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Desafíos do século XXI: actas do VI Simposio Internacional Luso-Galaico de Filosofía celebrado en Santiago de Compostela, 11-12 de novembre de 2005
In: Cursos y congresos de la Universidad de Santiago de Compostela 177
1968: eles só queriam mudar o mundo
Histórias afro-atlânticas: Afro-Atlantic histoires / editors, Adriano Pedrosa, Tomás Toledo ; translation, Adriana Francisco, Alessandra Ribeiro, Patrick Brock
In the most violent and uncertain times of its recent history, Brazil is revisiting the origins of its racial frictions: the slave trade. "Histórias afro-atlânticas" (Afro-Atlantic Histories) is a massive, 380-work survey of African, Latin American, and European art from the past five centuries, chronicling the largest diaspora in modern history. Nearly half of all Africans captured by slave traders were brought to Brazil, from the time the Portuguese arrived, in the 16th century, all the way through the 21st century. The exhibition is a sequel to "Histórias mestiças" (Mestizo Histories), staged four years ago at the Instituto Tomie Ohtake, the cultural center that is also cohosting the current exhibition. Its scope is far-reaching, with pieces by colonial-era Dutch master Albert Eckhout and modern greats Théodore Géricault and Paul Cézanne, as well as contemporary art-world darlings Glenn Ligon, Kara Walker, and Hank Willis Thomas