In the first half of the 20th century, a new genre developed in the Chinese visual arts, which is called the revolutionary historical painting. For more than 70 years, this trend in art has been supported by the state and has been in demand in the society. The early works of the revolutionary historical genre were mainly devoted to the opposition of the proletariat to imperialism, feudalism and bureaucratic capitalism during the new democratic revolution in China with the CCP playing the leading role in this struggle. Currently, Chinese artists working in the genre of revolutionary historical painting create works aimed at fostering the patriotic spirit and glorifying the greatness of China. The subjects of such works include not only heroic episodes of the revolutionary past, but also important events of our time.
The article deals with "Chinese path" ‒ modernization transformation of the Chinese Civilization. It is shown that "Chinese path" reflects the formation and development of a new configuration of Chinese civilization. From civilizational transformation to "the Chinese path" is the gradual historical development, was the failure "to improve the state of construction of the" victory "of the revolution state-building", the success of the "economic state-building", constructing a "civilizational state-building". Socialism with Chinese characteristics liberates and develops the productive forces, creating a socialist market economy, socialist democracy, advanced socialist culture, harmonious socialist society, eco-culture of socialism. ; В статье рассматриваются «китайский путь» ‒ модернизационная трансформация китайской цивилизации. Показано, что «китайский путь» отражает формирование и развитие новой конфигурации китайской цивилизации. От цивилизационной трансформации к «китайскому пути» проводится поэтапное историческое развитие, были неудачи «совершенствования государственного строительства», победы «революции государственного строительства», успехи «экономического государственного строительства», конструирование «цивилизационного государственного строительства». Социализм с китайской спецификой освобождает и развивает производительные силы, создает социалистическую рыночную экономику, социалистическую демократию, прогрессивную социалистическую культуру, гармоничное социалистическое общество, экокультуру социализма.
После подписания российско-китайского договора в 1860 г. и Россия оккупировала Дальний Восток, и китайцы решили уехать в Россию, чтобы заработать на жизнь из-за различных факторов внутри страны и за рубежом. Китайцы занимались различными видами экономической деятельности на Дальнем Востоке, такими как коммерческая торговля, экспорт рабочей силы и сельскохозяйственное производство. В определенной степени китайцы играли важную роль в решении проблем спроса на сырьевые товары, нехватки рабочей силы и продовольственного обеспечения в период развития и строительства российского Дальнего Востока. Собирая и сортируя отечественные и зарубежные литературы и документы, автор попытается исследовать причины выезда китайцев в Россию, чтобы заработать на жизнь, состав персонала, и подчеркивает глубокое влияние китайцев на повседневную жизнь и развитие и строительство Дальнего Востока.
En este texto se analizan las posturas kantianas sobre la permisibilidad de la revolución como forma de cambio político. Se sostiene que así como el curso posterior de la Revolución francesa ya estaba inscrito en la ambigüedad del texto de la Constitución de 1791, las vacilaciones de Kant sobre la continuidad de un orden jurídico reflejan su propia dificultad para discernir claramente la cuestión de quién era el soberano. Quizás tal dificultad se deba a que Kant no desarrolló suficientemente una teoría fuerte del poder constituyente. ; In this essay, I analyze Kant's views on the permissibility of revolutions as a means of political change. I hold that in the same way the developments of the French Revolution were somehow contained in the ambiguity of the 1791 Constitution, Kant's hesitations concerning the continuity of a juridical order reflect his own inability to clearly specify who the sovereign is. This difficulty might be due to the fact that Kant did not develop a sound theory of constituent power.
SUMARIO Presentación Artículos Arturo Uslar Pietri y la Comprensión de la Economía Venezolana Arturo Uslar Pietri and the comprehension of Venezuelan economy Rivas Aguilar, Ramón A. La administración Clinton y la política exterior estadounidense hacia América Latina y El Caribe (1993 y 2000) The Clinton administration and the United States foreign policy toward Latinamerica and the Caribbean (1993-2000) Morales Rodríguez, Otoniel Entre la tradición y la utopía: Venezuela ¿Estado democrático o revolución socialista? Between tradition and utopia: Venezuela, democratic state or socialist revolution? López, Ysaac Piratas y corsarios en el Lago de Maracaibo (Siglo XVII) Pirates and corsairs in Maracaibo Lake (XVII century) Villalobos León, Carlos La ciudad en sus múltiples lecturas The City: diferents reading Angulo Rivas, Alfredo Tierras indígenas: Legislación y conflictos Venezuelan indigenous land: Legislation and contradictions Bastidas Valecillos, Luis Espacio, tiempo y cultura: Encuentros y desencuentros de la memoria prehispánica andina de Venezuela Space, time and culture in prehispanic Venezuelan andean memory Suárez de Paredes, Niria La reforma educativa en el gobierno del Presidente Eleazar López Contreras (1936-1941) Eleazar López Contreras presidency and the education reform (1936-1941) Peña Rosales, Luis Misceláneas El monumento natural Laguna de Urao: Entre los histórico y lo turístico The natural monument "Urao" Lagoon between historical and tourist thing Acacio Zerpa, José Francisco Tamayo, el andariego del país (Primer Centenario de su nacimiento: 1902-2002) Francisco Tamayo, fond of walking of the country (the first centenary of its birth: 1902-2002) Borges, Trino Documentos Impresiones sobre la Venezuela de finales del siglo XX (Testimonios de cuatro estudiantes de Dinamarca) Impressions on the Venezuela of end XX century (Testimony of four students of Denmark) Lund, Katja Jürgensen, Rie Katrine Rise Larsen, Janni Lassen Jórgensen, Lene Reseñas Pérez Hernández, José Eduardo: "Si Cuba se pierde. un sueño de Pedro Cuevas Prieto (1898)", en Revista de Historia Canaria, Nº. 181, La Laguna-Tenerife (Islas Canarias), Universidad de La Laguna: Servicio de Publicaciones, 1999; pp Reseñado por: Rodríguez Lorenzo, Miguel Ángel Varios autores: Cien Años de Colombianidad. Hechos y Personajes del Siglo XX, Medellín, Diario El Espectador, Diciembre 1999 Reseñado por: Rodríguez Lorenzo, Miguel Ángel López Bohórquez, Alí Enrique: El descubrimiento del Lago de Maracaibo como consecuencia del tercer viaje de Cristóbal Colón, Mérida, Asociación de Profesores de la Universidad de Los Andes: Fondo de Publicaciones APULA, colección ensayo, 2000 Reseñado por: Rodríguez Lorenzo, Miguel Ángel Índice Índices de Presente y Pasado. Revista de Historia (Año 6, N° 11 y 12) correspondientes al año 2001. Index Presente y Pasado. Revista de Historia, 2001 Rodríguez Lorenzo, Miguel Ángel ; 48-69 ; isaac_abraham60@ hotmail.com ; semestral ; Nivel analítico
In: Vestnik Volgogradskogo Gosudarstvennogo Universiteta: naučno-teoretičeskij žurnal = Science journal of Volgograd State University. Serija 4, Istorija, regionovedenie, meždunarodnye otnošenija = History. Area studies. International relations, Band 22, Heft 6, S. 22-29
The turning points of the history are characterized by people's active participation in one of the most natural for the man social activity - the creation of new self-images. Being incorporated in these images, people are able to realize their involvement in social events. The new ideas and meanings acquire "corporality" in the new images of man and get accumulated in them becoming the reality accessible for the majority of people. Being revealed in the images of people, new ideas obtain real bodies, penetrate to the living tissue of culture, transform into reality, which can be perceived. Man uses their body as a tool for coding significant cultural meanings. The rules of behavior, public manners, the elements of appearance and clothing become the material signs of nonmaterial ideas. They transform into the complex distinguishing system, which allows for the consolidation of people with similar viewpoints. The creation of new visual images comes in hand with the experiments in the field of creating a new language. The authors demonstrate the appearance and creation of such images using the examples of Great French revolution, the revolutionary transformations of Post-reform Russia, Great Russian revolution, cultural revolution of the Chinese People's Republic. M.M. Zagorulko and I.A. Petrova represent common theoretical approaches to the analysis of cultural revolutions of the New Time and Modern period, to understanding the principles of interaction between the "old" and the "new" in culture. I.A. Petrova carries out analysis of theoretical disputes of A.V. Lunacharsky and A.A. Bogdanov about the possibility of constructing "pure proletarian culture". I.K. Cheremushnikova proves the significance of emblematic images in the culture, the connection between body self-representation and the privileged meanings, adopted during the revolution; she represents numerous examples of man becoming the carrier of new cultural meanings in the process of self-representation.
