Suchergebnisse

12-й том «Архива» открывается исследованием Ефима Меламеда (Киев) об истории надзора сталинских спецслужб за еврейскими писателями в конце 1930-х — начале 1950-х годов, имевшего последствиями репрессии и физическое уничтожение многих из них. В приложении к его статье публикуется уникальный материал — донесения тайного агента, «освещавшего» деятельность «братьев-писателей». Григорий Кан (Москва) вносит очередную лепту в изучение «вечной» темы: евреи

Metodologiya bezopasnosti khvostokhranilishch glavnym obrazom osnovana na trebovaniyakh i printsipakh, provozglashennykh v «Rukovodyashchikh printsipakh i nadlezhashchikh praktikakh obespecheniya ekspluatatsionnoy bezopasnosti khvostokhranilishch», odobrennykh na Konferentsii Storon Konventsii YEEK OON o transgranichnom vozdeystvii promyshlennykh avariy, a takzhe drugikh sopostavimykh mezhdunarodnykh standartakh khvostokhranilishch. Metodologiya bezopasnosti khvostokhranilishch yavlyayetsya moshchnym instrumentom dlya protsessa garmonizatsii tekhnicheskikh standartov dlya vsego zhiznennogo tsikla khvostokhranilishch vo vsem regione YEEK OON. Metodologiya bezopasnosti khvostokhranilishch, sostoit iz kontrol'nogo spiska dlya proverki fakticheskoy situatsii bezopasnosti khvostokhranilishch i indeksov opasnosti i riska khvostokhranilishcha (IOKH ili IRKH) dlya otsenki khvostokhranilishch na regional'noy, natsional'noy i mezhdunarodnoy osnove.

Verbal aspect in the Macedonian dialect of Boboshtica-Drenova and Albanian-Slavic language contact - Long-term subdominant bilingualism with Albanian has had a significant impact on verbal aspect marking in the Macedonian dialect of Boboshtica-Drenova (South-East Albania). The Slavic formal opposition of perfective and imperfective aspect marked through a variety of derivational methods has been preserved. However, under Albanian influence two continuous aspect con­structions have been grammaticalised in the dialect, one of them based on the locative ǵe, and the other on the adversative conjunction toko. The paths of grammaticalization of these markers are investigated, which include structural transfer (ǵe < locative and temporal tek, toko < adversative and continuous po), which is partially supported by the phonetic similarity between the respective Albanian and Macedonian dialectal markers (toko || duke, tek).

In The Icon and the Square, Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the radical, leftist, and revolutionary avant-garde at the turn of the twentieth century through a shared interest in the Byzantine past, offering a counternarrative to prevailing notions of Russian modernism.Focusing on the works of four different artists—Mikhail Vrubel, Vasily Kandinsky, Kazimir Malevich, and Vladimir Tatlin—Taroutina shows how engagement with medieval pictorial traditions drove each artist to transform his own practice, pushing beyond the established boundaries of his respective artistic and intellectual milieu. She also contextualizes and complements her study of the work of these artists with an examination of the activities of a number of important cultural associations and institutions over the course of several decades. As a result, The Icon and the Square gives a more complete picture of Russian modernism: one that attends to the dialogue between generations of artists, curators, collectors, critics, and theorists.The Icon and the Square retrieves a neglected but vital history that was deliberately suppressed by the atheist Soviet regime and subsequently ignored in favor of the secular formalism of mainstream modernist criticism. Taroutina's timely study, which coincides with the centennial reassessments of Russian and Soviet modernism, is sure to invigorate conversation among scholars of art history, modernism, and Russian culture.

Professionals and Marginals in Slavic and Jewish Cultural Traditions is the annual publication of the Slavic & Jewish Cultures: Dialogue, Similarities, Differences's project for 2022. It includes papers from the international conference of the same name held in Moscow on December 1–3, 2021. The book includes twelve articles by Russian and Israeli scholars who work on the social and cultural role of professionals and marginals in various ethno-confessional traditions. The question of the perception of professionals in culture falls under the opposition "one's own/another's," where belonging to "one's own" or a "foreign community or class" becomes a defining marker. Traditionally, "social strangers," to which representatives of various professions belong, were assigned a special role in calendar, magical, and occasional rites. Thus, professionals and social marginals were not considered outcasts: society assigned them a particular place and role, delegating special cultural functions to them. Like previous publications in this series, Professionals and Marginals in Slavic and Jewish Cultural Traditions is notable for the large amount of field and archival material that it makes publically available for the first time.