Cash Flow Problems Can Kill Profitable Companies
In: International Journal of Business Administration (2017) 8 (6): 46-54
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In: International Journal of Business Administration (2017) 8 (6): 46-54
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In: International Review of Law, Computers and Technology, 31(2), 2017
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In: European Society of International Law (ESIL) 2017 Research Forum (Granada)
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Working paper
In: The Global Community - Yearbook of International Law and Jurisprudence, 2017
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Working paper
In: Peterson Institute for International Economics Working Paper No. 17-9
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Working paper
In: Peterson Institute for International Economics Working Paper No. 17-13
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Working paper
In: International Centre for Trade and Sustainable Development Issue Paper (2017)
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In: International security, Band 42, Heft 3, S. 37-83
ISSN: 0162-2889
World Affairs Online
In: International security, Band 42, Heft 2, S. 120-154
ISSN: 0162-2889
World Affairs Online
In: (2020) 7(1) Journal of International and Comparative Law 127
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In: International journal of contemporary Iraqi studies, Band 11, Heft 3, S. 133-159
ISSN: 1751-2867
World Affairs Online
In: International journal of contemporary Iraqi studies, Band 11, Heft 3, S. 161-175
ISSN: 1751-2867
World Affairs Online
In: International Journal of Law and Management Vol. 59(1): Forthcoming
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In: Peterson Institute for International Economics Working Paper No. 17-1
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Working paper
In: International journal of civic engagement and social change: IJCESC, Band 4, Heft 1, S. 23-44
ISSN: 2328-5508
This manuscript, per the author, will explain "Environmental Melancholia" and "Collective Social Mania," and describe how they are connected in a hedonic loop of capitalism and buyer's remorse. This manuscript will also explain the role of symbolism and symbolic acts in healing one's grief, and the connection it has to art. The materials used in the artwork, Relentless Memorial, reference the unyielding pollution and mass production of goods created by the petroleum industry, as well as creating a dichotomy between a clean, white, virgin plastic to an ever-increasingly polluted, contaminated world. The formal presentation of Relentless Memorial as an installation is intended to provide a place of contemplation and mourning. Furthermore, the presentation of the installation as a panorama is related to the phenomenon of panoramas of the nineteenth century, and the onset of environmental pollution during the industrial revolution of that time. It invites a layered investigation into how that industry has influenced the environmental melancholia felt by society today.