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Intro -- Preface and Acknowledgements -- Table of Contents -- Frequently Cited Material -- Table of Cases -- Table of Legal Instruments -- 1. Introduction -- 1.1. Background and Scope -- 1.2. Copyright and Art -- Suggested Further Reading -- 2. The Copyright System: Justification and History -- 2.1. Introduction -- 2.2. Justifications for Copyright -- 2.3. The History of Copyright -- Suggested Further Reading -- 3. The Modern Law of Copyright -- 3.1. Background -- 3.2. UK Law -- Suggested Further Reading -- 4. Moral Rights and Artist's Resale Right (Droit de Suite) -- 4.1. Moral Rights -- 4.2. Implications of Moral Rights and some UK Cases -- 4.3. Performers' Moral Rights and Performance Works -- 4.4. Moral Rights in the United States -- 4.5. Artist's Resale Right (Droit de Suite) -- Suggested Further Reading -- 5. Art, Technology and the Internet: Copyright, Related Rights and Digitisation -- 5.1. Copyright in Digital and Digitised Works -- 5.2. Copyright, Artificial Intelligence (AI) and Computer-Generated Works -- 5.3. Copying and the Internet -- 5.4. Transmission Right/Communication to the Public Right -- 5.5. Publication Right -- 5.6. Database Right and Art (and Art Market) Databases -- 5.7. Implications of Moral Rights for the Digital Environment89 -- 5.8. Blockchain, Art and Copyright Management -- 5.9. Art, Copyright Legislation and the Digital Future -- Suggested Further Reading -- 6. Some Current Issues -- 6.1. Copyright in Photographs of Public Domain Artistic Works1 -- 6.2. Copyright and Visual Search Engines: Fair Use and Fair Dealing in the Online Environment -- 6.3. Image Sharing, User-Generated Works and Online Artistic Collaboration -- 6.4. Modern and Contemporary Art and Copyright (Including Film, Video and Performances) -- 6.5. Orphan Works -- 6.6. Art, Originality, Infringement and the Development of EU Copyright Law.

This book turns traditional art history inside out. Not styles or forms or movements or artists or art theories are its point of departure, but the reason for [the existence] of art in civilization. Since the very beginnings of society art has raised and responded to the existential questions of the human kind. The history of the arts is the history of those questions and from that angle art should be presented: here it is. When reading this book, unfolding like a novel, we think yes, of course, no doubt, why didn't we think of this before? And we agree that art is not a hobby or a profession or an entertainment but the very heartbeat of the human race. This art book carries no pictures. Lists of "major works" and a generous index have been added however to facilitate the consultation of resources on the internet

Front Cover -- Title Page -- Half Title -- Copyright -- Contents -- Foreword -- Acknowledgements -- Introduction -- 1. Political Censorship in China, Cuba and the Middle East -- 2. The Suppression of LGBTQ+ Artists in 'Illiberal Democracies' -- 3. The Algorithms Policing Art Online -- 4. Western Museums and 'Cancel Culture' -- 5. Censoring the Past? The Narratives around 'Problematic' Monuments -- Conclusion -- Notes -- Further Reading -- Index.

"What is the essence of martial arts? What is their place in or relationship with culture and society?
Deconstructing Martial Arts analyses familiar issues and debates that arise in scholarly, practitioner and popular cultural discussions and treatments of martial arts and argues that martial arts are dynamic and variable constructs whose meanings and values regularly shift, mutate and transform, depending on the context.
It argues that deconstructing martial arts is an invaluable approach to both the scholarly study of martial arts in culture and society and also to wider understandings of what and why martial arts are. Placing martial arts in relation to core questions and concerns of media and cultural studies around identity, value, orientalism, and embodiment,
Deconstructing Martial Arts introduces and elaborates deconstruction as a rewarding method of cultural studies."