Državljanska vojna podob. Politične tragedije, politične ikonografije ; The Civil War of Images. Political Tragedies, Political Iconographies
Članek preučuje umeščenost državljanske vojne znotraj nedavnih razprav o politični ikonografiji. Prične z dvema nedavnima teoretičnima in kuratorskima intervencijama v umetnostno zgodovino T. J. Clarka in Georgesa Didi-Hubermana, ki krožita okoli vprašanja tragedije, preizkušata meje tragedije kot miselnega okvira politike podob in zoperstavlja Clarkovo in Didi-Hubermanovo analizo nedavnim ponovnim branjem Picassove Guernice Carla Ginzburga. Članek nato spelje temo državljanske vojne do samih začetkov moderne politične misli s kritičnim raziskovanjem nekaterih nedavnih branj slike na platnici Hobbsovega Leviathana, predvsem tistega, ki ga je predlagal Giorgio Agamben v svoji knjigi o paradigmi državljanske vojne. Članek se sklene z refleksijo negativne politične ikone, ki v očeh mnogih tako kristalizira kot obsoja vstajniška gibanja v Italiji poznih 70ih let 20. stoletja. ; This article explores the place of civil war in recent debates on political iconography. It begins with two recent theoretical and curatorial interventions into art history, by T. J. Clark and Georges Didi-Huberman, which orbit around the question of the tragic, probing the limits of tragedy as a frame to think the politics of images and contrasting Clark and Didi-Huberman's analyses with Carlo Ginzburg's recent re-reading of Picasso's Guernica. The article then takes the theme of civil war to the origins of modern political thought, through a critical exploration of some recent readings of the frontispiece to Hobbes's Leviathan, chief among them the one proposed by Giorgio Agamben in his book on the paradigm of civil war. The article concludes with a reflection on a negative political icon that came to both crystallise and condemn, in the eyes of many, the insurrectionary movements of Italy's late 1970s.