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Since the end of World War II the study of Southeast Asia has changed unrecognizably. The often bitter end of colonialism caused a sharp break with older scholarly traditions, and their tendency to see Southeast Asia as a receptacle for external influences—first Indian, Persian, Islamic or Chinese, later European. The greatest gain over the past forty years has probably been a much increased sensitivity to the cultural distinctiveness of Southeast Asia both as a whole and in its parts. If there has been a loss, on the other hand, it has been the failure of economic history to advance beyond the work of the generation of Furnivall, van Leur, Schrieke and Boeke. Perhaps because economic factors were difficult to disentangle from external factors they were seen by very few Southeast Asianists as the major challenge.

Morocco is notable for its stable and durable monarchy, its close ties with the West, its vibrant cultural life, and its centrality to regional politics. This book, by distinguished historian, Susan Gilson Miller, offers a richly documented survey of modern Moroccan history. The author's original and astute interpretations of the events, ideas, and personalities that inform contemporary political life are testimony to her scholarship and long association with the country. Arguing that pragmatism rather than ideology has shaped the monarchy's response to crisis, the book begins with the French invasion of Algeria in 1830 and Morocco's abortive efforts at reform, the duel with colonial powers and the loss of independence in 1912, the burdens and benefits of France's forty-four year dominion, and the stunning success of the nationalist movement leading to independence in 1956. In the post-independence era, the book traces the monarchy's gradual monopolization of power and the resulting political paralysis, ending with the last years of Hassan II's reign, when Moroccan society experienced a sudden and radical opening. A postscript brings events up to 2012, covering topics such as Morocco's war on terror, the dtente between the monarchy and the Islamists, and the impact of the Arab Spring. This concise, readable book will inform and enthrall students coming to the history of North Africa for the first time, and also those in other disciplines searching for the background to present-day events in the region.

Why write people's histories in our age of populism? Much of the original appeal of the genre derived from the marginality its subject once occupied in public life. Ordinary lives were hardly mentioned in school textbooks; popular culture was assigned to the bottom of the nation's hierarchy of values; and popular politics was either criminalised or disciplined to fit national voting patterns in states ruled by bullet and ballot alike. Defining the people naturally set the fault lines between liberal, conservative and socialist practitioners of the genre. J.R. Green's late nineteenth-century prototype – A Short History of the English People – presented a liberal story of social change, from the landing of Hengist to the battle of Waterloo. It incorporated the entirety of social life mushrooming beneath the deeds of kings, in all its evolutionary splendor. On the continent, notably in Central and Eastern Europe, the people would often feature in ethnic garb, in histories of national liberation or imperial projection. Yet it was Marxism, broadly conceived, that provided the most enduring template for people's histories, at least in the Anglosphere, from A.L. Morton's pioneering A People's History of England onwards. Extended beyond strictly national boundaries to topics such as modern Europe or even the world, two recent people's histories written in this vein, both taking their motto from Brecht's Fragen eines lesenden Arbeiters, filter their subject through class struggle and offer a narrative of freedom from want in which a vast labouring multitude toils, suffers and rebels across ages. However, political outlook and epistemological commitments aside, for the past century people's history has claimed to restore to the people its own past, often one of misery at the hands of elites yet one all the more dignified for that reason. Do any of these coordinates still obtain today? Is not the current glorification of ordinary lives, popular culture and politics the bread and butter of populism?

First published in 1979, this richly documented study of French development from the early nineteenth century to the present day is of particular importance to students both of history and economics. Francis Caron moves as confidently through the fields of current economic policy and modern economics as he does through the traditional subject matter of French nineteenth-century economic history. His book incorporates the mass of research that has appeared in monograph and periodical form in recent years, making it accessible for the first time to the English-speaking reader

In the wake of the civil war and Qadhafi's demise, the time is ripe for a new edition of Dirk Vandewalle's classic history of Libya. The book, which was originally published in 2006, traces the country's history back to the 1900s, through the Italian occupation in the early twentieth century, the Sanusi monarchy and, thereafter, to the revolution of 1969 and the accession of Qadhafi. The following chapters analyse the economics and politics of Qadhafi's revolution, offering insights into the man and his ideology as reflected in his Green Book. The new edition covers the intervening years, since 2005, when, courted by the West, Qadhafi came in from the cold. At home, though, his people were disillusioned, and economic liberalization came too late to forestall revolution. In an epilogue, the author reflects upon Qadhafi's premiership and the legacy he leaves behind

This book examines the work of several modern artists, including Fortunato Depero, Scipione, and Mario Radice, who were working in Italy during the time of Benito Mussolini's rise and fall. It provides a new history of the relationship between modern art and fascism. The study begins from the premise that Italian artists belonging to avant-garde art movements, such as futurism, expressionism, and abstraction, could produce works that were perfectly amenable to the ideologies of Mussolini's regime. A particular focus of the book is the precise relationship between ideas of history and modernity encountered in the art and politics of the time and how compatible these truly were.

Lettered on cover, vol. I : Reign of Henry the Eighth; vol. II : Reigns of Edward VI, Mary, and Elizabeth. ; The general title as above appears only as running title. The regular title-pages present the special titles of the separate volumes as given in contents below. ; I. The history of the reign of Henry the Eighth: comprising the political history of the commencement of the English reformation.--II. The history of the reigns of Edward the Sixth, Mary, and Elizabeth. ; Mode of access: Internet. ; Recon28.

Lettered on cover, vol. I-II: Reign of Henry the Eighth; vol. III-IV: Reigns of Edward VI, Mary, and Elizabeth. ; The general title as above appears only on the half-title. The regular title-pages present the special title of the separate volumes as given in contents below. ; I-II. The history of the reign of Henry the Eighth: comprising the political history of the commencement of the English reformation.--III-IV. The history of the reigns of Edward the Sixth, Mary, and Elizabeth. ; Mode of access: Internet.