Composing Lusophonia: Multiculturalism and National Identity in Lisbon's 1998 Musical Scene
In: Diaspora: a journal of transnational studies, Band 11, Heft 2, S. 163-188
ISSN: 1911-1568
Following Portugal's post-1974 transition to democracy and entry into the European Union in 1986, state reformulations of national identity increasingly stressed Portugal's expertise in multicultural, especially international, affairs. By the 1990s, almost all discourses of national culture, history, and identity asserted Portuguese people's historic facility in promoting dialogue and communication among the world's cultures and nations and emphasized a history of mediation and brokerage, cross-cultural exchange and fusion, hybrid forms, and multiculturalism. Political and cultural leaders pointed to the existence of a wider lusophone or Portuguesespeaking world, stretching across Europe, South America, Africa, and Asia, as concrete evidence of past and continuing Portuguese global leadership in this domain.