Suchergebnisse

Desde la década de los 1980, las organizaciones del movimiento indígena en Ecuador lucharon no sólo por derechos económicos, políticos o culturales, sino además por una reconstrucción de la sociedad y del Estado ecuatoriano. Esta reconstrucción pasa por conceptos bastante específicos como Interculturalidad y Plurinacionalidad. Aún si estos conceptos fueron adoptados en la Constitución del 2008, desde la perspectiva del movimiento indígena, todavía falta implementarlos. Este texto es un análisis del desarrollo tanto del movimiento indígena como de sus conceptos con un enfoque en las relaciones entre las diferentes organizaciones y conceptos.English:The fight of indigenous movement organizations in the Republic of Ecuador (Ecuador) since the 1980s has not only been for equal economic, political or cultural rights, but also for reconstruction of the Ecuadorean society and the State. This reconstruction is formed alongside quite specific concepts, such as Interculturality and Plurinationality. Even if these concepts have been adopted in the Constitution of 2008, from the perspective of the Indigenous movement, they are yet to be implemented. This article is an analysis of the development of both Indigenous movement and their concepts with a focus on the interrelation between the different organizations and Interculturality and Plurinationality.

Presentation from the project "Democracy and Indigenous Rights" (between UiT and Sami University College) at the 11th annual Forum for Development Cooperation with Indigenous Peoples, which commenced the 24th-26th of October 2010. The Centre for Sámi Studies hosted the conference at the University of Tromsø, Norway. Full conference report available in Munin at http://hdl.handle.net/10037/2941

This thesis focuses on the significance of Sámi and indigenous vocal and musical expression in ethno and indigenous political mobilizing in the 1970s and particularly in June 1979. My point of departure is the Davvi Šuvva festival; the first Sámi and international indigenous culture and music festival after the establishing of the World Council of Indigenous Peoples. It took place on a hill in a Sámi and Swedish/Finnish border village in the north of Sweden and in the middle of Sápmi. My research is based on the interviews with people who organized the festival, artists and audience as well as written contemporary sources, a film about the event and 16 authentic tapes of recordings of the concerts at Davvi Šuvva. The oral sources of eye and ear witnesses represent insider views and experiences and the contemporary written sources of attending news paper journalists and writers from other magazines represent both insider and outsider perspective. "Davvi Šuvva 1979" also documents the ethno political background of the festival and discusses various perspectives on collective identity. While powwow dance and traditional native chanting expressed First Nation and Cree Indian identity and Inuit identity was expressed by traditional drum dance and drum singing Davvi Šuvva also demonstrated how yoik conveyed various Sámi identities. My intention is to show how and why vocal and musical expressions had, and still have, a particular significance in oral indigenous cultures as a means of struggle. The conclusions reached are that manifestations of Sámi and indigenous cultural expression and resistance like the Davvi Šuvva festival contributed to pride, recovery, dignity and positive self awareness and that the festival as such strengthened Sámi identity and indigenous togetherness and belonging.