Propaganda. Investigation of Communist propaganda
In: International affairs, Band 10, Heft 3, S. 425-425
ISSN: 1468-2346
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In: International affairs, Band 10, Heft 3, S. 425-425
ISSN: 1468-2346
In: Communist affairs, Band 2, Heft 4, S. 35
ISSN: 0588-8174
Texto y fotographías ; ilustraciones, fotografía color, fotografía blanco y negro ; El objetivo de mi investigación ha sido aclarar inquietudes acerca de mi papel como artista en la sociedad contemporánea. Detrás de la investigación está mi necesidad de equilibrar los elementos que llevan a cabo la creación de obras de arte. Ahondar en las preguntas que conciernen la creación de imágenes en un mundo que cambia constantemente. Las circunstancias en las que he llevado a cabo mi investigación han sido muy especiales en el contexto histórico mundial. Estos dos años han transcurrido bajo la influencia de cambios que no radicales que no podemos ignorar. Mi investigación ha sido una contribución a mi búsqueda y un esfuerzo de fusionar mi vocación artística con la actualidad política y social de mi entorno. Durante la cuarentena adopté la disciplina de hacer un diario de dibujos. Ha sido un gesto en la evolución de mi obra que ha desatado en un espectro de nuevas posibilidades. (Texto tomado de la fuente) ; The objetive in my investigation has been to clarify my inquieries in regards to my roll as an artista in contemporary society. Behind the investigation is my necesity to balance the elements that result in the creation of art. Deepen my inquisition that concern the creation of images in an ever changing world. The sircumstances in which I have done my investigation have been very special in a global historical context. These past two years have elapsed under the influence of radical changes that we cannot ignore. My investigation has been a contribution to my quest and an effort to fuse my vocation with my political and social surrounding. During the quarantine I adopted the discipline of making a diary from drawings. It has been a gesture in the evolution of my work that has unleashed a spectrum of new possibilities. ; Alejandro Ortiz Mejía ; Arte, Propaganda e ideología ; Maestría ; Maestría en Artes Plásticas y Visuales ; Creación y Teoría del Arte ; Es una investigación academica y empírica que gira en torno al dibujo
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This article examines the appropriation of propaganda art in terms of the world art market and the utilisation of North Korean propaganda posters as a pledge of artists' loyalty toward the communist government. Unless the propaganda art derives from a form of religious and political persuasion, the fragmentation of the Soviet Union and the end of Cold War occurs as a nostalgic moment to the liberal people of Western Europe and the United States. Collectors are willing to purchase the propaganda items to possess the authenticity of artwork and the momentum of this period in history. Therefore, the market of propaganda art will increase as the supply is circulated and the demand does not stop. ; This article examines the appropriation of propaganda art in terms of the world art market and the utilisation of North Korean propaganda posters as a pledge of artists' loyalty toward the communist government. Unless the propaganda art derives from a form of religious and political persuasion, the fragmentation of the Soviet Union and the end of Cold War occurs as a nostalgic moment to the liberal people of Western Europe and the United States. Collectors are willing to purchase the propaganda items to possess the authenticity of artwork and the momentum of this period in history. Therefore, the market of propaganda art will increase as the supply is circulated and the demand does not stop.
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In: The Western political quarterly, Band 18, Heft 2, S. 395
ISSN: 1938-274X
In: Pacific affairs: an international review of Asia and the Pacific, Band 29, Heft 1, S. 102
ISSN: 1715-3379
World Affairs Online
In: Public opinion quarterly: journal of the American Association for Public Opinion Research, Band 23, Heft 2, S. 223-235
ISSN: 0033-362X
Operas, a traditional form of entertainment in China, are understood & enjoyed by both the literate & illiterate, & are attended by members of all SC's. Spoken dramas, though newer & less accepted, have on occasion won popular sympathy. No wonder the Chinese Communist has seen the wisdom of using the stage as a medium of propaganda & indoctrination. During the last decade or so the Communists have outlawed the presentation of numerous operas with themes repugnant to them, have rewritten many opera scripts to suit their pol'al purposes, have indoctrinated the acting profession, have controlled opera troupes & theatres, & have attempted to revamp the spoken drama as another vehicle for disseminating Communist ideology, publicizing Communist policies. & mobilizing popular support. However, their utilization of the stage has not been very successful. Their reckless actions not only caused ill feelings on the part of the acting profession, but incurred public hatred of censors. Worse still is the sterilizing effect of rigid controls on playwrights. Acute shortage of good spoken drama scripts since 1949 has made that medium conspicuously unpopular & ineffective. IPSA.
In: The Western political quarterly, Band 18, Heft 2, S. 395-396
ISSN: 1938-274X
In: The Western political quarterly, Band 18, Heft 2-1, S. 395-396
ISSN: 1938-274X
In: The annals of the American Academy of Political and Social Science, Band 277, Heft 1, S. 135-145
ISSN: 1552-3349
In: Revue économique, Band 8, Heft 3, S. 520
ISSN: 1950-6694
In: Journal of public affairs, Band 20, Heft 2
ISSN: 1479-1854
In: RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, Heft 7, S. 86-97
The object of research of this article is Soviet propaganda porcelain, produced at the very beginning of the formation of Soviet Russia. The paper considers the beginning of the formation of a new porcelain production after the October Revolution of 1917, which took part in the framework of the Soviet monumental propaganda plan. This plan was developed by the leader of the revolution V.I. Lenin. The transformation of artistic techniques and images used on products made of "white gold" was also analyzed. The image on plates, vases, cups of communist slogans, symbols and portraits of revolutionary persons marked the beginning of the creation of such a unique phenomenon as propaganda porcelain, which was supposed to educate Soviet citizens in the context of party policy. The best Russian artists and sculptors of the first quarter of the 20th century worked on its creation. Therefore, the propaganda porcelain turned out to be highly artistic, which was the reason for its success at the international exhibitions and popularity among foreign collectors. However, this fact, combined with the complexity of production, has formed a high cost of products. This did not allow plates and cups with party calls and portraits of the leaders of the proletariat to penetrate into the wider population and conduct ideological propaganda in the everyday life. At the same time, through the products exhibited abroad, a demonstration of Soviet attributes and culture in general was made, which positively influenced the recognition of the new Russia abroad as an objective reality.