The Portrayal and Punishment of Terrorists in Western Media: Playing the Villain
Intro -- Acknowledgements -- Contents -- Chapter 1 Introduction -- Overview of the Chapters -- 'Terrorists' in Context -- What Is a Terrorist? -- Unexceptional Terrorists -- What Does a Terrorist Look Like, and Why Does It Matter? Analysing the Visual in International Relations -- The Aesthetic Turn -- Visuality, Voyeurism and the Sublime -- Ethics and Imagery -- A Post-colonial Approach to the Visual -- 'Terror Icons'-A Product of Their Culture? -- Political Myth -- References -- Chapter 2 Towards a Theory of Scapegoating, Catharsis and Narrative Closure -- The Terrorist as a Form of Scapegoat -- René Girard's Scapegoating Mechanism -- Purity, Order and Scapegoating -- Scapegoating and Moral Panics -- Catharsis and Narrative Closure -- Terrorists as Scapegoats -- Reference -- Chapter 3 Towards a Method of Intervisuality -- The Relationship Between the Scapegoating Ritual and Discourse About Terrorists (And Other Villains) -- Foucauldian (Genealogical) Discourse Analysis -- The Importance of Genealogy -- How to Enact a Foucauldian Genealogical Discourse Analysis -- Adapting Discourse Analysis to Visual Material -- Analysing the Visual: How Images Build Myths and Meaning -- Barthes' Decoding of Advertisements -- Stuart Hall's Analysis of News Photographs -- The Role of Cultural Background in the Power of Photography: Hamilton and Smith -- Mythological Codes, Myth-Building and Iconology -- Intervisuality -- How the Intervisual Method Will Be Enacted -- Further Methodological Issues -- Case Selection -- Data Collection: Images of Villains in Western Cultural History -- Data Collection: Portrayals of Terrorists, Post-9/11 -- Summary -- The Role of Intervisuality in the Scapegoating Ritual -- References -- Chapter 4 A Genealogy of the Terrorist in Western Culture -- The Colonised Subject -- Colonised Subjects in a Domestic Setting.