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本文以北朝戰爭書寫為題。記錄北朝戰爭的大多是正史等歷史文獻,這些並非全然客觀中立的書寫,而是包含官方意識形態、史家個人情懷等因素;甚至一些看似「客觀」的記錄,如兵力數字、氣候、地理,其實也有可能經過了史家有意的再創造。本文嘗試對歷史文本做進一步發掘,分析文本的內外關聯,如影響戰爭書寫的政治文化力量、史學內部傳統等,從而從側面增進對於古代戰爭的認識。 ; 本文匯集一些個案研究,分別討論北朝幾次戰爭記錄中的兵力數字、北周開國君主形象、北朝勝利和失敗的武將的書寫方式、胡族戰略戰術分析,以及記錄李淵建唐的《大唐創業起居注》等。 ; 本文嘗試指出,北朝戰爭書寫最為突出的特點,可歸結為「去胡化」,或者「由胡入漢」:北朝諸政權大多是胡族政權,但在東魏北齊以及唐初的史家筆下,這些北朝胡族政權的君主、將士,胡族色彩並不濃重,反而大多蒙上一層漢族文化的面紗;胡人的戰略戰術、戰爭過程的記錄都接近漢人的傳統方式。 ; This dissertation discusses the writing of warfare in the Northern Dynasties, Medieval China. Most of the records on the warfare are from official histories written in Northern Qi (550-577) and Tang Dynasty (618-907). These records, however, are under the influence of political and cultural powers, such as political struggles and orthodoxy. Even some of so called objective description, such as records of the place, time, figure and climate may be kind of recreation of the writers. This dissertation tries to analyze context of these records, including their political and cultural background, along with the development of historiography and other writing traditions. ; This dissertation is made up of several case studies, discussing respectively figures in battle, adventure of Yuwen Tai (the leader of the military group in Western Wei), the image of generals in the Northern Dynasties, the description of strategy and tactics of nomad people, and the historical record of Li Yuan, founder of Tang Dynasty. The principal conclusion is that in the official histories historians descript nomad people in traditional Chinese way. Sinicization of the nomad people is the most important characteristics of the writing of warfare in Northern Dynasties: the nomad leaders and generals are close to Chinese emperors and generals, the nomadic way of war is replaced by the Chinese way. ; Detailed summary in vernacular field only. ; Detailed summary in vernacular field only. ; Detailed summary in vernacular field only. ; 雷仕偉. ; Parallel title from added title page. ; Thesis (Ph.D.) Chinese University of Hong Kong, 2015. ; Includes ...

本論文選取畫家符羅飛(1897-1971)進行研究,旨在通過文字及圖像史料復原這一被視作"歷史失蹤者的藝術家個案,並將其放在20 世紀中國藝術與革命互動關係的語境中進行考察。文章依據時序及符羅飛活動地點與内容的變化,分爲五個章節,結合文獻考據、視覺分析及藝術社會學等研究方法,分別探討他於20 世紀20 至60 年代在上海、意大利、香港及華南等地的藝術創作與社會活動,並著重觀察這位以藝術積極投入社會革命、且擁有明確政治信仰的畫家及其代表的群體,是如何通過主動轉變藝術面貌,從而與20 世紀中國社會的大變動連成一體。本文認爲:符羅飛於抗戰期間攜傾向古典寫實的那不勒斯畫派畫風及自創的水墨寫生歸國,但其藝術救國活動最初並未達至理想效果;直到40 年代中期才在通過不斷地寫生、辦展,逐漸吸收國統區漫畫與木刻中流行的德國表現主義元素,脫胎出具有強烈視覺刺激和道德感召力、又符合中共革命訴求的代表性藝術面貌,在特定的政治人群中得到廣泛承認,在此過程中輿論因素的影響不可忽視;同時,他的彩墨實驗等游離於政治目標之外的藝術活動打破了"革命畫家"的刻板印象;而他在政權鼎革後因未能適應高度一元化的藝壇新秩序而湮沒於混亂時世的最終命運,又折射出五四以來自由知識分子傳統與中共黨文化之間不可調和的矛盾。 ; This thesis is a monographic study on the artist Fu Luofei (1897-1971), aiming to reconstruct his life and art with textual and visual historical materials, with focus on the interaction between art and revolution in the twentieth-century China. The five chapters of this thesis examine Fu's artistic and social activities in Shanghai, Italy, Hong Kong and South China from the 1920s to 1960s chronologically, and mainly investigate how this artist, who had definite political belief and was willing to devote his art to social revolution, involved in and acted on the transformation of Chinese society in the twentieth century through continuously transforming his artistic styles. ; As this study demonstrates, Fu brought back from Italy the representational painting style of the Neapolitan School and the achievement of his ink experiment in the late 1930s. However, his attempt on "saving the nation by art" did not succeed until mid-1940s. At that time, Fu established his signature style by absorbing the visual elements of German Expressionist paintings, one of the prevailing styles for cartoons and woodcut prints in the Kuomintang ruled areas. His signature style, which was strong in visual stimulation as well as in moral and emotional appeal, was developed through unceasing exchanges with the leftist critics and echoed with the political demand of the Chinese Communist Party. Meanwhile, as is rarely known, Fu also painted in the form of traditional guohua (Chinese national painting), ...

本文擬以西方「軍事革命」理論的角度,探討萬曆朝鮮戰爭時期,明軍薊鎮部隊的作戰表現。戚繼光「軍事革命」獨特之處在於,除訓練單兵作戰技巧外,亦重視部隊戰術隊型、協同作戰及指揮系統。從對抗倭寇時的步兵鴛鴦陣開始,至薊鎮抗虜時發展出步兵、騎兵、車兵、炮兵的協同作戰,是戚繼光「軍事革命」的主要元素。「戚家軍」戰鬥力之強勁,即根源於此。得益於戚繼光「軍事革命」的薊鎮部隊,是當時被成為「南兵」的主要部隊之一,在朝鮮戰場上更大放異彩,作戰表現遠勝明軍中的北兵。 ; This thesis studies the performance of the Jizhen(薊鎮) Army during the Korean War (1592-1598) from the perspective of the "Military Revolution" theory. It argues that the Qi Jigunag revolutionized the training of the Ming army by focusing more on tactical formation, on coordination among different forces, on improving the commanding system, and also on more practical and united training of soldiers. As a result, the Ming army from Jizhen, also known as "the Southern Army", trained by the Qi Jiguang model, excelled in the Korean theatre by their military prowess and their good discipline and distinguished themselves from the more unruly and less competent Ming forces from the Northeast. ; Detailed summary in vernacular field only. ; 葉家銘. ; Parallel title from English abstract. ; Thesis (M.Phil.) Chinese University of Hong Kong, 2015. ; Includes bibliographical references (leaves 95-99). ; Abstracts also in English. ; Ye Jiaming.

by Chun Wai (May) Chan. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2000. ; Includes bibliographical references (leaves [147-149]). ; Abstracts in English and Chinese. ; Introduction --- p.1-3 ; The Historical Event ; Intersection of History and Biography ; Contemporary Emigration ; Literature Review --- p.4-15 ; Conceptual and Theoretical Issues ; "Types of Contemporary HK Emigrants, Emigration Strategies, & Emigration Adjustments" ; "Rationales for Emigration, Return Emigration, and Settlement" ; Politically Driven vs. Economically Driven Emigration ; Middle Class Emigration vs. Working Class Emigration ; The Meaning of the Contemporary Wave of Emigration ; Research Method --- p.16-20 ; Research Aim ; Framework of Analysis ; Subject of Study ; Research Design ; Conducting the Interview ; Data Analysis ; Chapter Organization --- p.21-21 ; Chapter 1- The Setting ; Chapter 2- The Search ; Chapter 3- The Transition ; Chapter 4- The Split ; Chapter 5- The Scale ; Chapter 6- The Meaning of the Contemporary Wave of Emigration from Hong Kong ; Chapter Chapter 1- --- The Setting --- p.22-26 ; Chapter 1.1 --- History of Emigration ; Chapter 1.2 --- The Contemporary Period ; Chapter 1.2A --- Transformations in Hong Kong ; Chapter 1.2B --- Immigration Policies of Overseas Destination Countries ; Chapter 1.3 --- The Timeframe ; Chapter Chapter 2- --- The Search --- p.27-48 ; Chapter 2.1 --- Forward ; Chapter 2.2 --- Motivations for Emigration ; Chapter 2.2A --- Overseas Educational Opportunities ; Chapter 2.2B --- Overseas Living Environment ; Chapter 2.2C --- Political Transition (97) ; Chapter 2.3 --- 1997: Divergent Focus ; Chapter 2.3A --- Shadow Past ; Chapter 2.3B --- Ambiguous Future ; Chapter 2.4 --- Non-Conventional Cases ; Chapter 2.5 --- Recapitulation ; Chapter Chapter 3- --- The Transition --- p.49-74 ; Chapter 3.1 --- Forward ; Chapter 3.2 --- Economic and Social Transitions ; Chapter 3.2A --- Economic ; Chapter 3.2A. 1 --- Employment/ Career Adjustments ; Chapter 3.2A. 1. a --- Experience and ...

Chan, Pui Lun. ; "December 2010." ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2011. ; Includes bibliographical references (leaves 133-147). ; Abstracts in English and Chinese. ; Abstract of thesis entitled: --- p.i ; Abstract (Chinese) --- p.iii ; Acknowledgements --- p.iv ; Table of Contents --- p.v ; List of Figures and Tables --- p.viii ; Romanization and Translation --- p.ix ; Chapter Chapter One - --- Introduction --- p.1 ; Chapter 1.1 --- "Motivations, Arguements and Methodology" --- p.2 ; Chapter 1.2 --- Ethnomusicological Studies on Chinese Operas --- p.3 ; Chapter 1.3 --- Studying Peking opera in Hong Kong --- p.5 ; Biographies of Mainland Peking Opera Performers --- p.5 ; Newspapers Reports and Columns --- p.6 ; Interview Transcripts of Peking Opera Artists in Hong Kong --- p.7 ; Government Documents and Archival Data --- p.8 ; Fieldwork --- p.8 ; Challenges and Limitations --- p.9 ; Chapter 1.4 --- Thesis Outline --- p.10 ; Chapter Chapter Two - --- The History of Peking Opera in Hong Kong --- p.14 ; Chapter 2.1 --- The Dual Forces of Cultural Policies --- p.15 ; Tour Performances as Diplomacy --- p.15 ; The First Encounter: Mei Lan-fang's Tour in 1922 --- p.17 ; Cultural Competition between the Two Chinese Regimes --- p.21 ; Cultural Policy of the Colonial Government before 1980 --- p.24 ; Chapter 2.2 --- Early Peking Opera Activities in Hong Kong --- p.26 ; Peking Opera in Recordings and Radio Broadcasting --- p.26 ; Peking Opera Films in the 1940s and 50s --- p.33 ; Integrating Peking Opera with Local Martial Arts Films in the 1960s and 70s --- p.35 ; Local Peking Opera Academies --- p.38 ; Amateur Peking Opera Groups --- p.42 ; Hybridization Between Peking Opera and Cantonese Opera --- p.43 ; Chapter 2.3 --- An Entertainment for Mainland Emigrants --- p.48 ; Chapter 2.4 --- Summary --- p.51 ; Chapter Chapter Three - --- Contemporary Peking Opera Activities --- p.54 ; Chapter 3.1 --- The Continuing Political Influence --- p.55 ; The Shifting Dynamics of Political Influences in the ...

Chau, Tsz Kin. ; "December 2011." ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2012. ; Includes bibliographical references. ; Abstracts in English and Chinese. ; Introduction --- p.1 ; Chapter Chapter 1 --- Who's Pan Yuliang? Whose Pan Yuliang? --- p.7 ; Who's Pan Yuliang? --- p.7 ; Life and Art of Pan Yuliang: Existing Account --- p.12 ; Whose Pan Yuliang? --- p.22 ; "Summary of Existing Accounts: Biography, Oedipus complex and Narcissism" --- p.30 ; Chapter Chapter 2 --- Reconsidering Pan Yuliang --- p.33 ; Academic works in Mainland China and Taiwan since 2000 --- p.33 ; Theorizing the Woman Painter --- p.42 ; Background I: Modern Art in Republican China --- p.54 ; Background II: Paris Modernism --- p.60 ; Chapter Chapter 3 --- Expanding Biography into History --- p.63 ; Chapter Chapter 4 --- The Political Xiesheng and its Gender Politics --- p.82 ; "Pan Yuliang: from Shanghai (1928-32, 36-37) to Nanjing (1933-35)" --- p.83 ; The Mission ofNanjang: National Administering of Modernism --- p.86 ; Pan Yuliang and the Chinese Arts Association --- p.97 ; Xiesheng and a New Woman/painter Subject --- p.113 ; Conclusion: a Different Modern for a Woman Painter --- p.123 ; Chapter Chapter 5 --- Differencing the Modern and Women's Culture --- p.127 ; Theorizing Women's Culture --- p.130 ; Pan Yuliang and Women's Community --- p.134 ; Contextualizing Women's Community: Republican Modernity and Post-war ; Pacifism --- p.137 ; Conclusion: Women's Art and Modernism --- p.145 ; Conclusion Rethinking Republican and Women's Art --- p.146 ; Appendix --- p.150 ; Glossary --- p.158 ; Graphical Materials --- p.165 ; Bibliography --- p.251

本文以北京798 艺术区作为研究对象,探讨它如何为中国当代艺术进入公共视野提供平台,并提出了艺术作为都市生产力的问题。本文根据时间顺序将其发展分为三个历史阶段,即1951-1993 年的718 联合厂时期、1995-2005 年的民间艺术社区、2006-2011 年的官方创意产业园区;并从三个方面展开讨论。首先,798这一空间本身的身份经历了两次转变--从工业生产的空间到以艺术创作为基础的创意社区;再到后来为政府收编,成为城市建设文化范本。本文为此历史发展做系统性研究。其次,798 的转型体现了建筑、族群与城市身份间的关系,一方面,民间自发改造工业遗留空间,另一方面,城市政策的制定与规划也对798产生直接和间接的影响;第三,本文重点讨论798 从民间自发形成的创意社区到政府收编后变身为文化创意产业区的过程中,艺术(包括艺术家)与经济(资本家和商业化)、与政治这三者之间的关系和张力。本文指出,此互动过程把798发展成一个创意产业园区,以798 为中心,向周边地区辐射,形成集生产、创作、展出、贩卖为产业链的艺术交易区域,即「泛798 区域」,798 成功地引起人们关注中国当代艺术,并从体制层面思考其未来的发展该如何与经济、政策相互平衡,同时798 作为一个个案,也提示我们关注有关城市文化用地的相关问题。 ; This article takes Beijing 798 Art District as its research subject. It focuses on how 798 provides the platform for the Chinese Contemporary Art to enter the public view, and it proposes that art can be productive power to urban development as well. This thesis is divided into three sections according to its historical development: the 718 joint factory period from 1951 to 1993, the folk art community from 1995 to 2005, and the official Creative Industrial district from 2006 till 2011. My discussion mainly focus on three aspects. Firstly, as a space, 798 has been transformed twicse, from an industrial space to an arts community, and then to an official cultural paradigm for other cities to follow. Secondly, the transformation of 798 embodies the relationship among people's living, business operation, and city's identities. For one thing, the artists transformed the space to a facilitate their creation; for another, the policy of the urban planning has influenced 798's development as well. Thirdly, the thesis discusses the tensions among art, capital and politics. The result of their negotiation is that 798 becomes a creative industrial district, in which the original 798 site occupies the centre position, its radiating its influences and coordination to the surrounding areas, and they form the industrial chain which is now generally called the "Greater 798 Zone". 798 brings public attention to Chinese contemporary art, which helps us to relate arts and ...

羅欣欣. ; 論文(哲學碩士) -- 香港中文大學硏究院藝術學部, 1998. ; 附參考文獻. ; 中英文摘要. ; Luo Xinxin. ; 序言 --- p.1 ; 論文摘要 --- p.2 ; 插圖目錄 --- p.5 ; 緒論 --- p.14 ; Chapter 第一章 --- 中共建國前的毛澤東繪畫圖像(1927-1949) ; Chapter I. --- 毛澤東政治地位的確立 --- p.28 ; Chapter II. --- 土地革命戰爭時期(1927-1937):毛澤東繪畫圖像的起源 --- p.30 ; Chapter III. --- 抗口戰爭時期(1937-1945)的毛澤東繪畫圖像發展 --- p.31 ; Chapter 1 . --- 魯藝木刻工作團的成立1938 --- p.32 ; Chapter 2. --- 晉西北木刻工廠1941 --- p.33 ; Chapter 3. --- 《延安文藝座談會上的講話》1942 --- p.34 ; Chapter 4. --- 赤色郵政 1944 --- p.40 ; Chapter 5. --- 中共黨報 1945 --- p.41 ; Chapter IV. --- 全國解放戰爭時期(1945-1949)的毛澤東繪畫圖像發展 --- p.43 ; 小結 --- p.47 ; Chapter 第二章 --- 中共建國後的毛澤東繪畫圖像(1949-1966) ; Chapter I. --- 中華人民共和國成立初年的毛澤東繒畫圖像發展 --- p.53 ; Chapter 1. --- 中華人民共和國的成立194 9 --- p.53 ; Chapter a. --- 延安藝術傳統的毛澤東漫畫圖像 --- p.54 ; Chapter b. --- 王朝聞的繪畫領袖像指示 --- p.56 ; Chapter 2. --- 土地改革 1950-1952 --- p.59 ; Chapter a. --- 新年畫創作運動 --- p.59 ; Chapter 3. --- 建國初年的整黨整風1950-52 --- p.66 ; Chapter a. --- 革命歷史畫創作計劃 --- p.67 ; Chapter II. --- 中蘇親密外交下的毛澤東繪畫圖像發展 --- p.70 ; Chapter 1. --- 全盤蘇化1950-55 --- p.70 ; Chapter a. --- 蘇聯宣傳畫的影響 --- p.70 ; Chapter b. --- 蘇聯油畫的影響 --- p.72 ; Chapter c. --- 蘇聯領袖像選材的影響 --- p.74 ; Chapter III. --- 中共社會經濟改革下的毛澤東繪畫圖像發展 --- p.76 ; Chapter 1. --- 第一個五年計劃1953-1957 --- p.76 ; Chapter a. --- 中國畫的改造 --- p.78 ; Chapter b. --- 油畫民族化 --- p.81 ; Chapter 2. --- 大躍進及人民公社運動1958-60 --- p.84 ; Chapter 3. --- 社會主義教育運動1962-65 --- p.88 ; Chapter a. --- 革命歷史繪畫運動 --- p.59 ; 小結 --- p.91 ; Chapter 第三章 --- 文革時期的毛澤東繪畫圖像(1966-1976) ; Chapter I. --- 文化大革命發動的原因 --- p.105 ; Chapter 1. --- 文化大革命序幕:海瑞罷官1965 --- p.105 ; Chapter 2. --- 毛澤東個人崇拜 --- p.107 ; Chapter II. --- 文革時期毛澤東繪畫圖像的發展 --- p.107 ; Chapter 1. --- 紅衛兵運動1966 --- p.107 ; Chapter a. --- 紅衛兵藝術 --- p.108 ; Chapter b. --- 《毛澤東思想照亮安源工人革命運動展覽》 --- p.113 ; Chapter c. --- 「紅、光、亮」的藝術手法 --- p.115 ; Chapter 2. --- 工農兵領導下的文化大革命1969 --- p.117 ; Chapter a. --- 工農兵繪畫運動 --- p.118 ; Chapter 3. --- 毛澤東的親密戰友一林彪的叛變1971 --- p.124 ; Chapter 4. --- 毛澤東的接班人一華國鋒1976 --- p.125 ; 小結 --- p.126 ; Chapter 第四章 --- 文革後及改革開放時期的毛澤東繪畫圖像(1976-1997) ; Chapter I. --- ...

香港醫療衛生發展的論述,通常至1941年便停止,然後由1945年重新探討,跳過了二次大戰期間的日治時代。雖然有大量關於英軍回憶、遊擊隊、一些口述歷史等的研究書籍,但這時期仍未得到充分的關注,尤其在社會發展方面。本文以《香港日報》為主要材料,嘗試析述被忽略的日治醫療衛生史。 ; 有關戰前香港醫療衛生的史觀,主要有「殖民醫學」與「殖民現代性」兩套理論。前者認為殖民力量將西醫強加於本地社會;後者則強調殖民統治帶來的正面作用,和殖民地有其獨特形式的現代性。直至日治前夕,香港的中西醫仍較為對等,中醫在民間有極大支持;西醫在政府政策上享有優勢。然而戰後出現的卻是另一景象,無論民間或政府皆接受西醫為主流醫學,中醫則潛藏於民間繼續傳承。這不代表中醫已被淘汰,只是西醫的發展已蓋過中醫,其中原因須追溯日治期間。日治政府承接英國殖民政府推行西醫,社會上有大量西醫常識流通,藥物使用習慣講求科學,日治時期的這些因素都為西醫在戰後普及做準備。 ; 本文為過往研究所忽略作補充,藉此重新思考「日治歷史」的意義。誠然這段歷史是傷痛的,但也不可主觀地跳過而不作討論,日治時期是連接香港二戰前後的發展。醫療衛生正是其中一個脈絡,本研究將就此提出新視角。 ; The analyses on Hong Kong medical and hygienic history often split into two time slots, one from the beginning as the British colony until 1941 and the other from 1945 to the present, mostly overlooking the period of Japanese occupation from 1942 to 1945. Although there are plenty of books for general readers, for examples, memoirs of British troops and Chinese guerillas, and oral history records about the Japanese occupation in Hong Kong, this period has not yet received due academic treatment. This dissertation, therefore, studies the neglected medical history of Hong Kong under the Japanese occupation using Honkon Nippō (Hong Kong News) as the main reference. ; Approaches to the discussion on prewar Hong Kong medical history apparently depend on two theories, namely the "colonial medicine and the "colonial modernity. The former perspective believes that colonial powers forced colonized societies to follow the European modernity, while the latter stresses the positive effects brought by colonizers and formations of own unique modernity among colonies. Before the Japanese occupation, both traditional Chinese medicine (TCM) and Western medicine (WM) enjoyed fair status, with the TCM gaining overwhelming support from the Hong Kong society and the latter receiving administrative advantages from the colonial government. After the WWII, however, both the Hong Kong society and the government recognized the WM to be the mainstream therapy, and thus, the TCM was only praciticed at the bottom level of society ...

近年來,學界對20世紀上半葉中國藝術鑒藏家的關注日益提升。這些鑒藏家豐富的收藏、鑒賞、研究和展示活動,不但造就了當時繁榮的文化生活,同時也逐漸塑造出今日對傳統"中國藝術"的看法。 ; 其中,葉恭綽(1881-1968)的貢獻和影響遠被人們忽視。葉恭綽原是北洋政府中一位政治領袖,在二十年代末退出政壇,專注於文化事業。作為一位積極的文化事業組織者,他參與策劃了一系列重要的保存、考古和展覽活動;而作為一位對中國藝術見多識廣的鑒藏家,他所擁有的收藏,以及對這些藏品的品評意見則體現了清末民初對古代藝術品的新觀念。本文將通過探討他的文化活動,收藏的經歷以及對古代書畫作品的評價,去回顧這位鑒藏家的品味,以及在時代轉變下中國文化藝術觀念的轉變。 ; In recent years, the Chinese art collector in early 20th century has excited more and more interest in academia. For it is their collecting, as well as appraising, researching and displaying activities, that not only enriched the contemporary cultural life, but also constructed the concept of "traditional art" nowadays. ; Ye Gongchuo(1881-1968) is a one of those collectors, whose contribution and influence have long been underestimated. He is a leading politician during the region of Beiyang warlord, and deeply participated in cultural activities after withdrew from politics. As a effective organiser, he had schemed many momentous archaeological expeditions and art exhibitions in his time; As a collector with broad vision, his collection and art critics demonstrated a new attitude on ancient Chinese art. Via Ye's collecting activities and critics, this thesis aim to review his idea on art, and the thoughts behind that. ; 童宇. ; Thesis Ph.D. Chinese University of Hong Kong 2016. ; Includes bibliographical references (leaves ). ; Abstracts in English and Chinese. ; Title from PDF title page (viewed on …). ; Tong yu. ; Detailed summary in vernacular field only. ; Detailed summary in vernacular field only.

Zhang Weiyu. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2003. ; Includes bibliographical references (leaves 170-177). ; Abstracts in English and Chinese. ; Introduction --- p.1 ; Chapter I --- Subaltern Public Spheres on the Internet --- p.5 ; Democracy and the Internet --- p.5 ; Public sphere as a democratic ideal --- p.7 ; Chapter ´Ø --- Habermasian public sphere --- p.8 ; Chapter ´Ø --- Multiple public spheres --- p.11 ; Chapter ´Ø --- Habermasian public sphere vs. multiple public spheres --- p.17 ; Public sphere and the Internet --- p.21 ; Chapter ´Ø --- Habermasian public sphere on the Internet --- p.23 ; Chapter ´Ø --- Multiple public spheres on the Internet --- p.27 ; Chapter II --- Subaltern Public Spheres in China --- p.30 ; The history of Chinese civil society --- p.30 ; Civil society in contemporary China --- p.32 ; Chapter ´Ø --- Definitions of civil society --- p.32 ; Chapter ´Ø --- Trade union and the caged social organizations --- p.34 ; Chapter ´Ø --- Entrepreneurial class and the incorporated social organizations --- p.36 ; Chapter ´Ø --- Discussions --- p.38 ; Multiple public spheres in contemporary China --- p.39 ; Chapter ´Ø --- Mass media and the dominant public sphere --- p.41 ; Chapter ´Ø --- The premises of subaltern public sphere in China --- p.42 ; Chapter ´Ø --- Subaltern public spheres in contemporary China --- p.44 ; Chapter III --- Research Questions and Research Design --- p.48 ; Research questions --- p.48 ; Research site: an online discussion board of movies --- p.48 ; Chapter ´Ø --- Why BBS? --- p.49 ; Chapter ´Ø --- Why movies? --- p.51 ; Research methods --- p.54 ; Chapter IV --- Bulletin Boards as Subaltern Public Spheres --- p.57 ; Introduction of Rear Window --- p.58 ; Chapter ´Ø --- The development of Rear Window --- p.59 ; Chapter ´Ø --- The contents on Rear Window --- p.61 ; Chapter ´Ø --- The users of Rear Window --- p.63 ; Accessibility of Rear Window --- p.65 ; Chapter ´Ø --- Accessibility of the Internet in China --- p.65 ; Chapter ´Ø --- Accessibility of ...

submitted by Suen Bing. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 1998. ; Includes bibliographical references (leaves 87-90). ; Abstract also in Chinese. ; Abstract --- p.i ; Introduction --- p.1 ; Chapter Chapter One: --- Republicanism and Progressive Historical Interpretations ; What is Republicanism? --- p.7 ; Republicanism as a Guiding Philosophy in Progressive Historical Scholarship --- p.16 ; Chapter Chapter Two: --- Frederick Jackson Turner's Frontier Democracy: A Republican Way of Thinking ; How Turner's thesis related frontier conditions with democracy? --- p.20 ; In what way is Turner's thesis affected by republicanism? --- p.24 ; A trace of republican idealism in Turner's later articles --- p.26 ; The safety valve hypothesis: A supplement to Turner's free land ´ؤ democracy relationship --- p.31 ; Free land - democracy vs. Education - democracy --- p.35 ; Chapter Chapter Three: --- Industrial Democracy and American Civilization: The Two Sides of Charles A. Beard's Republican Thinking ; The Industrial Society (1901) --- p.42 ; An Economic Interpretation of the Constitution of the United States (1913) --- p.46 ; "Contemporary American History, 1877-1913 (1914)" --- p.51 ; The Rise of American Civilization (1927) --- p.54 ; The American Spirit (1942) --- p.58 ; Chapter Chapter Four: --- William Appleman Williams' Inheritance of Progressive Historians' Republican Tradition ; American Russian Relations: 1871 ´ؤ1947 and The Tragedy of American Diplomacy --- p.64 ; The Contours of American History --- p.72 ; Great Evasion and Empire as a Way of Life --- p.77 ; Conclusion --- p.83 ; Bibliography --- p.87

by Cheung Hiu Wan. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 1999. ; Includes bibliographical references (leaves [135-140]). ; Abstracts in English and Chinese. ; Acknowledgement ; Abstract ; List of figures ; Chapter Chapter 1. --- Introduction ; Chapter 1.1 --- Scope of Study --- p.1 ; Chapter 1.2 --- Literature Review --- p.3 ; Chapter 1.3 --- Methodology --- p.13 ; Chapter 1.4 --- Structure of the Thesis --- p.17 ; Chapter Chapter 2. --- Historical Development of Comics in China ; Chapter 2.1 --- Comics History before1949 --- p.24 ; Chapter 2 . 2 --- Comics under the Reign of Chinese Communist Party --- p.29 ; Chapter 2.3 --- Beijing Cartoon after the Open Door Policy --- p.31 ; Chapter 2.4 --- Concluding Remarks --- p.39 ; Chapter Chapter 3 . --- Interaction with the Leaders of Beijing Publishing House ; Chapter 3.1 --- Leaders´ةExpectation for Beijing Cartoon --- p.41 ; Chapter 3.2 --- The Discrepancy between the Senior and Junior Editors --- p.51 ; Chapter 3.3 --- Editors' Comments on Interaction with the Leaders of the Beijing Publishing House --- p.54 ; Chapter Chapter 4. --- Interaction with the Senior Artists ; Chapter 4.1 --- Cartoon Art Festival98 --- p.57 ; Chapter 4.2 --- The Invasion of Japanese Comics --- p.59 ; Chapter 4.3 --- The Essence of Comics with Chinese Features --- p.63 ; Chapter 4.4 --- The Expected Role of the Chinese Government --- p.67 ; Chapter 4.5 --- The Editors´ة Comments on Cartoon Art Festival98 --- p.68 ; Chapter 4 . --- 6 Concluding Remarks --- p.70 ; Chapter Chapter 5. --- Interaction with the Junior Artists ; Chapter 5.1 --- Social Status of the Junior Artists --- p.12 ; Chapter 5.2 --- Cooperation with Beijing Cartoon --- p.11 ; Chapter 5.3 --- Why do they Join the Comics Business --- p.79 ; Chapter 5.4 --- Agreement and Terms of Payment --- p.87 ; Chapter 5.5 --- Summer Camping: Market Mechanism and Autonomy in Artists' Creation --- p.88 ; Chapter 5.6 --- The Editors' Expectation on the Roles of The Artists --- p.96 ; Chapter 5.7 --- Artists' Comments on the ...

Tse, Yuen Man. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2008. ; Includes bibliographical references (leaves 209-222). ; Abstracts in English and Chinese. ; Abstract --- p.iii ; Acknowledgements --- p.vi ; Chapter Chapter One: --- Introduction --- p.1 ; The Research Question ; Terminology ; Literature Review ; Methodology ; The Structure of the Thesis ; Chapter Chapter Two: --- Schooling in Hong Kong --- p.42 ; Structure and Characteristics of the Education System ; Language and Hong Kong´ةs Education ; History Education in Hong Kong ; Civic and Political Education in Hong Kong: A Brief History ; Conclusion ; Chapter Chapter Three: --- An Overview of the Organization of Patriotic Education at School Level --- p.62 ; Differences in the Pattern of Organizing Nationalistic Education in Individual Schools ; Concrete Changes in the Implemented Patriotic Education Curriculum and their Ambiguous Implications ; Decision Making and Power Relations in School-Based Curriculum ; Conclusion ; Chapter Chapter Four: --- The Meanings of National Identity and Nationalistic Education: Views of Education Practitioners --- p.89 ; Teachers´ة Background ; Teachers´ة Attitudes towards Nationalistic Education ; Which Patriotism? Ambivalences in the Teaching of Patriotism for China ; Conclusion ; Chapter Chapter Five: --- Nationalistic Education in Practice: The Conflicting Meanings of China and Love for Country I --- p.126 ; "Which China Should Be Loved? Ancient, Cultural China versus Contemporary, Political China" ; Conclusion ; Chapter Chapter Six: --- Nationalistic Education in Practice: The Conflicting Meanings of China and Love for Country II --- p.148 ; Affective or Critical Education/ Loving the Country as a Duty or a Choice ; Conclusion ; Chapter Chapter Seven: --- Conclusion --- p.175 ; Summary of Chapters ; The Teaching of National Identity in Hong Kong in Review ; The Future of the Teaching of National Identity in Hong Kong: The Promotion of a New Form of National Belonging ; Appendices --- p.206 ; Bibliography ...

Chan Chi Kan. ; "Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 2007-2008, design report." ; Includes bibliographical references (leaves 52). ; Abstracts in English and Chinese. ; Chapter 1.0 --- Synopsis --- p.5 ; Chapter 2.0 --- Research studies - City scale --- p.6 ; Chapter 2.1 --- Review of industrial development in Hong Kong ; Chapter 2.2 --- Location of current industrial fabric ; Chapter 3.0 --- Research studies - Building scale --- p.8 ; Chapter 3.1 --- Typology of industrial buildings in Hong Kong ; Chapter 4.0 --- Research studies - Industry in Hong Kong --- p.9 ; Chapter 4.1 --- Traditional industry ; Chapter 4.2 --- OBM and ODM industry ; Chapter 5.0 --- Importance of flatted factory --- p.11 ; Chapter 5.1 --- Introduction of flatted factory ; Chapter 5.2 --- Occurrcncc of flatted factory ; Chapter 5.3 --- Comparison of flatted factory and Mark ; Chapter 5.4 --- Architectural quality of flatted factory ; Chapter 6.0 --- Case Study - Adaptive reuse of industrial buildings --- p.17 ; Chapter 6.1 --- Lingotto Factory ; Chapter 6.2 --- Tate Modern ; Chapter 6.3 --- Apartment building gasometer ; Chapter 6.4 --- "Beijing, Factory 798" ; Chapter 7.0 --- Establishment of thesis statement --- p.21 ; Chapter 7.1 --- Political point of view ; Chapter 7.2 --- Conservation point of view ; Chapter 7.3 --- Summary of thesis statement ; Chapter 8.0 --- Experimental site --- p.24 ; Chapter 8.1 --- Introduction of San Po Kong as experimental site ; Chapter 8.2 --- History of site ; Chapter 8.3 --- Current situation of site ; Chapter 8.4 --- Current condition of site ; Chapter 8.5 --- Current condition of existing building ; Chapter 9.0 --- Derivation of program --- p.31 ; Chapter 9.1 --- New program in San Po Kong ; Chapter 9.2 --- Case study of Fontanian ; Chapter 9.3 --- Case study of Hong Kong Jockcy Club Creative art centre ; Chapter 10.0 --- Key issues of design --- p.34 ; Chapter 10.1 --- Vision for future ; Chapter 10.2 --- Idea of publicncss ; Chapter 10.3 --- ...