British and american music
In: Ashgate Popular and folk music series
In: Popular music and human rights Vol. 1
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In: Ashgate Popular and folk music series
In: Popular music and human rights Vol. 1
In: African and Asian studies: AAS, Band 6, Heft 3, S. 354-355
ISSN: 1569-2108
In: Communication research, Band 12, Heft 3, S. 345-352
ISSN: 1552-3810
Canada's economic dependence on America extends to the music industry. American recordings and radio broadcasts are strongly preferred by Canadian youth despite government policies.
In: Social text, Heft 23, S. 122
ISSN: 1527-1951
In: Comparative American studies: an international journal, Band 18, Heft 3, S. 275-280
ISSN: 1741-2676
In: Current History, Band 26, Heft 2, S. 245-249
ISSN: 1944-785X
In: Historical Dictionaries of Professions and Industries
Historical Dictionary of the American Music Industry contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on important artists, managers, companies, industry terminology and significant trade associations.
In: New horizons in English studies, Band 8, S. 163-176
ISSN: 2543-8980
The essay offers a concise historical examination of the evolution of music videos and places this medium within the broader context of the popular music industry, which is influenced by the principles of late capitalism. The study highlights the significance of music videos in the popular music industry and media studies, underscoring their role as both promotional and artistic products. It traces the medium's development, from its early days as "illustrated songs" in the late 19th century to the MTV era's explosion, marked by groundbreaking music video directors and the digital turn in the 21st century, which has reshaped the landscape of music video production, distribution, and reception. The article also addresses emerging trends, such as visual albums and changes in video length and format, reflecting shifts in music consumption and technology. In conclusion, it asserts that music videos continue to evolve, challenging conventions and fostering a multisensory, intermedial relationship with audiences.
Intro -- Contents -- Prologue -- 1. When Songs Became a Business -- 2. Making Hits -- 3. Music without Musicians -- 4. The Traffic in Voices -- 5. Musical Properties -- 6. Perfect Pitch -- 7. The Black Swan -- 8. The Musical Soundscape of Modernity -- Epilogue -- Abbreviations in Notes -- Notes -- Acknowledgments -- Index.
In: Journal of Cold War studies, Band 19, Heft 4, S. 268-270
ISSN: 1531-3298
Frontmatter -- Contents -- Prologue -- 1 When Songs Became a Business -- 2 Making Hits -- 3 Music without Musicians -- 4 The Traffic in Voices -- 5 Musical Properties -- 6 Perfect Pitch -- 7 The Black Swan -- 8 The Musical Soundscape of Modernity -- Epilogue -- Abbreviations in Notes -- Notes -- Acknowledgments -- Index
In: Journal of Inter-American Studies, Band 1, Heft 1, S. 97
In: American anthropologist: AA, Band 36, Heft 4, S. 612-612
ISSN: 1548-1433
In: The journal of popular culture: the official publication of the Popular Culture Association, Band 41, Heft 5, S. 878-879
ISSN: 1540-5931