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Issued as Great Britain. British Information Services. I.D. no. 646. ; Political and economic notes. ; 1946-Apr. 18, 1949 called no. 1-81. ; With supplements. ; Mode of access: Internet.

At head of title: British Information Services, Reference Division, I.D. 952 (Revised), February 1959. ; Bibliography: p. 25-27. ; Mode of access: Internet. ; 2

"I.D. 952 (revised), February 1964" ; Title from cover. ; Includes bibliographical references (p. 38-[39]). ; Mode of access: Internet. ; 2

"I.D. 952 (revised), April 1961" ; Title from cover. ; Includes bibliographical references (pages 25-[27]). ; Mode of access: Internet.

Cover title. ; "British Information Services, an agency of the British government, Information Division, I.D. 339." ; Mode of access: Internet.

"January, 1944." ; "British Information Services, an agency of the British government, Information Division, I.D. 484, replacing I.D. 365." ; Includes bibliographical references. ; Mode of access: Internet.

"Important government publications in 1949 relating to colonial affairs": p. 52-53. ; At head of title: British Information Services, an agency of the British Government, Reference Division, I.D. 963, January, 1950. ; Mode of access: Internet.

"The collection is primarily a large ingathering of our most exquisite love lyrics . However . many other kinds of poems than lyrics will be found in its pages. Among them, there are political songs, Vauxhall songs, and the like . Over 400 poets have contributed some 2,000 songs and poems."--Pref., v. 1. ; Each volume has special t.-p. only: general title on verso of half-title, and stamped on cover. ; I. The Dunbar anthology. 1401-1508.--II. The Surrey and Wyatt anthology, 1509-1547.--III. The Spencer anthology. 1548-1591.--IV. The Shakespeare anthology. 1592-1616.--V. The Jonson anthology. 1617-1637.--VI. The Milton anthology. 1638-1674.--VII. The Dryden anthology. 1675-1700.--VIII. The Pope anthology. 1701-1744.--IX. The Goldsmith anthology. 1745-1774.--The Cowper anthology. ; Mode of access: Internet.

"This work is part of the Society's larger treatise of Political philosophy." ; "Under the superintendence of the Society for the diffusion of useful knowledge." ; Mode of access: Internet.

"List of military prints and books with plates of military interest -- By W. G. Menzies": p. 65-72. ; Mode of access: Internet.

"British Information Services, an agency of the British government, Information Division, I.D. 566." ; Title from cover. ; Mode of access: Internet.

The exhibition focused on dress practices amongst black people in Britain from the late 1940s to 2004. It developed out of concerns about the relationships between dress, ethnicity, 'race' and place outlined in '"Out of Many, One People"?: The Relativity of Dress, Race and Ethnicity to Jamaica, 1880-1907' (Tulloch 1998).In 'Black British Style' garments, accessories, photography and film were used to discuss the black identities developed by men, women and children in post-war Britain. The exhibition challenged stereotypes associated with black aesthetics and identities. It placed the dress choices made by individuals to define their sense of self in a historical context. I wanted visitors to gain a better understanding of how, and why, black people in Britain styled their bodies, whether as part of migration, religious, secular or political activities. Oral testimonies played an important role in portraying 'the sincere self' to the choice of garments chosen for display. The exhibition stressed that there is a historical legacy that underpins the style performance associated with this cultural group. 'Black British Style' showed how black people in Britain confronted the tenets of difference to present a sense of 'authenticity' to their life experiences. Black British Style' was the first major exhibition devoted to these issues to be shown in a national museum. It's cultural significance extended internationally as it was the inspiration for the exhibition 'Black Style Now' (2006), Museum of the City of New York. The positive national and international media reactions to the exhibition reinforced the importance of recognising the presence and cultural impact of black people in Britain. An outcome of the exhibition, the associated publication and conference was the successful application for an AHRC Diasporas, Migration and Identities Network grant. This has resulted in the Dress and the African Diaspora Network.

This article discusses some of the issues raised by Peter Kosminsky's miniseries The Promise (2011) and investigates the intense public responses it engendered in Britain. The first part of the article explores how the miniseries takes the lead from the paradigmatic British Holocaust memory of the liberation of Belsen to engage with issues of British national self-perception. Drawing on Paul Gilroy's notion of 'postimperial melancholia', the article argues that The Promise explores important issues related to Britain's past and present, in particular the lasting heritage of Empire. The second part of the article engages with the intense reception of the miniseries among opinion makers and the general public, with many critics seeing The Promise as aimed at delegitimising the State of Israel both historically and in relation to the present. In thus doing, the article will situate the debate within the broader context of discussions on the supposed relationship between anti-Zionism and the so-called "new anti-Semitism", and more specifically discussion of the role of anti-Zionist Jews. The debate around The Promise is a valid case study for the exploration of two related controversies. The first one pertains to Jewish/non-Jewish relations, in particular regarding the international role of Israel in the twenty-first century. The second one is more specifically infra-Jewish and revolves around the issue of which subjects are legitimate to speak out as Jews and in the name of which values.

Extracted from the Proceedings of the Royal Colonial Institute, Volume XXII (1890-91). ; "Mr. George S. Mackenzie then read his Paper on 'British East Africa'". Page 3. ; "My observations will be understood then to refer only to that part of the East Coast of Africa known as the Sultanate of Zanzibar, and the countries beyond now placed under British influence." Page 3. ; (Statement of Responsibility) Mr. George S. Mackenzie.

This research paper explores about British East India Company in India .Evolution of East India Company drove from the four factors the decline of Mughal Empire, Anglo French Imperial Rivalry, French Revolutionary and Napoleonic Wars. East India Company transformed from private stock company to quasi governmental institution. Between early 1600s and the mid 19th century the British East India Company guide the establishment and enlargement of international trade to Asia and lead to economic and political domination of the entire Indian Sub Continent. East India Company 1600 1857 lease by Queen Elizabeth1 for trade with Asia. The main objective of the group of merchant was to break the Dutch monopoly of the spice trade with the East Indies, to acquire exclusive rights to trade and to takeover the financial resources of the country. East India Company had suit a peculiar hybrid ,and a coporate state. Company saw rise of fortunes. This research paper also focuses on the Battle of Plassey when one of the military officials ,Robert Clive, defeated the force of the Nawab of Bengal ,Siraj ud Daulah. And focuses on many governers which help in the expansion of British rule in India.This research paper mainly examines that How the Establishment and Expansion of East India Company in India has been done AND How the events which has been taken place for the British establishment and the End of the East India Company and 1857 revolt Nandini Choudhary "British East India in Company" Published in International Journal of Trend in Scientific Research and Development (ijtsrd), ISSN: 2456-6470, Volume-2 | Issue-5 , August 2018, URL: https://www.ijtsrd.com/papers/ijtsrd17046.pdf