Suchergebnisse

Post-dance first unfolded as a conference in MDT in Stockholm, 14-16 October, 2015, created by Danjel Andersson, Andre Lepecki and Gabriel Smeds, and was followed by a multi-authored publication co-edited by Andersson, Mette Edvardsen and Mårten Spångberg (March 2017) that sought to delineate post-dance as a mode of thinking about an expanded contemporary dance and choreographic practice. This experiment in collective criticism thinks through and around post-dance as a critical moment in contemporary dance practice. Authored by Writingshop, a long-term collaborative project between four European critics examining the processes, modes and politics of contemporary, collective critical practice, it intersperses multi-authored notes from and on post-dance with a timeline. This timeline is an edited transcript of the conversation that gave rise to the notes, taking place in a side-chat, on a live Google document. At the same time, whilst this has been a process of selection, there has been little editorial intervention into the chat, in order to preserve its chronology and dynamics, and acknowledge the challenges of us arriving in this document together, from four different places, with different forms of access and points of entry into language.

Frontcover -- Contents -- Essays -- The Current State of Research on Late-Medieval Drama: 2004-2005: Survey, Bibliography, and Reviews -- Intertextual Play and the Game of Love: The "Belle Dame sans mercy" Cycle -- Hans Sachs's "Tragedy of the Last Judgment" (1558): Eschatological Theater in Germany -- La traducción en el siglo XV: herramientas de trabajo, procedimientos, técnicas y métodos -- Doctor Johann Weyer (1515-88) and Witchcraft -- Christ's Healing of the Lame Man in the York Cycle's "Entry into Jerusalem": Interpretive Challenges for the Newly Healed

The struggles for independence in Latin America during the first half of the nineteenth century were accompanied by a wide-ranging debate about political rights, nationality and citizenship. In South American Independence , Catherine Davies, Claire Brewster and Hilary Owen investigate the neglected role of gender in that discussion. Examining women writers from Brazil, Argentina, Chile, Peru, and Colombia, the book traces the contradictions inherent in revolutionary movements that, while arguing for the rights of all, remained ambivalent, at best, about the place of women. Through studies of b