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Trois peintures de nus étaient exposées dans la galerie d'arts de l'Exposition nationale canadienne de 1927 à Toronto. Leur présence a suscité dans les éditoriaux et les lettres à la rédaction des journaux un débat qui transcendait les peintures proprement dites pour révéler des préoccupations sur la modernité et la négociation du tournant culturel dans les années 1920. L'évolution perçue des moeurs, la culture populaire et le corps de la femme étaient des sujets de malaise. Les questions entourant les défis à l'ordre établi de même qu'aux modes d'aménagement de l'espace et de façonnement de l'identité ont également émergé dans les débats sur la classe, le sexe et l'âge.

The idea for this book began with David Lavery's 2007 column for flowtv.org. ""The Crying Game: Why Television Brings Us to Tears"" asked us to consider that ""age-old mystery"": tears. The respondents to David's initial survey-Michele Byers among them-didn't

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AbstractUtilizing an evolutionary perspective has proven fruitful in a number of areas of interest outside of the standard psychological or anthropological topics. This includes a wide range of fields from applied disciplines such as law, criminology, medicine, and marketing, to the study of the imagined worlds found in art and literature, the domains of the humanities. A number of excellent books, as well as numerous articles, detail the impressive work done in applying evolutionary insights to the study of art and literature. This article focuses on evolutionarily informed explorations of popular culture, an area that, only relatively recently, has benefited from research taking this approach. The existing scholarship in this area will be reviewed, and future directions and challenges highlighted.

"This book seeks to understand culture through the lens of scenes, analyzing them aesthetically and culturally as well as understanding them through the frameworks of gender, social networks, and art worlds. It is common to talk about the cultural and intellectual scenes of early twentieth century Vienna, the visual art scene of postwar New York and the music and fashion scene of the swinging London. We often think about artists and works of art as essentially belonging to a certain scene. Scenes might offer a new approach to study what is possible, what is a tradition, and/or to discuss what is are the relevant units of contemporary culture for research. The book posits that scenes explain a lot about how the artworld and the cultural field function. Vivienne Westwood, Rene Magritte, Roman Jakobson, Arthur C. Danto, Susan Sontag, James Baldwin, and Didier Eribon are among the figures included in the book, which examines scenes in cities such as Moscow, Bombay, New York, London, Paris, Brussels, Helsinki, and Bratislava. The book will be of interest to scholars working in art history, cultural studies, philosophy, film, literature and urban studies"--