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"Hands on Media History explores the whole range of hands on media history techniques for the first time, offering both practical guides and general perspectives. It covers both analogue and digital media; film, television, video, gaming, photography and recorded sound.
Understanding media means understanding the technologies involved. The hands on history approach can open our minds to new perceptions of how media technologies work and how we work with them. Essays in this collection explore the difficult questions of reconstruction and historical memory, and the issues of equipment degradation and loss. Hands on Media History is concerned with both the professional and the amateur, the producers and the users, providing a new perspective on one of the modern era's most urgent questions: what is the relationship between people and the technologies they use every day?
Engaging and enlightening, this collection is a key reference for students and scholars of media studies, digital humanities, and for those interested in models of museum and research practice."

Abstract The concept "intranslation" was coined in 1992 to refer to the importation of foreign books into a national language via translation. Since then, the concept has travelled, and its meaning has expanded to describe other aspects of the international production, circulation and reception of texts, such as the symbolic and material spaces, capitals and practices involved in these processes. With the purpose of continuing to explore its explanatory power, in this article I argue intranslation has been the dominant process in Mexico's translation policies of the 20th century. I examine three intranslation projects supported and/or implemented by the Mexican government. The article is divided into two main sections. The first section outlines the concepts of translation policy, intranslation and extranslation. The second section begins with an overview of the evolution of the Mexican publishing field. This is followed by a description of three translation projects supported by the Mexican government and by the analysis of the evolution of the roles and values attributed to translation.

Résumé Cet article montre que le nationalisme méthodologique est remis en question par les processus de « cosmopolitisation de la réalité » produits par la prise de conscience globale des crises et des risques qui ne sont ni confinés, ni intelligibles au niveau national. L'article clarifie la notion de cosmopolitisme méthodologique qui doit être distinguée à la fois du cosmopolitisme normatif et d'autres manières de répondre à la différence. Les processus de comsopolitisation sont décrits au travers de sept thèses qui éclaircissent les conditions de possibilité d'une société imaginée cosmopolite.