Suchergebnisse

A groundbreaking work of investigative journalism revealing the complicity of the Vatican and the Swiss government in aiding Nazi war criminals' escape from Europe to Argentina - reissued with a new preface by Philippe Sands and additional material.As Russian forces closed in on Berlin, and Hitler's premiership drew to a close, many Nazi officials fled Germany. In this startling, meticulously researched account, acclaimed journalist Uki Goni unravels the complex network that led them to Argentina. Relying on international support - in Scandinavia, Switzerland and Italy - and the enthusiasm of the Vatican and President Juan Peron, Goni shows how this 'ratline' allowed Adolf Eichmann - the architect of the 'Final Solution' - Josef Mengele, Erich Priebke, and many more, into the country. Both riveting and rigorous, this remarkable investigation sheds vital light on both a disquieting episode in Europe's history, and the ties between Argentinian Catholic Nationalism and Fascist movements in Europe

Introduction: interpreting Chinese modernity, 1900-1950 / Wen-hsin Yeh -- The cultural construction of modernity in urban Shanghai: some preliminary explorations / Leo Ou-fan Lee -- Marketing medicine and advertising dreams in China, 1900-1950 / Sherman Cochran -- "A high place is no better than a low place": the city in the making of modern China / David Strand -- Engineering China: birth of the developmental state, 1928-1937 / William C. Kirby -- Hierarchical modernization: Tianjin's Gong Shang College as a model for Catholic community in North China / Richard Madsen -- The grounding of cosmopolitans: merchants and local cultures in Guangdong / Helen F. Siu -- Zhang Taiyan's concept of the individual and modern Chinese identity / Wang Hui -- Crime or punishment? On the forensic discourse of modern Chinese literature / David Der-wei Wang -- Hanjian (Traitor)! Collaboration and retribution in wartime Shanghai / Frederic Wakeman Jr. -- Of authenticity and woman: personal narratives of middle-class women in modern China / Prasenjit Duara -- Victory as defeat: postwar visualizations of China's War of Resistance / Paul G. Pickowicz

A revealing look at U.S. imperialism through the lens of visual culture and portraitureIn 1898, the United States seized territories overseas, ushering in an era of expansion that was at odds with the nation s founding promise of freedom and democracy for all. This book draws on portraiture and visual culture to provide fresh perspectives on this crucial yet underappreciated period in history.Taína Caragol and Kate Clarke Lemay tell the story of 1898 by bringing together portraits of U.S. figures who favored overseas expansion, such as William McKinley and Theodore Roosevelt, with those of leading figures who resisted colonization, including Eugenio María de Hostos of Puerto Rico; José Martí of Cuba; Felipe Agoncillo of the Philippines; Padre Jose Bernardo Palomo of Guam; and Queen Lili uokalani of Hawai i. Throughout the book, Caragol and Lemay also look at landscapes, naval scenes, and ephemera. They consider works of art by important period artists Winslow Homer and Armando Menocal as well as contemporary artists such as Maia Cruz Palileo, Stephanie Syjuco, and Miguel Luciano. Paul A. Kramer s essay addresses the role of the Smithsonian Institution in supporting imperialism, and texts by Jorge Duany, Theodore S. Gonzalves, Kristin L. Hoganson, Healoha Johnston, and Neil Weare offer critical perspectives by experts with close personal or scholarly relations to the island regions.Beautifully illustrated, 1898: Visual Culture and U.S. Imperialism in the Caribbean and the Pacific challenges us to reconsider the Spanish-American War, the Philippine-American War, and the annexation of Hawai i while shedding needed light on the lasting impacts of U.S. imperialism.Published in association with the Smithsonian s National Portrait Gallery, Washington, DCExhibition ScheduleNational Portrait Gallery, Washington, DCApril 28, 2023-February 25, 2024

Modern Murders is the first comprehensive study of murder representations during the turn of the century, drawing on previously neglected archival material to explore the intellectual, cultural, and artistic contexts of the period.Most studies view the abundance of murder representations throughout the nineteenth century as an indicator of a supposedly typical Victorian appetite for sensation and melodrama. Modern Murders, however, demonstrates the turn of the century's backlash against melodramatic and sensational representations of murder and reads them as an important component in the struggles for better aesthetic standards in art and entertainment, and as a dominant feature in the debates on mass culture. Through a plethora of visual and written texts, representations of fictional and actual "real life" murders, and "high" and "popular" forms of writing, the volume considers the importance of murder in the elite claim to cultural authority versus its perception of plebian taste, in the context of the democratization of culture.This book will be of value to scholars and graduate students in a variety of research areas, as well as general readers interested in the role of murder as a central trope in modern art and culture

Between 1945 and 1965, more than fifty nations declared their independence from colonial rule. At the height of the Cold War, the global process of decolonization complicated US-Soviet relations, while Soviet and American interventionism transformed the decolonizing process. Remaking the World examines the connections between the Cold War and decolonization, which helped define the post-World War II global order. Drawing on new scholarship, this comprehensive study provides a chronological overview from World War I to the Soviet collapse and highlights key developments in the international system as decolonization unfolded in tandem with the Cold War.Through six carefully selected case studies - India, Egypt, the Congo, Vietnam, Angola, and Iran - historian Jessica M. Chapman addresses the shifting of Soviet, American, Chinese, and Cuban policies, the centrality of modernization, the role of the United Nations, the often-outsized influence of regional actors like Israel and South Africa, and seminal post-Vietnam War shifts in the international system. Each of the case studies analyzes at least one geopolitical turning point, demonstrating that the Cold War and decolonization were mutually constitutive processes in which local, national, and regional developments altered the superpower competition. Chapman presents a picture of the complexities of international relations and the ways in which local communist and democratic movements differed from their Soviet and American ties, as did their visions for independence and success

Introduction -- 1. Nineteenth century precursors of an international criminal legal system -- 2. The birth of the new justice at the Paris Peace Conference -- 3. Crimes against humanity and crimes of denationalization : the victory of political expediency over justice -- 4. Blueprints for international criminal courts and their political rejection in the 1920s -- 5. International terrorism in the 1920s and '30s : the response of European states through the League of Nations and the attempt to create an international criminal court -- 6. The search for a victim-centered new justice, 1942-1946 : the World Jewish Congress and the Institute of Jewish Affairs -- 7. The Genocide Convention : the gutting of preventative measures, 1946-48 -- 8. Revisiting the Geneva Conventions, 1946-49 : synthesizing the old and new justice -- Epilogue -- Conclusion