Suchergebnisse

A partir des notes redigees, entre 1971 et 1983, Samuel Eboua trace le portrait d'Ahmadou Ahidjo, President du Cameroun jusqu'a sa demission en novembre 1982. L'auteur etait Secretaire General-adjoint, puis Secretaire General de la Presidence de la Republique de 1975 a 1982, sous Ahidjo. (DÜI-Hff)

Bringing together the papers presented at the international symposium 'The genre the work' in September 2011, the three volumes entitled Receptions, Creations and Representations offer the reader a rich panorama and varies on gender problematic in the art worlds . Diversity of research topics, literature to cinema, through dance, photography and theater; diversity of approaches, the biography has the statistical survey, through the analysis of documents; diversity of disciplines, from sociology musicology, through philosophy and history. This non-exhaustive list of tools to emerge as apprehend gender in its complexity, to grasp the social construction process but also to constant redefinition of gender categories. Despite the wealth of content, we may regret the absence of a general introduction and/or presentation of the three volumes - apart from brief editorial reproduced at the beginning of each volume - in order to clarify the central problematic, d 'to show the consistency, to justify the allocation of items. In view of the proposed communications, answering a call inviting auteur.es was 'exploring genres reports through the production, reception and mediation of a work of art - a show, a book, a plant or a film, for example 'it begs the question of the relevance of the division between Receptions, Creations and Representations. Indeed, a majority of products responds to these three themes and could, therefore, be included in each volume. Here we propose to deliver a Cross reading the three volumes through the prism of different scales of analysis mobilized by the author. Adapted from the source document.