Suchergebnisse

¿Por qué hablar del legado de Beauvoir en la filosofía "feminista" y no en la filosofía? Romero inicia con esta pregunta un recorrido amplio y complejo que analiza las relaciones de El segundo Sexo, tanto en el contexto internacional como en el español, considerando movimientos como el Sesentayochismo, y corrientes como el Feminismo Radical. Centrándose en la España del s. XXI las repercusiones de este legado y los efectos en la mujer son discutidas en distintos órdenes, moral, conocimiento y político. En ellos se trae a primer plano la contribución y los logros de mujeres en campos como la historia (transición hacia la democracia), el contexto universitario y de la filosofía académica (y sus efectos en la filosofía feminista), y las bases de una democracia basada en la paridad. ; Why should we see Beauvoir's legacy as part of "Feminist Philosophy" instead of as part of Philosophy? With this question Romero takes off in a wide and complex analysis of Beauvoir's legacy. Both internationally and at the level of Spain, Romero explores the relationships between The Second Sex and socio-cultural movements such as the 68 and with ideologies such as Radical Feminism. Focusing on present Spain, she analyses the effects of Beauvoir's legacy as belonging to different orders, i.e. moral, knowledge and politics. In them Romero brings to the fore women's contributions and achievements in fields such as history (transition towards democracy), university context and academic philosophy (and its effects on feminist philosophy), and the basis for a democracy grounded on gender equality.

Between Beauvoir and Butler, we will question whether the "becoming woman" establishes the distinction between sex and gender, becoming a mode of acculturation that, in addition to the anatomical differentials, designates a performance in transformation. From Beauvoir, we will see: situated, subjectivity is established between civilization and intercorporeal relations. Marking the woman as the second sex, Beauvoir ratifies the ambiguity as a human factor, weaving reflections to the freedom, oppression, recognition and feminine condition. Of this, Beauvoir is questioning that Butler interrogates the genders. By tracing the incipient use of gender in "becoming woman", Butler suggests revisions to the phenomenological notions of subject, body, situation, and sexual difference. It promotes a performative conception where the genre is a constant becoming. It describes how the genres are constituted, considering that there are no ideal genres. Thus, becoming gender means that as a body we dramatize and style it. Criticism, this performance personifies a way of acting where repetition, innovation, necessity and contingency are re-signifiable.

Contemporary feminism is founded on Beauvoir, just like modern democracy is founded on Rousseau. The existentialist conception of the human being as free being and a maker of sense is the proper frame for a theory of women´s emancipation. Basic concepts of Beauvoir´s existentialism serve as productive tools for explaining women´s oppression and the paths for their liberation. ; Beauvoir es la fundadora del feminismo contemporáneo como Rousseau lo fue de la democracia moderna. La filosofía existencialista, por su concepción del ser humano como libre y dador de sentido, constituye un marco propicio para una teoría de la emancipación de las mujeres. Los conceptos fundamentales de su filosofía le sirven como herramientas fecundas para explicar la opresión de las mujeres y las vías de su emancipación.

Résumé
Nous verrons que le désintérêt à peine voilé de Michael Sheringham, comme de Philippe Lejeune avant lui, à l' égard des Mémoires d' une jeune fille rangée tient à leur valorisation excessive du pacte autobiographique. Or, tout en s' inscrivant dans la nébuleuse des autobiographies existentialistes, le récit de Simone de Beauvoir s' en démarque, en particulier par le rôle qu' y joue le genre des Mémoires en creux, ou plus précisément à l' horizon du texte de 1958. Il s' agira de montrer que le premier volume du cycle beauvoirien occupe au sein des récits de soi existentialistes une place beaucoup plus centrale que ne l' envisageait Sheringham dans French Autobiography.

Deirdre Bair: "Simone de Beauvoir". Aus dem Amerikanischen übersetzt von Sabine Lohmann und Uda Strätling. Albrecht Knaus Verlag, München 1990. 896 S. Text, 24 S. Ill., geb., 58,- DM

Nos proponemos interpretar la escritura híbrida literario-filosófica de Simone de Beauvoir como parte de su estrategia feminista de (auto)constitución del estilo de sujeto-mujer esbozada en El segundo sexo, lo que demuestra su compromiso social y político. Sugerimos que mediante ese estilo de escritura que la vincula a una línea de filósofos moralistas no sistemáticos, la autora francesa reconceptualiza lo que tradicionalmente una comunidad académica, hegemónicamente masculina, comprendió por "filosofía" y por "literatura".AbstractOur aim is to provide an interpretation based on Simone de Beauvoir´s hybrid literay-philosophical writing as part of her strategy feminist of the (self)constitution of the subject-woman style outlined in The Second Sex, which demonstrates her social and political commitment. We suggest that through this writing style that connects Beauvoir to a line of non-systematic moral philosophers, the French author reconceptualizes what traditionally an academic community, hegemonically circumscribed to males, understood by "philosophy" and by "literature."

Nos proponemos interpretar la escritura híbrida literario-filosófica de Simone de Beauvoir como parte de su estrategia feminista de (auto)constitución del estilo de sujeto-mujer esbozada en El segundo sexo, lo que demuestra su compromiso social y político. Sugerimos que mediante ese estilo de escritura que la vincula a una línea de filósofos moralistas no sistemáticos, la autora francesa reconceptualiza lo que tradicionalmente una comunidad académica, hegemónicamente masculina, comprendió por "filosofía" y por "literatura".AbstractOur aim is to provide an interpretation based on Simone de Beauvoir´s hybrid literay-philosophical writing as part of her strategy feminist of the (self)constitution of the subject-woman style outlined in The Second Sex, which demonstrates her social and political commitment. We suggest that through this writing style that connects Beauvoir to a line of non-systematic moral philosophers, the French author reconceptualizes what traditionally an academic community, hegemonically circumscribed to males, understood by "philosophy" and by "literature."

Nos proponemos interpretar la escritura híbrida literario-filosófica de Simone de Beauvoir como parte de su estrategia feminista de (auto)constitución del estilo de sujeto-mujer esbozada en El segundo sexo, lo que demuestra su compromiso social y político. Sugerimos que mediante ese estilo de escritura que la vincula a una línea de filósofos moralistas no sistemáticos, la autora francesa reconceptualiza lo que tradicionalmente una comunidad académica, hegemónicamente masculina, comprendió por "filosofía" y por "literatura". ; Our aim is to provide an interpretation based on Simone de Beauvoir´s hybrid literay-philosophical writing as part of her strategy feminist of the (self)constitution of the subject-woman style outlined in The Second Sex, which demonstrates her social and political commitment. We suggest that through this writing style that connects Beauvoir to a line of non-systematic moral philosophers, the French author reconceptualizes what traditionally an academic community, hegemonically circumscribed to males, understood by "philosophy" and by "literature." ; Fil: Abellón, Pamela Celeste. Universidad de Buenos Aires. Facultad de Filosofía y Letras. Instituto Interdisciplinario de Estudios de Género; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina

Beauvoir in Time situates Simone de Beauvoir's The Second Sex in the historical context of its writing and in later contexts of its international reception, from then till now. The book takes up three aspects of Beauvoir's work more recent feminists find embarrassing: "bad sex," "dated" views about lesbians, and intersections with race and class. Through close reading of her writing in many genres, alongside contemporaneous discourses (good and bad novels in French and English, outmoded psychoanalytic and sexological authorities, ethnographic surrealism, the writing of Richard Wright and Franz Fanon), and in light of her travels to the U.S. and China, the author uncovers insights more recent feminist methodologies obscure, showing Beauvoir is still good to think with today

The article presents the analysis of the contradictory interrelation between existentialism and feminism in the «Second Sex» by S. de Beauvoir as the epoch-making book in the history of feminism.