Suchergebnisse

In his discussions of life as narrative, and identity as narrative identity, Paul Ricoeur has claimed that we learn to become narrators and heroes of our own stories, without actually becoming the authors of our own lives. This idea, that we cannot be the author of our own life-story in the same way that the author of fictional narrative is the author of that story, seems at first incontestable, given that we are caught up within the enactment of the narrative that is our life, unlike the author of a fictional story who also has an independent existence outside that story. This asymmetry leads Ricoeur to pronounce that an ineradicable difference exists between fictional and life narratives. But is this difference in fact ineffaceable, or is there a sense in which we can be said to be the authors of our own lives? In this article I suggest that there are more points of similarity than Ricoeur explicitly recognizes between what authors do in writing fictional narratives and what we do in figuring, prospectively, our lives. These similarities are brought to light by a revision of the naïve, received concept of author and, once acknowledged, serve to bridge the purportedly 'unbridgeable gap' between fictional narratives and life narratives. I then consider how bridging this gap — establishing ourselves as authors as well as narrators — has ethical implications with regard to creating our own lives: a creation which authoring implies, but which is — given the revised notion of author — limited, both by the reciprocity of the other as co-author and by those events in life which the life-author is not fully able to plot.