Chen Duxiu
In: Princeton Legacy Library
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In: Princeton Legacy Library
Black and white head shot photograph of Yung Ping Chen, Professor of Political Science, 1966-2003. ; https://thekeep.eiu.edu/archives_faculty_ad/1175/thumbnail.jpg
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Black and white photograph of political science professor Yung Ping Chen posed standing on steps outside U.S. Capitol building (dome visible in background). ; https://thekeep.eiu.edu/archives_faculty_ad/1177/thumbnail.jpg
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In: Journal of Chinese literature and culture, Band 6, Heft 1, S. 96-136
ISSN: 2329-0056
AbstractHistorians of Chinese literature and philosophy have written extensively about the significance of emotion (qing 情) in late Ming times (1522–1644). But how did a pictorial image manifest emotion, and how were its visible signs of emotion conceptualized? This article considers the dilemma that painters faced in general when they represented an expressive body: How could the display of emotion in gesture and facial expression be contained within the bounds of propriety? The author examines, in particular, how Chen Hongshou 陳洪綬 (1598–1652) resolved this dilemma in two figural paintings, one of which represents a sorrowful woman, and the other, a worried drunkard. She argues that Chen's representation of sorrow and anxiety was inextricably tied to the pictorial conventions utilized by the print designers of his day to illustrate dramatic, emotionally charged moments in a story. Hence, Chen animated the actors in his paintings with emphatic gestures and poses, complementing their expressive bodies with more subtly shaped facial features. But Chen's incorporation into his painting of what was at the time readily identified as "print" disturbed his figural compositions. As much as the expressive figures aroused an empathetic response from his viewers, the juxtaposition of incompatible manners of representation also made his work seem strange and preposterous. However, Chen's visual laments were derived from poems and historical anecdotes. The author argues that the verbal texts to which he alluded not only enhanced and justified his viewers' empathetic response to his paintings but also enabled him to delineate emotions that were otherwise eschewed by the painters of his time.
In: China report: a journal of East Asian studies = Zhong guo shu yi, Band 3, Heft 3, S. 24-26
ISSN: 0973-063X
In: The senses & society, Band 9, Heft 3, S. 377-380
ISSN: 1745-8927
SSRN
World Affairs Online
In: Zhong guo she hui ke xue yuan xue zhe wen xuan
In: 中囯社会科学院学者文选
In: China aktuell: journal of current Chinese affairs, Band 24, S. 286-289
ISSN: 0341-6631
Short biography of Chen Yun; role in the Cultural Revolution, Chinese Communist party, and position on the economic and political reform process.
In: China report: a journal of East Asian studies = Zhong guo shu yi, Band 2, Heft 5, S. 21-23
ISSN: 0973-063X
In: The American journal of sociology, Band 89, Heft 2, S. 503-505
ISSN: 1537-5390