Globalization and Victims’ Rights at the International Criminal Court
In: Studies in Global Justice; The New Faces of Victimhood, S. 279-300
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In: Studies in Global Justice; The New Faces of Victimhood, S. 279-300
In: Challenges in a Changing World, S. 99-115
To what extent should public utilities regulation be expected to converge across countries? When it occurs, will it generate good outcomes? Building on the core proposition of the New Institutional Economics that similar regulations generate different outcomes depending on their fit with the underlying domestic institutions, we develop a simple model and explore its implications by examining the diffusion of local loop unbundling (LLU) regulations. We argue that: one should expect some convergence in public utility regulation but with still a significant degree of local experimentation; this process will have very different impacts of regulation.
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In: NBER Working Paper No. w14636
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In: Climate policy, Band 8, Heft 6, S. 569-576
ISSN: 1752-7457
In: IMF Working Papers, S. 1-33
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Working paper
In: CEPR Discussion Paper No. DP7022
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Working paper
In: Labor Mobility and the World Economy, S. 187-204
In: Politische Vierteljahresschrift: PVS : German political science quarterly, Band 46, Heft 2, S. 215-237
ISSN: 0032-3470
World Affairs Online
In: Foreign affairs: an American quarterly review, Band 83, Heft 1, S. 167
ISSN: 2327-7793
In: Perspectives on political science, Band 33, Heft 1, S. 52
ISSN: 1045-7097
In: Journal of Asian Pacific communication, Band 12, Heft 2, S. 291-310
ISSN: 1569-9838
Wong Kar-Wai is the premier auteur of Hong Kong cinema. This article analyzes his 1994 film, Chungking Express, using the "auteur as structure" approach. This approach emphasizes the influence of the director on a film. It can only be applied to films that were mainly controlled by the director and not the studio or production company. Using this approach requires researchers to find the signature of the director within the film.
This research introduces the work of an internationally-acclaimed film director to communication scholars, and it deciphers a film inherently complex to interpret. The authors' analysis reveals Wong utilizes a French New Wave style to represent his view of a Hong Kong undergoing social and political transformations. Wong's style is similar to French directors such as Truffaut and Godard because of his spontaneity and use of movement within the movie image. Even though Wong is influenced by the French New Wave, his films are also influenced by their physical and social environments. This is especially true in Chungking Express, with its crime urban surroundings, and constant references to expiration dates, the latter referring to Hong Kong's hand-over to China.
In: The American journal of sociology, Band 108, Heft 1, S. 129-167
ISSN: 1537-5390
In: Politische Vierteljahresschrift: PVS : German political science quarterly, Band 43, Heft 3, S. 556-557
ISSN: 0032-3470
In: Bank of Finland Research Discussion Paper No. 9/2002
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Working paper