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The civil war in Syria - which has claimed more than 600,000 lives and displaced over half of the country's population since 2011 - is an enormously complex conflict. The combatants include a wide array of state and nonstate forces, both Syrian and international. Adding to the war's complexity, its many participants understand and explain the war in a range of different ways. For some, it is a fight for dignity and democracy; for others, a sectarian or communal conflict; still others see it as a fight against terrorism or a consequence of foreign interference. Ora Szekely draws on sources including in-depth interviews, conflict data, and propaganda distributed through social media to examine how these competing narratives have shaped the course of the conflict. Mapping out the broad patterns of violence among combatants and against civilians, Szekely argues that the competition to control the narrative in the eyes of important audiences at home and abroad has not only influenced the choices of participants, it has also - shaped in part by the use of social media - led many to treat warfare as a kind of performance. An insightful analysis of the forces fueling a brutal civil war, Syria Divided offers new perspectives on the performative aspects of violence, the weaponization of social media, and key features of twenty-first-century warfare.

Now more than ever, communities across the world are integrated into a complex, global information ecosystem that shapes the nature of social, political, and economic life. The ripple effects of actors trying to manipulate or disrupt this information ecosystem are far more severe than the primary effects that are merely being felt in the information space. In fact, the weaponization of narratives has already shown its potential to transform the character of conflict in the twenty-first century. Subversion examines how malicious state and nonstate actors take advantage of the information space to sow political chaos. Andreas Krieg reveals how the coordinated use of weaponized narratives can achieve strategic-level effects through a six-stage process. Preying on vulnerable states and communities to find the fault lines within societies, these campaigns begin in the information space with an ultimate goal of producing tangible results (such as changes to policy or voting behavior, or spurring political violence). Krieg closely examines recent subversion campaigns by two states in particular, focusing on Russia's interference in Western public discourse and the United Arab Emirates's demonization of the Muslim Brotherhood as a terrorist organization.