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This article brings an implicit problem: How to unite different peoples and cultures, that are in constant tranformation, around a commom project? The democratic regime is the most approprieate for this task, as it respects diferences and combines it with freedom and justice to promote equal opportunities. On the other hand, the union carried out democratically improves democracy, both favoring each other.

In the most violent and uncertain times of its recent history, Brazil is revisiting the origins of its racial frictions: the slave trade. "Histórias afro-atlânticas" (Afro-Atlantic Histories) is a massive, 380-work survey of African, Latin American, and European art from the past five centuries, chronicling the largest diaspora in modern history. Nearly half of all Africans captured by slave traders were brought to Brazil, from the time the Portuguese arrived, in the 16th century, all the way through the 21st century. The exhibition is a sequel to "Histórias mestiças" (Mestizo Histories), staged four years ago at the Instituto Tomie Ohtake, the cultural center that is also cohosting the current exhibition. Its scope is far-reaching, with pieces by colonial-era Dutch master Albert Eckhout and modern greats Théodore Géricault and Paul Cézanne, as well as contemporary art-world darlings Glenn Ligon, Kara Walker, and Hank Willis Thomas

Intro -- Rosto -- Sumário -- Agradecimentos -- Apresentação -- Quantas histórias uma obra tem? -- Caderno de desenhos de Catharina Maria do Espírito Santo -- Catharina Maria do Espírito Santo: uma desenhista do século XVIII -- Sobre as/os autores -- English Version -- Table of Contents -- Acknowledgments -- Introduction -- How many histories does an artwork have? -- Introduction to Catharina Maria do Espírito Santo's Drawing Book -- Catharina Maria do Espírito Santo: an eighteenth-century draftswoman -- About the authors -- Créditos.

Angola Cinema' honors the fantastic, unique and unknown architecture of movie theaters in Angola, built in the decades before the end of Portuguese colonial rule in 1975. Initially designed as traditional closed spaces, later in the 1960s open air cinemas with terrace bars became the order of the day, so much better adapted as they were to the tropical climate. The arrival of these cinemas brought elegance to the business of going to the movies.0But it is not only this exceptional architecture which impresses us and mirrors the experimental spirit of its ambitious and visionary builders. Visiting the cinema was a communal act—it was a place where young met old, where people fell in love and where liberation from colonialism was a feasible option.0Examining the architectural history of these buildings, this book is also a document of urban organization in the 20th century, as well as the changing mentalities of a society living with the possibility of its foreseen independence. What has changed since then, and what is the future of these urban cathedrals? 'Angola Cinema' poses such questions in a book that both preserves these architectonic treasures and reflects on their cultural, social and affective heritage

"The Yoruba in Brazil, Brazilians in Yorubaland focuses on multivalent manifestations of the Yoruba Atlantic. Unique in its examination of an African ethnic group that was implicated in the transatlantic slave trade and that subsequently made the diaspora home (or through other forms of migration returned to the continental "homeland"), this volume argues that despite traumatic encounter with modernity and resilience, the Yoruba Atlantic may be under erasure due to the exigencies of globalization. What we call Yoruba Atlantic today is indeed a hybridized identity. Through colonialism and slavery, historical realities are appropriately anchored in the quest for a Yoruba diaspora, and yet are compounded by the new, shifting migration patterns out of the Yorubaland in the search for greener pastures in a globalized world. The contributors assert the vitality and unity of this group while complicating those same essences through multiple crossroads of shifting historical, cultural, political, and spiritual agencies. This book is part of the African World Series, edited by Toyin Falola, Jacob and Frances Sanger Mossiker Chair in the Humanities, University of Texas at Austin"--The publisher

David Sassoli has best interpreted the great Italian tradition of Europeanism, which had in Giuseppe Mazzini, Vincenzo Gioberti, Altiero Spinelli and Ernesto G. Rossi, the highest and most concrete theoretical and political expressions of the contemporary age. Europe means democracy, therefore freedom, social justice, solidarity among the peoples and within the peoples that make up the European Union. It means building and looking upwards towards peace.