Suchergebnisse

There are 13 nationalities currently dwelling within the boundaries of the Xinjiang Uygur Autonomous Region (XUAR). The most populous nationality is the Uygur, a Turcic people. The article focusses on the performing arts (song, dance, balladry, song opera and musical plays) of the Uygurs. Continuing influence of Islam among the Uygurs. Cultural policy of the CCP (Chinese Communist Party) and the Chinese government in respect of national minorities. (DÜI-Sen)

"The Caribbean diaspora is a global phenomenon that transgresses political boundaries, identities, and histories. Forecast Form: Art in the Caribbean Diaspora 1990s-Today challenges conventional representations of Caribbean art, focusing on art of the diaspora rather than art defined by static geographic, ethnic, linguistic, and historical categories. Featuring essays by a group of multi-dimensional authors and works by an intergenerational group of artists living and working in the United States, Puerto Rico, Canada, Great Britain, France, the expanded Caribbean Basin, and the island nations of the Caribbean, the catalogue is informed by Caribbean intellectual traditions, diaspora studies, and Black and alternative geographies of fugitivity"--

"Art History After the Sixties examines the 1960s and 1970s as a watershed era in our current understanding of art and its historiography. Pamela Lee asks how, why, and at what cost art critics of that generation shifted their attention away from aesthetics to focus pimarily on the social and political nature of art, most notably in the writings appearing in the influential journal October. She also looks closesly at the major artists of that era from Robert Smithson, most well known for his provocative earthwork Spiral Jetty, to Andy Warhol. Art History After the Sixties is the fifth volume in "Theories of Modernism and Postmodernism in the Visual Arts", James Elkins's series of short books on the theories of modernism written by leading art historians on twentieth-century art and art criticism. The book will feature a critical introduction by a fellow art historian placing the book in conversation with the previous books in the series. "--

Throughout Canadian history, conflict has been a catalyst of change and a destroyer of worlds. War Art in Canada explores the universal theme of war through the country's visual and cultural past. Weaving together artworks and stories to inform and enlighten us, author Laura Brandon navigates both peaceful and brutal subject matter. By presenting the dynamic and, at times, surprising visual legacies of conflict, she encourages readers to question assumptions about our country's military past. The art created from conflict is exceptional in its diversity, and Brandon has assembled an arsenal of conflict-related cultural media, including posters, sketches, photographs, films, and sculptures. This comprehensive study showcases a stunning range of creators, such as A.Y. Jackson, Alex Colville, and Rebecca Belmore, and includes Indigenous war art practices, passed down through generations in what we now call Canada. Ultimately, it provides new insights into our country's deep and often disturbing relationship with combat