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Artă în spațiul public sau artă pentru sine: ipostaze ale artistului Ion Grigorescu în epoca comunistă și posttotalitară
In: Studia politica: Romanian political science review ; revista română de ştiinţă politică, Band 17, Heft 3, S. 399-415
This article discusses the case of Ion Grigorescu, and of his ambiguous relationship with the communist regime, which he registered through a form of "documentary realism". Through his "realgrams" Grigorescu documented real life experiences in an innovatory approach to the majority of Romanian artists of the time using photographs of his everyday environment, and being inspired by his social and political context. Grigorescu is thus an artist committed to the public space and assuming a critical stance without it being discursive, pedant or moralizing. The approach of this study is descriptive, based on the artists' artworks and self-descriptions, and seeking to situate Grigorescu's approach in the context of the communist regime and its transformation after 1990 into a democratic regime. The conclusions show that Grigorescu's artworks are anti-system, criticizing any establishment, no matter in which regime he finds himself. His contestation is specific to a committed artist that chooses to express his freedom of expression beyond his own studio.
Arta fotografică românească în perioada 1968-1978: evoluţia revistei fotografia
In: Studia politica: Romanian political science review ; revista română de ştiinţă politică, Band 17, Heft 3, S. 313-336
During the communist regime, photography was a popular activity due to the existence of the Association of Photographic Artists. Its members weren't professional artists, but mostly people with technical backgrounds, and who transformed their hobby into a job. The lack of interest of Romanian artists in photography (except for a few particular cases such as Ion Grigorescu or Ștefan Bertalan) can be explained by the fact that there were no photo-video departments within the art universities and the Romanian Artists' Union (UAP), the only form of institutional organization of the Romanian artists, had no special photography department. Therefore, the photographic practice in communist Romania was linked to the Association of Photographic Artists and not to the Romanian Artists' Union. The evolution of its activity in the period between 1968 and 1978, and the impact that politics had on it transpire very well from the evolution of the Fotografia magazine, the only photo periodical of that era. This article shows that even in a creative field, which was overlooked by the Communist Party, the echoes of the official political discourse were felt, mainly after 1975. We have outlined two aesthetic trends in the mid-1970s. One was the photograph obtained by laboratory procedures, supported by a depoliticized discourse and the second was a pseudo reportage photography, namely the communist propaganda photography.
Niccolo Machiavelli și Kautilya: două reflecții filosofice cu privire la arta guvernării
In: Analele Universității București: Annals of the University of Bucharest = Les Annales de l'Université de Bucarest. Științe politice = Political science series = Série Sciences politiques, Band 14, Heft 2, S. 97-109
This article compares the ideas of two political thinkers representative for their time and region - Kautilya (of ancient India) and Machiavelli (of modern Europe). The analysis reveals important similarities and differences, and offers potential explanations for the findings. Most significantly, the similarities between Kautyla's Arthasastra and Machiavelli's Prince are visible particularly when it comes to their treatment of war, 'state' administration, diplomacy, monarchy and the features of a good leader. Such similarities suggest that the development of modern European philosophy has been influenced by other cultural spaces, including Ancient India.
Fantastiske kvinder: Surreelle verdener fra Meret Oppenheim til Frida Kahlo
In: Louisiana revy 61. årgang, nr. 1 (2020)
Afrika, Afrika
In: Louisiana Revy, 19.1989, 3(März)
Ausstellungskatalog des Louisiana Museums in Humlebaek (Dänemark) mit zahlreichen farbigen Abbildungen
World Affairs Online
De bono coniugali: o istorie a familiei din Ţara Românească în secolul al XVII-lea
In: Biblioteca de artă 613
In: Arte, civilizaţii, mentalităţi
World Affairs Online