Suchergebnisse

Procuro neste texto, discutir o processo de avaliação na escola de modo geral e em específico, na disciplina de Artes, tendo como questões mobilizadoras: O que significa avaliar em Artes? É possível dar nota nesta disciplina? Se deixar de dar nota, estarei avaliando? Para buscar os caminhos destas difíceis respostas, inicio, a partir da minha participação no projeto "Escola Singular: ações plurais", um processo de estudo e reflexão teórica contribuindo sobremaneira para o modo como venho desenvolvendo minha prática no que se refere à disciplina de Artes.

1. Introduction: A Case for Copies -- 2. Apprentice Artists -- 3. Copies for the Colonies -- 4. Paintings-within-Paintings -- 5. Education and Entertainment. - 6. Copies in Public Collections. - 7. Protecting the Past. - 8. Cash for Copies. - 9. Conclusion: Sorting the Wheat from the Chaff. .

Résumé L'Afrique, qui n'a pas connu l'art moderne, donne à l'art contemporain sa pleine authenticité, et sa nécessité vraie. C'est à cette conclusion réjouissante que nous conduit une récente exposition, « Africa Remix ».

Abstract: Contemporary post-aesthetic art implies an expanded concept of the work of art that also includes political functions. Beuys's concept of social sculpture and Marcuse's idea of society as a work of art can be complemented by Abreu's project of
a musical orchestra as a social ideal (the Venezuelan example of the music and education project El Sistema) and the Neue Slowenische Kunst transnational state formed from the core of art. These concepts are close to the views of Hakim Bey (Temporary Autonomous Zone), with D'Annunzio
also touching upon them with his State of Fiume (1919–1920), for which he wrote the constitution and defined music as its central governing principle. Although the art state is a utopian project, art can serve a variety of emancipatory functions even in the dystopian present to intervene
in and change the political. In this article, we also discuss the case of art activism in Slovenia, where culture (with many engaged artists) has become a central part of civil society oriented towards social change. Art activism contributes to an expanded concept of the political, which includes
new subjects and new forms of antagonisms. Likewise, such repurposing of art emphasises its role in research.

Art is some sort of social fight. ln that battle we express sadisfaction, aggress,on, desıres. gracefullness, power, chinizam and fear. Every aspect ot these matters depends on specific social contexts. Accordıng to that specific context we can experience art like some sort of amusement or some sort of politic act, what is more value in thal case, art like a modern aphrodisiac for our hidden pleasures or the eternal urge tor searching the truth beyond reality? ldeology is the heart of every art and without it, art would be just a shady form of cheap aesthetic lor hordes ot people For young people that are willing to be new gladiators in art world, stands a thorny path. The Canadian philosopher Marshall Mcluhan predicted the world wide web and it global impact on our society.

Through its embrace of the 'cultural turn' and the 'practice turn' in cultural sociology, recent work in the subfield of arts sociology has helped to advance our understanding of the role of culture in social life through its focus on arts-in-action. Empirically, this focus grew out of earlier work in the production and consumption of the arts, while, theoretically, it resonates with traditions within ethnomethodology, cognitive sociology, and the sociology of science and technology. The authors describe how new work in arts sociology unearths and develops our understanding of aesthetic consciousness, the tacit and often embodied bases of action, cognition, and engagement with cultural forms. This recent emphasis on materials and actions in turn permits critique of rule-based and more overtly cognitive models of agency structure. It also leads some of its proponents into areas that would not normally be viewed as topics for the field. [Reprinted by permission of Sage Publications Inc., copyright 2008 The American Academy of Political and Social Science.]

Through its embrace of the "cultural turn" and the "practice turn" in cultural sociology, recent work in the subfield of arts sociology has helped to advance our understanding of the role of culture in social life through its focus on arts-in-action. Empirically, this focus grew out of earlier work in the production and consumption of the arts, while, theoretically, it resonates with traditions within ethnomethodology, cognitive sociology, and the sociology of science and technology. The authors describe how new work in arts sociology unearths and develops our understanding of aesthetic consciousness, the tacit and often embodied bases of action, cognition, and engagement with cultural forms. This recent emphasis on materials and actions in turn permits critique of rule-based and more overtly cognitive models of agency structure. It also leads some of its proponents into areas that would not normally be viewed as topics for the field.