seekers, as well as country-specific minorities like Roma in Hungary or Kurds in Turkey, trigger more reactions, and these posts are shared more. Finally, we find that posts referring to 'immigration' trigger more reactions and shares and produce more discussion than other issues. In the final section of this working paper, we conclude with a short discussion on policy options.