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Celebrity introduces the key terms and concepts, dilemmas and issues that are central to the study and critical understanding of celebrity. Drawing on two dynamic models from two different modes of enquiry – the circuit of celebrity culture and the circuit of celebrity affect – this book explores the multi-layered, multi-faceted contexts and concepts that sit within and surround the study of celebrity. Through building a critical story about celebrity, Sean Redmond discusses key topics such as identity and representation; the celebrity body; the consumption of celebrity and celebrity culture; and the sensory connection between fans and celebrities, gender, activism, gossip and toxicity. Including case studies on Miley Cyrus, David Bowie, Scarlett Johansson and Kate Winslet, Celebrity is a dynamic and topical volume ideal for students and academics in celebrity and cultural studies.

Celebrity introduces the key terms and concepts, dilemmas and issues that are central to the study and critical understanding of celebrity. Drawing on two dynamic models from two different modes of enquiry - the circuit of celebrity culture and the circuit of celebrity affect - this book explores the multi-layered, multi-faceted contexts and concepts that sit within and surround the study of celebrity. Through building a critical story about celebrity, Sean Redmond discusses key topics such as identity and representation; the celebrity body; the consumption of celebrity and celebrity culture; andthe sensory connection between fans and celebrities, gender, activism, gossip and toxicity. Including case studies on Miley Cyrus, David Bowie, Scarlett Johansson and Kate Winslet, Celebrity is a dynamic and topical volume ideal for students and academics in celebrity and cultural studies.

Celebrity culture has a pervasive presence in our everyday lives - perhaps more so than ever before. It shapes not simply the production and consumption of media content but also the social values through which we experience the world. This collection analyses this phenomenon, bringing together essays which explore celebrity across a range of media, cultural and political contexts. The authors investigate topics such as the intimacy of fame, political celebrity, stardom in American 'quality' television (Sarah Jessica Parker), celebrity 'reality' TV (I'm a Celebrity … Get Me Out of Here!), the

The influence of celebrities in politics has long been underestimated in political science and political communications disciplines. This research explores the effectiveness of two types of celebrity activism—celebrity advocacy and celebrity endorsements—to determine which type produces broader and more focused media coverage. Through case study analysis, this essay finds that although celebrity advocates and celebrity endorsers generate similarly broad media coverage, celebrity advocates generate media coverage that is more focused on their cause. In addition, by taking into consideration celebrities' gender, race, and the political leaning of the cause advocated or endorsed by the celebrity, the research finds that all three variables also affect the breadth and the focus of the media coverage, but more quantitative research is required to confirm a causal relationship. This research has important implications for governmental and non-governmental actors engaging with celebrity endorsers and celebrity advocates—while both are equally capable of generating broad media coverage, celebrity advocates are better suited to retaining the focus of the media coverage on the cause, and not themselves.

This article asks what it means to take celebrity politics seriously. It does so from three perspectives. It begins by looking at the case of New Labour and the role that celebrity politics played in party political communication and in government policy-making. It places both in the context of New Labour's cultural policy more broadly. This leads to a second perspective, in which the focus is upon how celebrity politics might be seen within social and political change more generally. A contrast is drawn between the 'late modernity' approach adopted by David Marsh and his colleagues, and the media-oriented approach adopted by Aeron Davis. Both approaches, it is suggested, invite a turn to empirical investigation, and the article's final section reviews existing research into celebrity politics, and argues for more emphasis on (a) cross-national comparison of forms of celebrity politics, and (b) audience perceptions of celebrity politicians, going beyond the current focus on large-scale surveys and experimentation.