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Intro -- Halftitle Page -- Copyright Page -- Title Page -- Contents -- Foreword -- Introduction -- Dedication -- Dearest Black Reader, Here Is My Loin-Fruit. My Firstborn … Literally -- 7 Steps For The White-Identified Reader -- Imagine -- Serenity Wise -- Reagan Jackson -- Ebo Barton -- Sharyon Anita -- Kilam Tel Aviv -- Kenyatta JP García -- Adrienne La Faye -- Jen Moore -- Erwin Thomas -- Shayla Tumbling -- Kiana Davis -- Samantha Hollins -- Aricka Foreman -- William Wallace III -- Raina J. León -- Carlos Sirah -- Laura Lucas -- Tyler Kahlil Maxie -- Maisha Manson -- Sharan Strange -- James E. Bailey -- Nashelle Ashton -- Tricia Diamond -- Tigerlilystar -- Angela Brown -- Tamara Boynton Howard -- Interlude: Rituals -- Ritual For Black Joy -- Ritual For Being Unbothered -- Ritual For Blessing Your Own Heart -- Ritual For Rehealing -- Healing -- Tamara Boynton Howard -- Reagan Jackson -- Darnita L. Boynton Howard -- Ebo Barton -- Sharyon Anita -- Kahn Davison -- Kilam Tel Aviv -- Kenyatta JP García -- Adrienne La Faye -- Shayla Tumbling -- Kiana Davis -- Samantha Hollins -- Christopher Burrell -- William Wallace III -- Kadazia Allen-Perry -- Angela Brown -- Carlos Sirah -- Laura Lucas -- Tyler Kahlil Maxie -- Maisha Manson -- Sharan Strange -- Nashelle Ashton -- Tricia Diamond -- Keith S. Wilson -- Kameko Thomas -- Brian Broome -- Interlude: Rituals -- Ritual For Unburying -- Ritual For Broken Feelings -- Ritual For #Caucasianliving -- Ritual For Unerasing -- Origins -- Brian Broome -- Kameko Thomas -- Robert Lashley -- Quenton Baker -- Shay Young -- Avery Young -- Artemis Osuna -- Ebo Barton -- Laura Lucas -- James E. Bailey -- Kahn Davison -- Kenyatta JP García -- Adrienne La Faye -- Tamara Boynton Howard -- Reagan Jackson -- Samantha Hollins -- Keith S. Wilson -- Christopher Burrell -- Jen Moore -- Natasha Marin -- Coda: Rituals.
Rinaldo Walcott's groundbreaking study of black culture in Canada, Black Like Who?, caused such an uproar upon its publication in 1997 that Insomniac Press has decided to publish a second revised edition of this perennial best-seller. With its incisive readings of hip-hop, film, literature, social unrest, sports, music and the electronic media, Walcott's book not only assesses the role of black Canadians in defining Canada, it also argues strenuously against any notion of an essentialist Canadian blackness. As erudite on the issue of American super-critic Henry Louis Gates' blindness to black
In: Routledge African studies 33
Frontmatter -- Contents -- List of Figures -- List of Tables -- Preface -- 1 Introduction -- 2 Racial Solidarity -- 3 Conflict -- 4 Common Ground -- 5 Conclusion -- Appendix A SAMPLING AND WEIGHTING -- Appendix B QUESTIONNAIRE FOR THE CHICAGO SURVEY -- Bibliography -- Index
"What does it mean to be Black in Scotland today? Why is it important to reflect on and archive Black Scottish lives? Can Black people in Scotland relate to a broader Black British experience and will Black Brits ever feel the need to connect to Black Scots? Coming at a point in time when notions of nationhood and "home" have been shaken up by the Scottish Independence referendum (2014) and Britain's European Union (EU) Membership referendum (2016), this book sheds light on issues related to race and Black identity in Scotland. This is the first study to focus on the present-day experiences of Black people in Scotland, and with firsthand testimony. The first book of its kind, Black Oot Here focuses on the lives of Black people in Scotland from the late twentieth century to the turbulent present, investigating issues regarding race, nationhood, media, resistance, creativity, inequality and ideology."--
In: FORECAAST
Black Knowledges/Black Struggles: Essays in Critical Epistemology explores the central but often critically neglected role of knowledge and epistemic formations within social movements for Black "freedom" and emancipation. The collection examines the structural subjugation and condemnation of Black African and Afro-mixed descent peoples globally within the past 500 years of trans-Atlantic societies of Western modernity, doing so in connection to the population's dehumanization and/or invisibilization within various epistemic formations of the West. In turn, the collection foregrounds the extent to which the ending of this imposed subjugation/condemnation has necessarily entailed critiques of, challenges to, and counter-formulations against and beyond knowledge and epistemic formations that have worked to "naturalize" this condition within the West's various socio-human formations.The chapters in the collection engage primarily with knowledge formations and practices generated from within the discourse of "race," but also doing so in relation to other intersectional socio-human discourses of Western modernity. They engage as well the critiques, challenges, and counter-formulations put forth by specific individuals, schools, movements, and/or institutions – historic and contemporary – of the Black world. Through these examinations, the contributors either implicitly point towards, or explicitly take part in, the formation of a new kind of critical – but also emancipatory – epistemology. What emerges is a novel and more comprehensive view of what it means to be human, a formulation that can aid in the unlocking and fashioning of species-oriented ways of "knowing" and "being" much-needed within the context of ending the continued overall global subjugation/condemnation of Black peoples, as a central part of ending the "global problematique" that confronts humankind as a whole.