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This book offers a new analysis of the intellectual and the Chinese socialist revolution. Under the Chinese Communist Party, the intellectual was never simply an outspoken scholar, a browbeaten artist, a supportive official, or any kind of person facing an increasingly powerful political regime. The intellectual was first and foremost a widening classification of people based on Marxist thought. As the party turned revolutionaries and otherwise perfectly ordinary people into subjects identified locally as intellectuals, their appearance profoundly affected the political thinking of the party elites and how they organized the revolution, as well as postrevolutionary Chinese society. Drawing on a wide range of data, Eddy U takes the reader on a fascinating journey that examines political discourses, revolutionary strategies, rural activities, official registrations, organized protests, work organizations, and theater productions. The book lays out in colorful details the formation of new identities and new patterns of organization, association, and calculus. The outcome is a compelling picture of the mutual constitution of the intellectual and the Chinese socialist revolution, the impact of which is still visible in globalized China.

The detailed portrait of social change in the North China plain depicts how the world of the Chinese peasant evolved during an era of war and revolution and how it in turn shaped the revolutionary process. The authors spent a decade interviewing villagers and rural officials, exploring archives, and investigating villagers with diverse resources and cultural, traditions, and they vividly describe both the promise and the human tragedy of China's rural revolution. Exploring the decades before and after the establishment of the People's Republic in 1949, they trace the growing economic desperation and cultural disintegration that led to the revolution, the reforms undertaken by the Communist leadership that initially brought economic gains and cultural healing, and the tensions that soon developed between party and peasantry. They show that the Communist antimarket and collectivist strategies which culminated in the imposed collectivization of 1955-56 and the disastrous Great Leap Forward of 1958-60, clashed with cherished peasant cultural norms and economic aspirations. Eventually the party's attack on peasant values and interests, the authors find, produced a rupture that threatened both developmental and socialist goals and destroyed the democratic potential of the revolution at its best. -- Provided by publisher

Frontmatter -- Contents -- List of Illustrations -- Introduction -- 1 Agricultural Science and the Socialist State -- 2 Pu Zhelong: Making Socialist Science Work -- 3 Yuan Longping: "Intellectual Peasant" -- 4 Chinese Peasants: "Experience" and "Backwardness" -- 5 Seeing Like a State Agent -- 6 The Lei Feng Paradox -- 7 Opportunity and Failure -- Epilogue -- Acknowledgments -- Notes -- Sources -- Index

Representing a lifetime of research and writing by noted historian Arif Dirlik, the essays collected here explore developments in Chinese socialism and the issues that have occupied historians of the Chinese revolution for the past three decades. These incisive essays range from the origins of socialism in the early twentieth century, through the victory of the Communists in mid-century, to the virtual abandonment by century's end of any pretense to a socialist revolutionary project by the leadership of the CCP. All that remains of the revolution in historical hindsight are memories of its failures and misdeeds, but Dirlik retains a critical perspective not just toward the past, but also toward the ideological hegemonies of the present. Taken together, his writings reaffirm the centrality of the revolution to modern Chinese history and the ongoing relevance of Marxism in grasping the flaws of capitalist modernity

The politics of texts in motion -- The geopoetics of land reform in Northeast Asia -- Fictionalizing the international working class -- Soviet spaceships in socialist China -- Sons and daughters of the Revolution -- Mapping the brave new world of literature

"Surveying the latest Chinese TV shows centered on romantic relationships, this book joins the expanding body of literature on the ever-evolving structures of feelings while breaking new grounds in media studies. With its thorough investigation of a wide range of genres, narratives, and public discourses, the volume makes timely and significant contributions to the fields of media studies, China studies, and the cultural history of love and romance." --Hui Faye Xiao, University of Kansas, USA "What does romantic love mean for Chinese people today? How is love represented in popular Chinese television programs? Huike Wens fascinating and important book explores how romantic love promises young Chinese urbanites individual freedom, fulfillment, and purpose in life, yet also plays an ideological role in creating social cohesion and maintaining traditional patriarchal values in post-socialist China. An entertaining and thought-provoking insight into how love functions in contemporary Chinese society." --Hsu-Ming Teo, Macquarie University, Australia This book examines how representations of romantic love in Chinese television programs reflect the contradictions inherent to changing dominant values in post-socialist Chinese mainstream culture. These representations celebrate individual freedom, passion, and gender equality, and promise change based on individual diligence and talent, while simultaneously obstructing the fulfillment of these ideals. Huike Wen is an Associate Professor at Willamette University (Salem, Oregon). Her research focuses on the intersection of genders, emotions, media technology, and nations in transnational Chinese and East Asian media and culture

This book offers a new analysis of the intellectual and the Chinese socialist revolution. Under the Chinese Communist Party, the intellectual was never simply an outspoken scholar, a browbeaten artist, a supportive official, or any kind of person facing an increasingly powerful political regime. The intellectual was first and foremost a widening classification of people based on Marxist thought. As the party turned revolutionaries and otherwise perfectly ordinary people into subjects identified locally as intellectuals, their appearance profoundly affected the political thinking of the party elites and how they organized the revolution, as well as postrevolutionary Chinese society. Drawing on a wide range of data, Eddy U takes the reader on a fascinating journey that examines political discourses, revolutionary strategies, rural activities, official registrations, organized protests, work organizations, and theater productions. The book lays out in colorful details the formation of new identities and new patterns of organization, association, and calculus. The outcome is a compelling picture of the mutual constitution of the intellectual and the Chinese socialist revolution, the impact of which is still visible in globalized China.

"This book assembles translations of the work of leading critical socialist feminist Song Shaopeng, presenting a concise narrative which theorizes China's political and social development through a gendered lens. Providing insightful editor introductions, the book explores poignant themes from the late imperial to the contemporary eras to examine the evolution of Chinese socialist feminism. This includes analysis of the relationship between the party-state and the women's movement, the gains and losses of collectivism for women's liberation, and the inadequacy of contemporary gender studies in China at addressing the ongoing influence of political economy on the lives of women in China. Offering a succinct exploration of the historical and theoretical context of Song Shaopeng's writings, this book will be a valuable resource for students and scholars of Chinese history and politics, as well as those of Chinese feminism and intellectual history"--

This book examines the history of concert dance in China from 1935 to 2015, with a focus on Chinese dance and its relationship to revolutionary performance culture in PRC history. The book argues that Chinese dance, not revolutionary ballet, was the primary legacy of Maoist dance research and innovation. Showing the relationship between dance and politics, it discusses dance developments during the War of Resistance Against Japan, the Chinese Civil War, the Korean War, the Great Leap Forward, the Cultural Revolution, the post-Mao era, and the period of One Belt One Road. The book emphasizes transnational exchange and highlights the contributions of immigrant and ethnic minority women, such as Chinese Trinidadian dancer Dai Ailian, Korean dancer Choe Seung-hui, Uyghur dancer Qemberxanim, Bai dancer Yang Liping, and Uyghur dancer Gulmira Mamat. It discusses the history of dance schools and companies such as the Beijing Dance Academy, the China National Opera and Dance Drama Theater, the Central Nationalities Song and Dance Ensemble, and the Xinjiang Arts Institute. Dance film is an important subject of analysis. Aesthetic experimentation is another key theme. Dance styles examined include Chinese classical dance, Chinese national folk dance (including ethnic minority dance and Han folk dance), Chinese military dance, New Dance, New Yangge, national dance drama, Dunhuang dance, peacock dance, and ballet. The book argues that kinesthetic nationalism, ethnic and spatial inclusivity, and dynamic inheritance are lasting features of Chinese dance.