The London jubilee book, 1376-1387: an edition of Trinity College Cambridge MS O.3.11, folios 133-157
In: London Record Society publications 55
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In: London Record Society publications 55
In: Middle English texts series
Momentography of a failure brings essays, timelines, film, photography, and a series of conversations together to deal with Ethiopia's controversial urbanisation and the transformative space of the city. It explores the gradual transition of rural-urban space, inner-city migration, emerging and disappearing spaces, and commoning in public space. Momentography of a failure is established at the verge of a hyper-documented world, a hybrid space of digital sociability. While the media production, its reception, and distribution was pluralized by digitization, practices such as "media-sharing" and "citizen journalism" established new conditions for visibility, reinvented the authorial image, and promoted yet another dematerialization of authorship. The author camouflages in the cloud(s). Adoption, appropriation, and recycling are standardized. Authorship becomes secondary to content and alternative models of authorship are formulated: co-authoring, collaborative creation, interactivity, and strategic anonymity, in which cultural activism is reinforced. Momentography of a failure sets out on this point and draws up a multidisciplinary artistic and urban research platform that calls for practicing forms of participatory citizenship through collaborative thinking, creation, and reflection. Momentography of a failure is a network of artists, urbanists, writers, and activists that stand where aesthetic-artistic practice and sociopolitical activism come together to explore failure--and its various realities--and claim, reaffirm, and dream alternatives
In: Biblioteka: Tradicija i istorija knj. 3
In: The publications of the Selden Society volume 130 (2013)
In: The publications of the Selden Society volume 130 (2013)
In: The publications of the Selden Society volume 129
Readings on Westminster I, cc.1-3 -- Readings on Magna Carta, c. 1 -- Other texts on the common law and the church
In: Cambridge library collection
In: Rolls
Ranulf Higden (d.1364) was a monk at the abbey of St Werburgh in Chester. His most important literary work is this universal chronicle, which survives in over a hundred Latin manuscripts, testifying to its popularity. The earliest version of it dates from 1327, but Higden continued writing until his death, expanding and updating the text. It was also continued in other monastic houses, most importantly by John Malvern of Worcester. The English translation made by John Trevisa in the 1380s was also widely circulated and is included in this work, published in nine volumes for the Rolls Series between 1865 and 1886. The chronicle shows how fourteenth-century scholars understood world history and geography. Volume 2 contains the remainder of Book 1, on the description of Britain, and twenty-eight chapters of Book 2, on the early history of the world to the reign of Saul in Israel